Sex, Literature and Censorship
01 Jul 2002-Journal of Communication Inquiry (Sage PublicationsSage CA: Thousand Oaks, CA)-Vol. 26, Iss: 3, pp 336-338
TL;DR: Negri and Hardt as discussed by the authors discuss information inequality in the age of the Fortune 500, and present a review of Empire, by Antonio Negri and Michael Hardt. 2001.
Abstract: March. Hardt, Michael, and Antonio Negri. 2001. What the protesters in Genoa want. New York Times, 20 July, A21. Ikenberry, G. John. 2000. Review of Empire, by Antonio Negri and Michael Hardt. Foreign Affairs, July/August, 148. James, William. 1882. On some hegalisms. Mind 7:186-208. Marx, Karl, and Frederick Engels. 1947.TheGerman ideology: Part one. Edited byC. J. Arthur. New York: International. Ninkovich, Frank. 2000. Review ofEmpire, by Antonio Negri andMichael Hardt.Political Science Quarterly, fall, 488. Schiller, Herbert I. 1981.Who knows: Information in the age of the Fortune 500. Norwood, NJ: Ablex. . 1996. Information inequality: The deepening social crisis in America. New York: Routledge.
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TL;DR: The authors focus on the possibilities and limitations of reflexivity in contemporary anti-consumerism activist discourse, and identify how various anticonsumerist actions and texts, including Naomi Klein's bestseller No Logo, Anita Roddick's manual Take it Personally, the work of ‘culture jammers’ Adbusters, and Reverend Billy's ‘Church of Stop Shopping’ position themselves reflexively in relation to social and cultural change.
Abstract: This article focuses on the possibilities and limitations of reflexivity in contemporary anti-consumerism activist discourse. Opening by noting that much contemporary anti-consumerist discourse has a fraught relationship with what was once termed ‘identity politics’, in that it often attempts to reject or negotiate with an idea of identity politics that is figured as existing in the recent past, the article suggests that one way of both understanding this preoccupation, and of broadening out the terms of discussion, is to consider the various ways in which these discourses can be understood as reflexive. The paper therefore attempts to identify how various anti-consumerist actions and texts, including Naomi Klein's bestseller No Logo, Anita Roddick's manual Take it Personally, the work of ‘culture jammers’ Adbusters, and Reverend Billy's ‘Church of Stop Shopping’ position themselves reflexively in relation to social and cultural change. Its discourse analysis considers what these projects understand as ‘a...
87 citations
Cites methods from "Sex, Literature and Censorship"
...Jonathan Dollimore has used the phrase ‘wishful theory’ to describe theory that forces itself to find what it wishes to see (Dollimore 2001, pp. 37 /45), and occasionally the glorification of the protests might be thought of as a kind of variant on this (what we might call ‘wishful journalism’),…...
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TL;DR: The effect of such representation is performative since it both constructs and inscribes subject positions in social space as mentioned in this paper, and a form of symbolic violence is created by such representation through the legitimacy it lends to normative conceptions about real people.
Abstract: Since 2002, the`chav' has become a ubiquitous symbol of class difference in Britain. Simultaneously, a heterogeneous industry has appropriated `chav culture' in order to market a range of products and services orientated to gay men. In this article I explore some of the representations employed by this industry to argue that they function within a symbolic economy in which the chav is positioned as a subject lacking any intrinsic worth. However, while representations continually impute a lack of value to such subjects, it is precisely this lack which is converted into symbolic capital to be bought and sold.The effect of such representation is performative since it both constructs and inscribes subject positions in social space. In conclusion, I argue that a form of symbolic violence is created by such representation through the legitimacy it lends to normative conceptions about, what become imagined as,`real' people.
47 citations
Cites background from "Sex, Literature and Censorship"
...(Dollimore, 2001: 58) 65...
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...The central precept of this way of comprehending sexuality, as Dollimore (2001) argues, is that what has been squeezed from the psyche by social norms is often intensified, escalated, and becomes the basis for a heightened form of desire....
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TL;DR: The theme of the Channel 4 show "playing it straight" (2005) as mentioned in this paper is a variation on the "dating show" genre in which a female contestant must select the man of her dreams from 10 suitors.
Abstract: This article considers the theme of the Channel 4 show 'Playing It Straight' (2005), a variation on the 'dating show' genre in which a female contestant must select the man of her dreams from 10 suitors. However, the twist in the show's format is that not all of the men are heterosexually identified. The article contends that the show's narrative is not homophobic but effeminophobic. Second, the article analyses how the show positions all the male contestants, both gay and straight, within the matrix of New Lad style homosocial bonding. Finally, the article considers how the show mobilises one of the dominant cultural themes in contemporary popular culture: the 'safe eroticism' or 'queer' friendship that can develop between a straight woman and a gay identified man.
39 citations
TL;DR: The Criminal Justice and Immigration Act 2008 introduced the new offence of ‘Possession of extreme pornographic images' (section 63) into English law, which is explicitly concerned with questions of morality: images must be deemed "grossly offensive, disgusting or otherwise of an obscene character".
