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Journal ArticleDOI

Perceived performance anxiety in advanced musicians specializing in different musical genres

01 Jan 2013-Psychology of Music (SAGE Publications)-Vol. 41, Iss: 1, pp 18-41
TL;DR: In this article, the authors explored the perceived intensity of performance anxiety, the perceived contributing factors, changes in perceived anxiety levels as performances approached, and the perceived impact of performance on the quality of performance.
Abstract: Most research on musical performance anxiety has focused on musicians coming from a classical background, and performance anxiety experiences of musicians outside the western classical genre remain under-researched. The aim of this study was to investigate perceived performance anxiety experiences in undergraduate and professional musicians and to explore whether musical genre specialization (Western classical, jazz, popular, Scottish traditional) affected musicians' performance anxiety experiences. The study addressed questions exploring the perceived intensity of performance anxiety, the perceived contributing factors, changes in perceived anxiety levels as performances approached (one hour before, immediately before and during performance) and the perceived impact of performance on the quality of performance. Participants were 244 musicians, 170 undergraduates and 74 portfolio career musicians. Data were collected through a questionnaire survey. Findings suggested that performance anxiety was of concern for a significant majority of undergraduate and professional musicians. Musicians from all participating musical genres shared similar perceptions and concerns. Anxiety appeared to have negative connotations, although it was also reported as beneficial. Solo performance generated more anxiety compared to group performance. Overall, the impact of anxiety on performance was related to its perceived severity during performance, and was mediated by musicians' performance experience and their general susceptibility to anxiety. The musical genre in which participants specialized affected their perceived anxiety levels. Western classical musicians were generally found to report higher levels of performance anxiety. This study has provided indications that musicians specializing in different musical genres may experience performance anxiety in quantitatively and qualitatively different ways. Further research would benefit from investigating factors contributing to these variations.

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Citations
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Journal Article
TL;DR: Find loads of the the psychology of anxiety book catalogues in this site as the choice of you visiting this page.
Abstract: Find loads of the the psychology of anxiety book catalogues in this site as the choice of you visiting this page. You can also join to the website book library that will show you numerous books from any types. Literature, science, politics, and many more catalogues are presented to offer you the best book to find. The book that really makes you feels satisfied. Or that's the book that will save you from your job deadline.

104 citations

Journal ArticleDOI
TL;DR: Music performance anxiety (MPA), a condition common among musicians, consists of an anxious state characterized by cognitive, psychological, and physiological arousal as discussed by the authors, which is a condition that is usually associated with music performances.
Abstract: Music performance anxiety (MPA), a condition common among musicians, consists of an anxious state characterized by cognitive, psychological, and physiological arousal. Musicians often establish str...

72 citations


Cites background or result from "Perceived performance anxiety in ad..."

  • ...The research to date has focused on factors such as variability in levels of experience, and few studies have compared anxiety in students to anxiety in professional musicians (Papageorgi et al., 2013)....

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  • ...The relevance of experience and effort (hours of practice) were also considered in the research, but contrasting findings emerged (Fehm & Schmidt, 2006; Kobori et al., 2011; Papageorgi et al., 2013; Ryan & Andrews, 2009)....

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  • ...These results are consistent with the findings of other research reporting female musicians experiencing higher levels of MPA (Dews & Williams, 1989; Fishbein et al., 1988; Kenny & Osborne, 2006; Papageorgi et al., 2013; Rae & McCambridge, 2004; and Yondem, 2007)....

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  • ...In general, research findings report higher levels of MPA for female musicians than for male musicians (Dews & Williams, 1989; Fishbein, Middlestadt, Ottati, Strauss & Ellis, 1988; Kenny & Osborne, 2006; Papageorgi et al., 2013; Rae & McCambridge, 2004; Yondem, 2007)....

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  • ...This result contrasts with the research by Papageorgi et al. (2013), in which experience was not a significant predictor in solo performance anxiety, and research by Kobori et al. (2011), who found that experience was not a significant factor predicting MPA in amateur and professional musicians....

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Journal ArticleDOI
18 Dec 2014
TL;DR: In this paper, a performance psychology skills training package was developed from elite occupational and sports performance domains, and translated into the musician's training and performance preparation process to reduce self-reported music performance anxiety.
Abstract: Students with a strong sense of competence in musical skills and control over their physical and psychological well-being enhance their capacity to exceed their average level of performance and achieve an optimal or peak performance. Musicians transferring from the rehearsal studio to a concert performance demonstrate significant increases in heart rate and physical tension, which may or may not have a detrimental effect on their performance depending on whether they interpret those physiological symptoms as facilitating or debilitating to their performance. Negative, catastrophic interpretations feed debilitating performance anxiety, which is a significant occupational health issue for a high proportion of professional musicians as well as those training for a professional career in music performance. In early 2013, music students at the Melbourne Conservatorium of Music participated in two lectures and a master class in performance psychology techniques to achieve performance success, supplemented by a workbook of 11 strategies for audition and performance success for musicians. Topics included channeling performance energy, developing confidence, improving self-talk, learning and memorizing music, mental rehearsal, building courage, recovering from mistakes, dealing with adversity, and becoming mentally tough. Pre-post analyses on data from 31 students demonstrates that students can significantly reduce self-reported music performance anxiety, and significantly improve performance preparation, confidence, courage, focus, concentration, and performance resilience as a result of implementing these techniques. This pilot study is the first empirical evaluation of a performance psychology skills training package developed from elite occupational and sports performance domains, and translated into the musician’s training and performance preparation process. The pedagogical implications of the results support the inclusion of performance psychology skills training in undergraduate music performance programs, which may support the wellbeing of emerging performing artists into their future careers.

