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The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett

Wolfgang Iser
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TLDR
Iser as mentioned in this paper analyzed major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, and provided a framework for a theory of such literary effects and aesthetic responses.
Abstract
Like no other art form, the novel confronts its readers with circumstances arising from their own environment of social and historical norms and stimulates them to assess and criticize their surroundings. By analyzing major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, renowned critic Wolfgang Iser here provides a framework for a theory of such literary effects and aesthetic responses. Iser's focus is on the theme of discovery, whereby the reader is given the chance to recognize the deficiencies of his own existence and the suggested solutions to counterbalance them. The content and form of this discovery is the calculated response of the reader -- the implied reader. In discovering the expectations and presuppositions that underlie all his perceptions, the reader learns to "read" himself as he does the text.

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The Betrayal of the Unreliable Narrator: Deconstruction, Dualism, and the “Other Disciple” of John 18:15–16

TL;DR: The authors used the technique of deconstruction to undermine John's characterization of the ultimate outsider: Judas in the Gospels of the Bible, revealing that the reader can identify the anonymous figure of the other disciple who lets Peter into the high priest's courtyard as Judas, leading to a deconstructive reading of the Gospel of John in which dualism collapses.
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Narrated Political Theory: Theorizing Pop Culture in Dietmar Dath's Novel Für immer in Honig

TL;DR: This paper argued that Dath's references to affective'mattering maps' of pop culture, that on the one hand tend to fall into the pitfalls of exclusive 'pop sophistication', nevertheless play a key role for his aesthetical/theoretical project of political emancipation, and that these references can be viewed as examples of why popular passions matter for the formation of political identities/subjectivities as well as for the production and reading of political theory.
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