Abstract: The Criminal Justice and Immigration Act 2008 introduced the new offence of ‘Possession of extreme pornographic images’ (section 63) into English law. One aspect of the framework that section 63 uses to determine which images will fall within its scope is explicitly concerned with questions of morality: images must be deemed ‘grossly offensive, disgusting or otherwise of an obscene character’. This article examines some of the justifications for, objections to, and implications of the inclusion of the moral component of section 63 and situates these arguments within long-standing debates about the relationship between law, sexuality and morality. Returning to the influential but much critiqued work of Patrick Devlin, it argues that the framework that section 63 offers for the moral evaluation of extreme images is an imperfect but appropriate method for determining the level of social toleration for the private possession of violent pornographic imagery. After considering some of the arguments made against the moral framework, and in favour of a harm-based approach, it concludes by arguing that the morality component offers both a practical way of evaluating images in relation to contemporary standards of obscenity and provides a protective mechanism for limiting the scope of the law’s application.
23 citations
TL;DR: Despite camp's seemingly exclusive affiliation with gay men and misogynist tendencies, camp offers feminists a model for critiques of gender and sex roles as discussed by the authors, and has an affinity with feminist discus...
Abstract: Despite camp's seemingly exclusive affiliation with gay men and misogynist tendencies, camp offers feminists a model for critiques of gender and sex roles. Camp has an affinity with feminist discus...
22 citations
References
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TL;DR: The authors focus on the possibilities and limitations of reflexivity in contemporary anti-consumerism activist discourse, and identify how various anticonsumerist actions and texts, including Naomi Klein's bestseller No Logo, Anita Roddick's manual Take it Personally, the work of ‘culture jammers’ Adbusters, and Reverend Billy's ‘Church of Stop Shopping’ position themselves reflexively in relation to social and cultural change.
Abstract: This article focuses on the possibilities and limitations of reflexivity in contemporary anti-consumerism activist discourse. Opening by noting that much contemporary anti-consumerist discourse has a fraught relationship with what was once termed ‘identity politics’, in that it often attempts to reject or negotiate with an idea of identity politics that is figured as existing in the recent past, the article suggests that one way of both understanding this preoccupation, and of broadening out the terms of discussion, is to consider the various ways in which these discourses can be understood as reflexive. The paper therefore attempts to identify how various anti-consumerist actions and texts, including Naomi Klein's bestseller No Logo, Anita Roddick's manual Take it Personally, the work of ‘culture jammers’ Adbusters, and Reverend Billy's ‘Church of Stop Shopping’ position themselves reflexively in relation to social and cultural change. Its discourse analysis considers what these projects understand as ‘a...
87 citations
TL;DR: The effect of such representation is performative since it both constructs and inscribes subject positions in social space as mentioned in this paper, and a form of symbolic violence is created by such representation through the legitimacy it lends to normative conceptions about real people.
Abstract: Since 2002, the`chav' has become a ubiquitous symbol of class difference in Britain. Simultaneously, a heterogeneous industry has appropriated `chav culture' in order to market a range of products and services orientated to gay men. In this article I explore some of the representations employed by this industry to argue that they function within a symbolic economy in which the chav is positioned as a subject lacking any intrinsic worth. However, while representations continually impute a lack of value to such subjects, it is precisely this lack which is converted into symbolic capital to be bought and sold.The effect of such representation is performative since it both constructs and inscribes subject positions in social space. In conclusion, I argue that a form of symbolic violence is created by such representation through the legitimacy it lends to normative conceptions about, what become imagined as,`real' people.
47 citations
TL;DR: The theme of the Channel 4 show "playing it straight" (2005) as mentioned in this paper is a variation on the "dating show" genre in which a female contestant must select the man of her dreams from 10 suitors.
Abstract: This article considers the theme of the Channel 4 show 'Playing It Straight' (2005), a variation on the 'dating show' genre in which a female contestant must select the man of her dreams from 10 suitors. However, the twist in the show's format is that not all of the men are heterosexually identified. The article contends that the show's narrative is not homophobic but effeminophobic. Second, the article analyses how the show positions all the male contestants, both gay and straight, within the matrix of New Lad style homosocial bonding. Finally, the article considers how the show mobilises one of the dominant cultural themes in contemporary popular culture: the 'safe eroticism' or 'queer' friendship that can develop between a straight woman and a gay identified man.
39 citations
TL;DR: The Criminal Justice and Immigration Act 2008 introduced the new offence of ‘Possession of extreme pornographic images' (section 63) into English law, which is explicitly concerned with questions of morality: images must be deemed "grossly offensive, disgusting or otherwise of an obscene character".
Abstract: The Criminal Justice and Immigration Act 2008 introduced the new offence of ‘Possession of extreme pornographic images’ (section 63) into English law. One aspect of the framework that section 63 uses to determine which images will fall within its scope is explicitly concerned with questions of morality: images must be deemed ‘grossly offensive, disgusting or otherwise of an obscene character’. This article examines some of the justifications for, objections to, and implications of the inclusion of the moral component of section 63 and situates these arguments within long-standing debates about the relationship between law, sexuality and morality. Returning to the influential but much critiqued work of Patrick Devlin, it argues that the framework that section 63 offers for the moral evaluation of extreme images is an imperfect but appropriate method for determining the level of social toleration for the private possession of violent pornographic imagery. After considering some of the arguments made against the moral framework, and in favour of a harm-based approach, it concludes by arguing that the morality component offers both a practical way of evaluating images in relation to contemporary standards of obscenity and provides a protective mechanism for limiting the scope of the law’s application.
23 citations
TL;DR: Despite camp's seemingly exclusive affiliation with gay men and misogynist tendencies, camp offers feminists a model for critiques of gender and sex roles as discussed by the authors, and has an affinity with feminist discus...
Abstract: Despite camp's seemingly exclusive affiliation with gay men and misogynist tendencies, camp offers feminists a model for critiques of gender and sex roles. Camp has an affinity with feminist discus...
22 citations