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The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett

Wolfgang Iser
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TLDR
Iser as mentioned in this paper analyzed major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, and provided a framework for a theory of such literary effects and aesthetic responses.
Abstract
Like no other art form, the novel confronts its readers with circumstances arising from their own environment of social and historical norms and stimulates them to assess and criticize their surroundings. By analyzing major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, renowned critic Wolfgang Iser here provides a framework for a theory of such literary effects and aesthetic responses. Iser's focus is on the theme of discovery, whereby the reader is given the chance to recognize the deficiencies of his own existence and the suggested solutions to counterbalance them. The content and form of this discovery is the calculated response of the reader -- the implied reader. In discovering the expectations and presuppositions that underlie all his perceptions, the reader learns to "read" himself as he does the text.

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Memories and Places in Twentieth-Century Suzhou Tanci

Yunjing Xu
- 02 Jun 2023 - 
TL;DR: Zhang et al. as mentioned in this paper explored the role of tanci in the shaping of local collective memory and identity in the city of Suzhou and its neighboring area, focusing on six tanci stories and their manifestations.

Adapting and appropriating jane austen's pride and prejudice

TL;DR: Adaptation and appropriation have reproductive dimensions that suggest manifold ways in which texts feed off and create other texts as discussed by the authors... Adaptation has become a controversial issue that provokes intense debate among authors and auteurs.

Understanding Play Practices: Contributions to the State of the Art

TL;DR: In classical literary theory it has been pointed out by several authors that the activity of reading fictional texts involves readers in interactions with at least at least one other person.