Race and racism in Internet Studies: A review and critique
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Citations
스크린 위의 삶 = Life on the screen : identity in the age of the internet
Imagined Communities: Reflections on the Origin and Spread of Nationalism (review)
A Web of opportunity or the same old story? Women digital entrepreneurs and intersectionality theory
References
Imagined Communities: Reflections on the Origin and Spread of Nationalism
Social Network Sites: Definition, History, and Scholarship
스크린 위의 삶 = Life on the screen : identity in the age of the internet
The Virtual Community: Homesteading on the Electronic Frontier
Representation: Cultural representations and signifying practices.
Related Papers (5)
Frequently Asked Questions (16)
Q2. What are the future works mentioned in the paper "Race and racism in internet studies: a review and critique" ?
Instead, researchers interested in advancing the field of Internet studies about race and racism would do well to explore the work of DuBois and more recent theorists, such as Feagin, who have extended his theoretical framework in ways that are more robust for understanding racism. I hope this essay provides a starting point for further discussion.
Q3. What is the central concern of Nakamura’s recent project?
The central concern of her most recent project is with visual culture as a way to parse racial and ethnic identity in digital technologies and practices (2008: 12).
Q4. What is the key insight for race and Internet studies?
The key insight here for race and Internet studies is that rather than offer an escape route out of notions of race tied to embodiment, the visual culture of the Internet complicates race and racism in new ways that are still closely tied to a politics of representation with ties to colonialism.
Q5. What is the common view in the field?
The prevailing view in the field is that the Internet is a site for identity construction and community formation around racial and ethnic identity (Ignacio, 2005; Nakamura and Chow-White, 2011; Parker and Song, 2006).
Q6. What is the implication of this for future research?
The implication from this for future research that seeks to address race and racism on the Internet is that the authors must resist the longing for a color-blind Internet and eschew a white-framed field of Internet studies.
Q7. How many people played video games in 2009?
In 2009, according to the National Public Diary Group (NPD Group), there were an estimated 169.9 million people playing video games in the United States.
Q8. What is the role of the hand-pointer in the web?
The nearly ubiquitous white hand-pointer acts as a kind of avatar that in turn becomes ‘attached’ to depictions of white people in advertisements, graphical communication settings and web greeting cards (White, 2006).
Q9. What is the main way that people imagine themselves part of a community?
Reading newspapers is, as Benedict Anderson (1991) observed, one of the chief ways that people imagine themselves part of a community.
Q10. What is the evidence for this shift?
The evidence for this shift appears in Nakamura’s work in which she examines the ‘text-only niche Internet,’ where identity tourism, that is, the escape from visibly embodied racial identity, was more possible (Nakamura, 2002).
Q11. What is needed to address racism in the Internet?
Part of what is needed here, The authorcontend, is a strong theoretical framework that acknowledges the persistence of racism online while simultaneously recognizing the deep roots of racial inequality in existing social structures that shape technoculture.
Q12. What is the main point of Leonard’s analysis?
Leonard also makes the important point that the dominant narratives about ‘violence’ in video games, and the impact this has on imagined white youth, obfuscates their role in legitimating state-sponsored violence against Black and Brown people depicted in the games (Leonard, 2006, 2009).
Q13. How many DNA samples have been collected in the US?
Duster (2012) observes that in the last decade, state and national DNA databases have expanded exponentially, and the US has now collected more than six million samples.
Q14. What does Hall explain about the'spectacle of the Other'?
Hall goes on to explain that this facilitates a binding together of ‘all of Us who are “normal” into one “imagined community”; and it sends into symbolic exile all of Them – The Others – who are in some way different – beyond the pale’ (Hall, 1997: 258).
Q15. How do they use the images of racial themes?
Tynes and Markoe operationalize racism by using photos of racially themed parties (e.g., blackface or ‘ghetto’ themes) and asking study participants to respond.
Q16. What is the main theme of Nakamura’s work?
In more recent work (Nakamura, 2008), she traces the shift to the current popular Internet culture that relies heavily on visual images that mediate racial identity formation.