70 citations


Cites background from "Perceived performance anxiety in ad..."

  • ...This is particularly important for musicians, given the broad range of triggers and symptoms of MPA (Kenny 2011; Papageorgi et al. 2013; Roland 1994)....

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  • ...A moderate amount of anxiety enhances performance when an individual’s skill level matches the performance demands of the situation (Jackson and Csikszentmihalyi 1999), and the individual interprets that anxiety positively (Jones et al. 1993; Papageorgi et al. 2013)....

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Journal ArticleDOI
TL;DR: Creativity and personality of classical, jazz, and folk musicians was compared and Jazz musicians show higher divergent thinking ability and Folk musicians are more extraverted and publish more musical productions.

66 citations


Cites background from "Perceived performance anxiety in ad..."

  • ...In contrast, classical musicians report higher levels of performance anxiety than other non-classical musicians (Papageorgi et al., 2013)....

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References
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Book ChapterDOI
01 Jan 2012

106 citations

Journal Article
TL;DR: Find loads of the the psychology of anxiety book catalogues in this site as the choice of you visiting this page.
Abstract: Find loads of the the psychology of anxiety book catalogues in this site as the choice of you visiting this page. You can also join to the website book library that will show you numerous books from any types. Literature, science, politics, and many more catalogues are presented to offer you the best book to find. The book that really makes you feels satisfied. Or that's the book that will save you from your job deadline.

104 citations


"Perceived performance anxiety in ad..." refers background in this paper

  • ...These include: • The Yerkes-Dodson law (1908), which is one of the earliest experimentally based statements concerning the relationship between drive and learning (Levitt, 1968)....

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  • ...• The Yerkes-Dodson law (1908), which is one of the earliest experimentally based statements concerning the relationship between drive and learning (Levitt, 1968)....

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Journal ArticleDOI
TL;DR: The authors investigated the effect of anxiety in musical performance and found that anxiety can help or hinder performance skills, thus affecting the quality of the performance, while musicians tend to agree that performing in public stimulates performer anxiety.
Abstract: Musicians tend to agree that performing in public stimulates performer anxiety. How musicians respond to anxiety in musical performance can vary. Although musicians may agree that anxiety is present in public performance and that anxiety can help or hinder performance skills, thus affecting the quality of the performance, there is little empirical research in music to support either of these beliefs. The purpose of this study was to investigate the effect of anxiety in musical performance. Ninety music students, five graduates and 85 undergraduates, studying privately at the University of North Carolina at Greensboro, served as subjects. There were 42 male and 48 female subjects. Criteria for subject selection were based on each subject's ability and willingness to perform and record a musical composition in two performance situations within a five-day span.

98 citations


"Perceived performance anxiety in ad..." refers background in this paper

  • ...Earlier studies have suggested a relationship between an individual’s trait anxiety level and evidenced state anxiety (Cox & Kenardy, 1993; Hamann, 1982; Kemp, 1996; Reubart, 1985; Wilson, 2002), as high trait anxiety often relates to a sensitivity towards negative evaluation and fear of failure....

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  • ...However, some studies (e.g., Hamann, 1982; Spencer, 1969) found that anxiety can have motivational properties for more experienced musicians, as their performance can improve under conditions of increased anxiety....

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Journal ArticleDOI

97 citations


"Perceived performance anxiety in ad..." refers background in this paper

  • ...…literature focusing on Western classical musicians has reported that the presence of peers and critics, solo performance, and small orchestras as opposed to large ones correlate with heightened performance anxiety (Brotons, 1994; Fishbein et al., 1988; Gustafson & Rawson, 1983; Leglar, 1978)....

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Journal ArticleDOI
TL;DR: The authors examined the theoretical adequacy of establishing music performance anxiety as a subtype of social phobia, using Rapee and Heimberg's (1997) model of anxiety in social-evaluative situations to account for the cognitions experienced by anxious individuals in solo musical performances.
Abstract: Music performance anxiety has been investigated either as a discrete phenomenon, or as a variant of social phobia. This study examined the theoretical adequacy of establishing music performance anxiety as a subtype of social phobia, using Rapee and Heimberg's (1997) model of anxiety in social-evaluative situations to account for the cognitions experienced by anxious individuals in solo musical performances. Similarities between the two phenomena in terms of important cognitive processes were revealed in a sample of 84 musicians. The two cognitive constructs in the model deemed to be critical to social phobia were also the only two constructs predicting music performance anxiety. It is concluded that social phobic models may provide a valid account of the cognitive processes occurring in music performance anxiety. These results are combined with additional epidemiological and etiological information in a cognitive conceptualisation of music performance anxiety.

93 citations


"Perceived performance anxiety in ad..." refers background in this paper

  • ...Osborne and Franklin (2002) found partial support for conceiving of musical performance anxiety as a social phobia, as their sample showed some of the cognitive distortions of social phobia....

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  • ...Research has found a connection between performance anxiety and social phobia (Cox & Kenardy, 1993; Osborne & Franklin, 2002; Steptoe & Fidler, 1987)....

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