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Open AccessJournal ArticleDOI

Re-imagining painting in digital fiction time, colour, and space in recent experimental moving images

Vinci M. Weng
- 01 Jan 2011 - 
- Vol. 3, pp 706-713
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TLDR
This paper focuses on the creative methodologies of ‘time-based paintings’, associated with the current solo show entitled–Any-Space-Whatever (2010), and presents my selected works.
About
This article is published in Procedia Computer Science.The article was published on 2011-01-01 and is currently open access. It has received 2 citations till now. The article focuses on the topics: Animation & Digital art.

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Journal ArticleDOI

Effect of Painting Series Package on the Performances of Junior Secondary Cultural and Creative Arts in Ogbomoso Nigeria

TL;DR: In this article, the effect of painting series package on the performance of junior secondary school Cultural and Creative Arts in Ogbomoso, Nigeria was examined and gender influence on the students' performances was also examined.

Neomodernist Digital Painting

TL;DR: In this article, the authors argue that digital painting is neomodernist in its essence, and demonstrate that it can be understood within the characteristics of modernism, as Clement Greenberg has defined them.
References
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Book

What Is Surrealism

André Breton
TL;DR: Magritte, Mesens, Nougé, Scutenaire and Souris are among those whose revolutionary will has been for us in Paris a constant reason for thinking that the surrealist project, beyond the limitations of space and time, can contribute to the efficacious reunification of all those who do not despair of the transformation of the world and who wish this transformation to be as radical as possible as discussed by the authors.
Book

Beauty and the Contemporary Sublime

TL;DR: Gilbert-Rolfe as discussed by the authors proposes a critique of the contemporary notion of the sublime, which is now found in technology and a high-powered economy rather than in nature.
Book

Experimental cinema in the digital age

TL;DR: Le Grice, a pioneer of "structural film" in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays as mentioned in this paper.