Reading Mutant Narratives : The Bodily Experientiality of Contemporary Ecological Science Fiction

Abstract: Many current neurophysiological, psychophysical, and psychological approaches to vision rest on the idea that when we see, the brain produces an internal representation of the world. The activation of this internal representation is assumed to give rise to the experience of seeing. The problem with this kind of approach is that it leaves unexplained how the existence of such a detailed internal representation might produce visual consciousness. An alternative proposal is made here. We propose that seeing is a way of acting. It is a particular way of exploring the environment. Activity in internal representations does not generate the experience of seeing. The outside world serves as its own, external, representation. The experience of seeing occurs when the organism masters what we call the governing laws of sensorimotor contingency. The advantage of this approach is that it provides a natural and principled way of accounting for visual consciousness, and for the differences in the perceived quality of sensory experience in the different sensory modalities. Several lines of empirical evidence are brought forward in support of the theory, in particular: evidence from experiments in sensorimotor adaptation, visual \"filling in,\" visual stability despite eye movements, change blindness, sensory substitution, and color perception.

Abstract: Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Abstract: Lunds Civila Ryttarforening, LCR, is one of Sweden’s largest equestrian clubs with its facilities located in between Norra Faladen to the north and LTH to the south. To the west of the horse facilities is “Smorlyckans Idrottsplats” with football pitches, tennis courts, a Jujutsu club and a Home Guard’s building. The club has approximately 500 weekly riders and offers a wide range of activities within the the riding school, as well as stalls for private horses. Discussions on whether the equestrian centre should be relocated or not have reached a standstill as it has been going on for about 50 years. I believe that if LCR is to stay on its current site it can not continue to be an island. Therefore this project is an investigation into how the centre could be developed meeting and integrating with its surroundings. As much as the horse is the centre of the stable and the equestrian sport it’s also the centre of this project. “When Species Meet” is a what-if scenario on what could happen if we plan for the horse and who else that could benefit from that. In addition to the architectural proposal, one major question with the project has been to develop my own method and investigate how it’s possible to keep a high rate of complexity when working with a project. This is something I have done by taking the position of the horse instead of the architect. This change of position has provided me with a possibility to see the site, with all its opportunities, from a perspective that I couldn’t have without the horse. Therefore, this project is also a try on how it could be possible to take on other projects by relocating my investigation to several other positions relevant for those projects. (Less)

Abstract: It can be said that we inhabit a post-human world—an existence characterised by smartphones and social media, genetically modified food and IVF babies, life-extending technologies and prosthetic enhancements. In The Posthuman (2013), Rosi Braidotti offers a roadmap for navigating the global effects of this post-human predicament—one in which clear distinctions between the human and the non-human no longer hold, the nature–culture divide is destabilised, and man’s privileged status is under attack. The situation we find ourselves in, Braidotti argues, is neither dystopian technological nightmare nor futuristic fantasy but one that requires complex and nuanced critical responses to issues of subjectivity, ethics and politics. In the four chapters comprising The Posthuman, Braidotti outlines her vision of the post-human future based on an affirmative politics, which ‘combines critique with creativity in the pursuit of alternative visions and projects’ (54). As a feminist antihumanist, Braidotti expresses little nostalgia for the concept of ‘Man’ and its associated individualism, Eurocentrism and anthropocentrism. Chapter 1 ‘Post-Humanism: Life Beyond the Self’ charts the Humanist/anti-humanist debates to draw attention to the crisis of the human and the opportunity it affords to imagine alternative subjectivities grounded in relationality and the interconnection between the self and others (49). Methodologically, Braidotti adopts a feminist politics of location in her critique of various Humanist traditions. There is a profound reflexivity to her writing as she guides the reader through the intellectual trajectory that has resulted in her nomadic, affirmative politics. It is a legacy that incorporates social movements of the 1960s/1970s, as well as the continental feminism of Irigaray and Kristeva. Spinoza and Deleuze and Guattari also feature as philosophical touchstones from which she advances her vision for the posthuman as a ‘relational subject constituted in and by multiplicity, that is to say a subject that works across differences and is also internally differentiated, but still grounded and accountable’ (49). By framing her argument within the narrative of her own intellectual story, the book conveys an immediacy and intimacy not often found in academic prose. Stylistically, it is as though we are inside her head—a post-human experience, indeed. Her writing is as expansive and impressive as you would expect—a swarm of ideas assuredly curated into a compelling argument for generating new forms of subjectivity and ethical relations to confront the challenges of a post-human existence. Consistent with existing feminist appraisals of the post-human (Halberstam and Livingston 1995; Hayles 1999; Toffoletti 2007), Braidotti acknowledges the complexity of the post-human predicament, seeking alternative frameworks to think about post-human subjectivity in non-dualistic ways. What Braidotti brings to these debates is an emphasis on materialism by way of Spinozist monism. In championing the relational, embodied and embedded qualities of post-human existence, Braidotti reprises the concept of zoe—a generative and vitalist force that allows for connections and affinities to be made across

