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Book ChapterDOI

The Literary Worlds of Workers: Narratives of Art from the Margins

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TLDR
The authors argue that workers are reflective beings who narrate their life worlds using literary tropes to outline their resistance and compromise with the extractive economy of organizations, and uncover two literary tropes of jokes and horror to outline how workers yearn for agency to reimagine material worlds in which they are immersed.
Abstract
In this study, we engage with marginal workers who are employed as security guards and janitors in India to understand how they re-enact stories of artefacts of the culture industry. We engage with workers using a narrative methodological frame to understand how literary tropes of workers could provide insights about the politics of disobedience and consent in which they may be implicated. We argue that workers are reflective beings who narrate their life worlds using literary tropes to outline their resistance and compromise with the extractive economy of organizations. We uncover two literary tropes of jokes and horror to outline how workers yearn for agency to reimagine material worlds in which they are immersed. At the same time, we outline how limits of the discursive vocabulary of workers limit their literary challenges to prevailing genres of inequality.

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Journal ArticleDOI

Bertolt Brecht and Béla Balázs Paradoxes of exile

TL;DR: The sometimes parallel, sometimes conflicting careers of Bertolt Brecht and Bela Balazs are examined through the focus of their engagements with film and in the context of their experience of exile as discussed by the authors.
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Eisenstein and Horror

TL;DR: Eisenstein and Horror as mentioned in this paper places Eisenstein's unfinished work, Method (2002 [1932] 46], in dialogue with key concepts that have been brought to bear on cinematic horror: ambivalence, excess, affect, a...
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Derrida’s Archive

TL;DR: This article argued that attempts to archive Derrida's work and treat it in the standard terms of intellectual history are short-circuited by arguments within his work that undermine the coherence of the concept of archive as it is deployed in such historical descriptions.
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Brecht’s Anti-Theatricality? Reflections on Brecht’s Place in Michael Fried’s Conceptual Framework:

TL;DR: In this article, the authors examine whether Fried's inclusion of Brecht into his anti-theatrical paradigm was justified or whether it was mere appropriation, and they further probe into Fried's category of anti-Theatricality within the conceptual framework of the dramaturgical reflections and its validity as a key marker of Modernism.