Book•
The New Spirit of Capitalism
01 Jan 2005-
TL;DR: A century after the publication of Max Weber's The Protestant Ethic and the "Spirit" of Capitalism, a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.
Abstract: A century after the publication of Max Weber's The Protestant Ethic and the "Spirit" of Capitalism, a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.
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TL;DR: This paper explore the meaning and implications of Bourdieu's construct of the field of power and integrate it into a wider conception of the formation and functioning of elites at the highest level in society.
Abstract: We explore the meaning and implications of Bourdieu’s construct of the field of power and integrate it into a wider conception of the formation and functioning of elites at the highest level in society. Corporate leaders active within the field of power hold prominent roles in numerous organizations, constituting an ‘elite of elites’, whose networks integrate powerful participants from different fields. As ‘bridging actors’, they form coalitions to determine institutional settlements and societal resource flows. We ask how some corporate actors (minority) become hyper-agents, those actors who ‘make things happen’, while others (majority) remain ‘ordinary’ members of the elite. Three hypotheses are developed and tested using extensive data on the French business elite. Social class emerges as persistently important, challenging the myth of meritocratic inclusion. Our primary contribution to Bourdieusian scholarship lies in our analysis of hyper-agents, revealing the debts these dominants owe to elite schools and privileged classes.
27 citations
Cites background from "The New Spirit of Capitalism"
...In the present state of inequalities, resistance to change from incumbents who benefit from existing arrangements can be powerful (Boltanski and Chiapello, 2007)....
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...We shed light on the enduring advantage of higher-status backgrounds at a time when high income and wealth are attracting increasing attention (Boltanski and Chiapello, 2007; Piketty, 2014)....
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Dissertation•
01 Jun 2012
TL;DR: In this paper, the authors argue that the current debates about political art or aesthetic politics do not take the politics of art into account, and propose a sustainable and uncompromised art practice.
Abstract: The current debates about political art or aesthetic politics do not take the politics of art into account. How can artists address social politics when the politics of art remain opaque? Artists situated critically within the museum self-consciously acknowledge the institutional frame and their own complicity with it. Artists’ compromised role within the institution of art obscures their radically opposed values. Institutions are conservative hierarchies that aim to augment and consolidate their authority. How can works of art be liberating when the institutional conditions within which they are exhibited are exclusive, compromised and exploitive? Despite their purported neutrality, art institutions instrumentalise art politically and ideologically. Institutional mediation defines the work of art in the terms of its own ideology, controlling the legitimate discourse on value and meaning in art. In a society where everything is instrumentalised and heteronomously defined, autonomous art performs a social critique. Yet how is it possible to make autonomous works of art when they are instantly recuperated by commercial and ideological interests? At a certain point, my own art practice could no longer sustain these contradictions. This thesis researches the possibilities for a sustainable and uncompromised art practice. If art is the critical alternative to society then it must function critically and alternatively. Artistic ambition is not just a matter of aesthetic objectives or professional anxiety; it is particularly a matter of the values that artists affirm through their practice. Art can define its own terms of production and the burden of responsibility falls on artists. The Exploding Cinema Collective has survived independently for twenty years, testifying to this principle. Autonomy is a valuable tool in the critique of heteronomy, but artists must assert it. The concept of the autonomy of art must be replaced with the concept of the autonomy of the artist.
27 citations
01 Jan 2015
TL;DR: The authors studied traditional and popular music of the Wixarika (a.k.a. Huichol) people of western Mexico, focusing especially on the phenomenon of musicians who intentionally represent themselves as indigenous “Huichol” people yet perform popular Mexican music primarily for non-indigenous audiences.
Abstract: This dissertation studies traditional and popular music of the Wixarika (a.k.a. Huichol) people of western Mexico, focusing especially on the phenomenon of Wixarika musicians who intentionally represent themselves as indigenous “Huichol” people yet perform popular Mexican music primarily for non-indigenous audiences. This phenomenon markets ethnic identity within regional and transnational music industries, following in the footsteps of Wixarika people who have successfully inserted their arts and crafts into global markets. The process of becoming indigenous cosmopolitan capitalists is partly the result of direct assimilatory projects directed by early Mexican anthropologists and the indirect outcome of over a century of Huichol identity construction for consumption, aided greatly by foreign ethnographers and other outsiders. On one hand, the commodification of identity through handicrafts, art, and music generates income for the Wixarika people, and the resultant visibility—sometimes international in scale—may strengthen them politically as Indigenous people. Conversely, the process simultaneously supplants some of the very elements they consider central to Wixarika culture. Musicians often leave their homelands to pursue their craft, making it difficult or impossible to participate in community affairs and ceremonies, and leaving their children bereft of Wixarika language and “customs.” Such people who represent the “customs” but do not practice them are sometimes disparaged as “half disqualified” or “Huichol de pirata” (pirated Huichol), illuminating identity’s commodity form. As the first English-language study of Wixarika music, this dissertation examines the paradox of identity commodification, developing a tripartite model of identity that shows the vital (albeit sometimes inadvertent) role of ethnography in defining the essence of the commodity form of Huichol identity.
27 citations
TL;DR: In this article, the relationship between morality and economy has been muddied in the course of disciplinary specialization, and the moral dimension of economic life is illustrated with reference to work as a value between the late 19th and early 21st centuries in Hungary.
