Teaching the postmodern : fiction and theory
TL;DR: In this article, the subjectivity and power of the subject are discussed in the context of metafiction and counter-memory and Historiographic meta-fiction: Christa Wolf's Cassandra, Timothy Findley's Famous Last Words, Salman Rushdie's Midnight's Children.
Abstract: Acknowledgements Introduction 1. Structuralism and Italo Calvino's A Sign in Space 2. Critique of Representation and J.M. Coetzee's Foe 3. Critique of Subjectivity and Michel Tournier's Friday Part I: The Subject as Construct Part II: The Subject and Power 4. From Work to Text to Intertextuality: Robinson Crusoe, Foe, Friday 5. Counter-Memory and Historiographic Metafiction: Christa Wolf's Cassandra, Timothy Findley's Famous Last Words, Salman Rushdie's Midnight's Children 6. Resisting Closure and Toni Morrison's Beloved Notes Works Cited Index
...read more
Citations
819 citations
Cites background from "Teaching the postmodern : fiction a..."
...Perhaps the most important contribution poststructuralism has to make is its insistence that the very ways in which we think are framed not only by what is said, but also by what is not said (Marshall, 1992)....
[...]
322 citations
219 citations
Cites background from "Teaching the postmodern : fiction a..."
...Just as I earlier argued that identities have meaning because of what they are not (i.e., whom they exclude), so too do texts have meaning because of what they leave unsaid (Marshall, 1992)....
[...]
..., whom they exclude), so too do texts have meaning because of what they leave unsaid (Marshall, 1992)....
[...]
88 citations
68 citations
Cites background from "Teaching the postmodern : fiction a..."
...(Marshall, 1992, 192) Here I am, at the border between story and history, personal desire and a shared reality over which I have no more power than I do over my dreams....
[...]