Abstract: Contents: Preface. Introduction. Part I: The Environment To Be Perceived.The Animal And The Environment. Medium, Substances, Surfaces. The Meaningful Environment. Part II: The Information For Visual Perception.The Relationship Between Stimulation And Stimulus Information. The Ambient Optic Array. Events And The Information For Perceiving Events. The Optical Information For Self-Perception. The Theory Of Affordances. Part III: Visual Perception.Experimental Evidence For Direct Perception: Persisting Layout. Experiments On The Perception Of Motion In The World And Movement Of The Self. The Discovery Of The Occluding Edge And Its Implications For Perception. Looking With The Head And Eyes. Locomotion And Manipulation. The Theory Of Information Pickup And Its Consequences. Part IV: Depiction.Pictures And Visual Awareness. Motion Pictures And Visual Awareness. Conclusion. Appendixes: The Principal Terms Used in Ecological Optics. The Concept of Invariants in Ecological Optics.

Abstract: Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Abstract: People use metaphors every time they speak. Some of those metaphors are literary - devices for making thoughts more vivid or entertaining. But most are much more basic than that - they're "metaphors we live by", metaphors we use without even realizing we're using them. In this book, George Lakoff and Mark Johnson suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning. Bringing together the perspectives of linguistics and philosophy, Lakoff and Johnson offer an intriguing and surprising guide to some of the most common metaphors and what they can tell us about the human mind. And for this new edition, they supply an afterword both extending their arguments and offering a fascinating overview of the current state of thinking on the subject of the metaphor.

Abstract: Part I:. Introduction. The Discontinuities of Modernity. Security and Danger, Trust and Risk. Sociology and Modernity. Modernity, Time and Space. Disembedding. Trust. The Reflexivity of Modernity. Modernity and Post-- Modernity?. Summary. Part II:. The Institutional Dimensions of Modernity. The Globalizing of Modernity. Two Theoretical Perspectives. Dimensions of Globalization. Part III:. Trust and Modernity. Trust in Abstract Systems. Trust and Expertise. Trust and Ontological Security. The Pre--Modern and Modern. Part IV:. Abstract Systems and the Transformation of Intimacy. Trust and Personal Relations. Trust and Personal Identity. Risk and Danger in the Modern World. Risk and Ontological Security. Adaptive Reactions. A Phenomonology of Modernity. Deskilling and Reskilling in Everyday Life. Objections to Post--Modernity. Part V:. Riding the Juggernaut. Utopian Realism. Future Orientations. The Role of Social Movements. Post--Modernity. Part VI: . Is Modernity and Western Project?. Concluding Observations. Notes.

Abstract: Foreword, Taylor Carman Introduction, Claude Lefort Preface Introduction: Classical Prejudices and the Return to Phenomena I. Sensation II. Association and the Projection of Memories III. Attention and Judgment IV. The Phenomenal Field Part 1: The Body 1. The Body as an Object and Mechanistic Physiology 2. The Experience of the Body and Classical Psychology 3. The Spatiality of the One's Own Body and Motility 4. The Synthesis of One's Own Body 5. The Body as a Sexed Being 6. Speech and the Body as Expression Part 2: The Perceived World 7. Sensing 8. Space 9. The Thing and the Natural World 10. Others and the Human World Part 3: Being-For-Itself and Being-In-The-World 11. The Cogito 12. Temporality 13. Freedom Original Bibliography Bibliography of English Translations cited Additional Work Cited Index