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Journal ArticleDOI

Study of variations in the male and female glottal wave.

Randall B. Monsen, +1 more
- 01 Nov 1976 - 
- Vol. 62, Iss: 4, pp 981-993
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TLDR
A reflectionless metal tube which can act as a pseudoinfinite termination of the vocal tract was used to collect glottal volume-velocity waveforms produced by 10 male and female adult subjects, indicating a wide variation of theglottal waveform shape, its rms intensity and fundamental frequency, phase spectrum, and intensity spectrum.
Abstract
A reflectionless metal tube which can act as a pseudoinfinite termination of the vocal tract was used to collect glottal volume‐velocity waveforms produced by 10 male and female adult subjects From each subject, glottal volume‐velocity samples were collected of normal, loud, and soft voice; falsetto and creaky voice; monosyllables with rising and falling intonation; and three‐syllable utterances containing primary lexical stress on one of the three syllables Analysis of the data indicates a wide variation of the glottal waveform shape, its rms intensity and fundamental frequency, phase spectrum, and intensity spectrum It is observed that as the fundamental frequency changes over time, the glottal source varies in one of two different ways In one type of change, the harmonic relations in the glottal spectrum become steeper as fundamental frequency rises In a different type of glottal‐wave change, relations between harmonics tend to remain the same despite a change in the fundamental frequency; the source spectrum in this case is simply shifted along the frequency and amplitude axes as a function of fundamental frequency To account for these variations in the glottal source, at least three factors must be known: the sex of the speaker, the voice register in which he phonates, and the linguistic context in which the phonation occurs

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Analysis, synthesis, and perception of voice quality variations among female and male talkers

TL;DR: Perceptual validation of the relative importance of acoustic cues for signaling a breathy voice quality has been accomplished using a new voicing source model for synthesis of more natural male and female voices.
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Echoes of echoes? An episodic theory of lexical access.

TL;DR: An episodic model tested against speech production data from a word-shadowing task predicted the shadowing-response-time patterns, and it correctly predicted a tendency for shadowers to spontaneously imitate the acoustic patterns of words and nonwords.
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Review of text‐to‐speech conversion for English

TL;DR: This review traces the early work on the development of speech synthesizers, discovery of minimal acoustic cues for phonetic contrasts, evolution of phonemic rule programs, incorporation of prosodic rules, and formulation of techniques for text analysis.
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Words and voices: episodic traces in spoken word identification and recognition memory.

TL;DR: This investigation assessed both explicit and implicit memory for spoken words as a function of speakers' voices, delays between study and test, and levels of processing, suggesting that episodic memory traces of spoken words retain the surface details typically considered as noise in perceptual systems.
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The role of voice quality in communicating emotion, mood and attitude

TL;DR: Listeners' reactions to an utterance synthesised with seven different voice qualities were elicited in terms of pairs of opposing affective attributes, suggesting that these qualities are considerably more effective in signalling milder affective states than the strong emotions.
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