Abstract: The relationship between morality and economy has been muddied in the course of disciplinary specialization. While dominant paradigms in economics abstract from the moral dimension, recent approaches to morality and ethics in anthropology neglect the material economy. E. P. Thompson’s “moral economy” has been an influential bridging concept in recent decades, but recent inflationary usage has highlighted shortcomings. Following an overview of the disciplinary debates, the moral dimension of economic life is illustrated in this paper with reference to work as a value between the late 19th and early 21st centuries in Hungary. Contemporary workfare is explored with local examples. It is shown how discourses of work and fairness are being extended into new ethical registers to justify negative attitudes towards a new category of migrants.
27 citations
TL;DR: The capability approach has been developed by Amartya Sen, Martha Nussbaum and others as a human-centred normative framework for the evaluation of individual wellbeing, quality of life and social justice as mentioned in this paper.
Abstract: The capability approach has been developed by Amartya Sen, Martha Nussbaum
and others as a human-centred normative framework for the evaluation of individual
and group well-being, quality of life and social justice. Sen and Nussbaum’s ideas
have influenced global, national and local policy and have been further developed in
a number of academic disciplines, but so far have remained largely unnoticed in
sociology. This article examines recent capability-informed theories and empirical
applications in the sociology of human rights and other academic fields adjacent to
sociology, focussing on examples of social policy studies in the fields of welfare, the
labour market, health and disability, and education. The article outlines several
potential areas in which capability-informed frameworks are relevant for critical
social theory, public sociology and global sociology.
27 citations
References
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TL;DR: In this paper, a translation of the poem "The Pleasures of Philosophy" is presented, with a discussion of concrete rules and abstract machines in the context of art and philosophy.
Abstract: Translator's Foreword: Pleasures of Philosophy Notes on the Translation and Acknowledgements Author's Note 1. Introduction: Rhizome 2. 1914: One or Several Wolves? 3. 10,000 BC: The Geology of Morals (Who Does the Earth Think It Is?) 4. November 20th, 1923: Postulates of Linguistics 5. 587BC-AD70: On Several Regimes of Signs 6. November 28th, 1947: How Do You Make Yourself a Body Without Organs? 7. Year Zero: Faciality 8. 1874: Three Novellas, or "What Happened?" 9. 1933: Micropolitics and Segmentarity 10. 1730: Becoming Intense, Becoming-Animal, Becoming Imperceptible... 11. 1837: Of the Refrain 12. 1227: Treatise on Nomadology - The War Machine 13. 7000BC: Apparatus of Capture 14. 1440: The Smooth and the Striated 15. Conclusion: Concrete Rules and Abstract Machines Notes Bibliography List of Illustrations Index
14,735 citations
5,247 citations
Posted Content•
01 Jan 2012
TL;DR: The 2008 crash has left all the established economic doctrines - equilibrium models, real business cycles, disequilibria models - in disarray as discussed by the authors, and a good viewpoint to take bearings anew lies in comparing the post-Great Depression institutions with those emerging from Thatcher and Reagan's economic policies: deregulation, exogenous vs. endoge- nous money, shadow banking vs. Volcker's Rule.
Abstract: The 2008 crash has left all the established economic doctrines - equilibrium models, real business cycles, disequilibria models - in disarray. Part of the problem is due to Smith’s "veil of ignorance": individuals unknowingly pursue society’s interest and, as a result, have no clue as to the macroeconomic effects of their actions: witness the Keynes and Leontief multipliers, the concept of value added, fiat money, Engel’s law and technical progress, to name but a few of the macrofoundations of microeconomics. A good viewpoint to take bearings anew lies in comparing the post-Great Depression institutions with those emerging from Thatcher and Reagan’s economic policies: deregulation, exogenous vs. endoge- nous money, shadow banking vs. Volcker’s Rule. Very simply, the banks, whose lending determined deposits after Roosevelt, and were a public service became private enterprises whose deposits determine lending. These underlay the great moderation preceding 2006, and the subsequent crash.
3,447 citations
Book•
01 Jan 1967
TL;DR: The Society of the Spectacle as mentioned in this paper is one of the most influential theoretical works for a wide range of political and revolutionary practice in the 1960s, and it has been widely used in the literature since.
Abstract: For the first time, Guy Debord's pivotal work Society of the Spectacle appears in a definitive and authoritative English translation. Originally published in France in 1967, Society of the Spectacle offered a set of radically new propositions about the nature of contemporary capitalism and modern culture. At the same time it was one of the most influential theoretical works for a wide range of political and revolutionary practice in the 1960s. Today, Debord's work continues to be in the forefront of debates about the fate of consumer society and the operation of modern social power. In a sweeping revision of Marxist categories, the notion of the spectacle takes the problem of the commodity from the sphere of economics to a point at which the commodity as an image dominates not only economic exchange but the primary communicative and symbolic activity of all modern societies.Guy Debord was one of the most important participants in the activities associated with the Situationist International in the 1960s. Also an artist and filmmaker, he is the author of Memoires and Commentaires sur la societe du spectacle. A Swerve Edition, distributed for Zone Books.
3,391 citations
Book•
01 Mar 1987
TL;DR: Relevance Lost as mentioned in this paper is an overview of the evolution of management accounting in American business, from textile mills in the 1880s and the giant railroad, steel, and retail corporations, to today's environment of global competition and computer-automated manufacturers.
Abstract: "Relevance Lost" is an overview of the evolution of management accounting in American business, from textile mills in the 1880s and the giant railroad, steel, and retail corporations, to today's environment of global competition and computer-automated manufacturers. The book shows that modern corporations must work toward designing new management accounting systems that will assist managers more fully in their long-term planning. It is the winner of the American Accounting Association's Deloitte Haskins & Sells/Wildman Award Medal. It is also available in paperback: ISBN 0875842542.
3,308 citations