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Proceedings ArticleDOI

Techniques for Indian classical raga identification- A survey

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TLDR
Some basic terms in Indian classical music and terms associated with raga are introduced and different techniques for raga identification along with their system structure are discussed.
Abstract
Raga plays an important role in Indian classical music. Raga is made up from the swara or note. According to characteristics of raga, Indian classical music is further divided into two systems Hindustani / North Indian classical music, Carnatic / South India classical music. This paper introduces us with some basic terms in Indian classical music and terms associated with raga. Then we discussed different techniques for raga identification along with their system structure. Different challenges associated with raga identification.

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Citations
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Proceedings ArticleDOI

Time domain analysis of Indian classical raga rendition

TL;DR: This paper attempts to investigate audio features of different ragas which are rendered in morning, afternoon, evening and night.
Book ChapterDOI

A Pilot Study of Indian Ragas-Based Music Therapy for Enhancement of Chronic Patient Health Condition

TL;DR: In this paper, a review work explores raga music therapy as scientifically the traditional way of medicine, which will enhance health of diabetics, low BP, high BP, and stress of chronic disease patients.
Book ChapterDOI

A Scientific Exploration of the Time Theory in Hindustani Ragas

TL;DR: This work is an attempt for investigating time domain as well as frequency domain features of different ragas which are rendered during day and night of Hindustani classical music.
Proceedings ArticleDOI

A Deep Learning Based Approach for Janya Raga Classification in Carnatic Music

TL;DR: In this paper , classification-based supervised deep learning models (1D CNN, LSTM and 1D CNN-LSTM) were used to identify the Melakarta Raga of a Janya Raga, especially for improved music recommendation performance.
References
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Proceedings ArticleDOI

Raag Recognition Using Pitch-Class and Pitch-Class Dyad Distributions.

TL;DR: The first large-scale raag recognition experiment is described, which clearly demonstrates the effectiveness of PCDs and PCDDs in discriminating raags, even when musical differences are subtle.
Proceedings Article

TANSEN: A System for Automatic Raga Identification.

TL;DR: This paper presents an approach to solve the problem of automatic identification of Ragas from audio samples based on a Hidden Markov Model enhanced with a string matching algorithm, named Tansen.

Raga Identification of Carnatic music for Music Information Retrieval

TL;DR: This work proposes a method to identify the raga of a Carnatic music signal, which could be used to index the songs and further for retrieval based on the Raga, and determines the singer to know the fundamental frequency of the singer.

Raga Mining of Indian Music by Extracting Arohana-Avarohana Pattern

TL;DR: A system which takes an audio file as an input and converts it into sequence of notes, identifies the raga by extracting its Arohana- avarohana pattern is depicted.
Proceedings Article

Swara Histogram Based Structural Analysis And Identification Of Indian Classical Ragas.

TL;DR: Methods to perform scale-independent raga identification using a random forest classifier on swara histograms and achieved state-of-the-art results for the same.
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