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The New Spirit of Capitalism

01 Jan 2005-
TL;DR: A century after the publication of Max Weber's The Protestant Ethic and the "Spirit" of Capitalism, a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.
Abstract: A century after the publication of Max Weber's The Protestant Ethic and the "Spirit" of Capitalism, a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.
Citations
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Journal ArticleDOI
TL;DR: In this article, the authors explore borders as conceptual entities that are performed and argue that border is always about relations as much as separation, and that border as such cannot be taken for granted in understanding the difference borders make to peoples' lives.
Abstract: This paper explores borders as conceptual entities that are performed. Rather than assume that the meaning of borders (or ‘border-ness’) holds steady while everything else changes, the paper considers borders as forms of ‘performation’ in Callon's terms. It also argues that border is always about relations as much as separation, and that, combined with historically shifting theories of border, suggests that border as such cannot be taken for granted in understanding the difference borders make to peoples' lives. The paper considers differences in the way border has been performed in the Aegean in order to explore shifting theories of border in this region. It particularly focuses on the events leading up to the 1923 exchange of populations between Greece and Turkey, and more recent European-led attempts to control illegal migration across the Aegean, in exploring the interplay between border performed as place as opposed to border performed as abstract line.

62 citations


Additional excerpts

  • ...E.g. Appadurai (1996), Boltanski & Chiapello (2005), Franklin et al. (2000), Friedman (2003), Hardt & Negri (2000), Ong & Collier (2005)....

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Journal ArticleDOI
TL;DR: In this article, the authors examine the relationship between assets and their financial derivatives, asking how far the value of "carbon" or "green" can be directly attributed to its social and narrative construction.
Abstract: This paper asks how far performativity in the Green Economy generates material or virtual assets. It examines the relationship between assets and their financial derivatives, asking how far the value of ‘carbon’ or ‘green’ can be directly attributed to its social and narrative construction. The paper draws on two case studies – one of the Clean Development Mechanism (CDM) in South Africa, the other of the global private green bonds market – to show that both public and private climate finance can generate virtual economic activity co-produced by processes of social valuation and accumulation proper. How reliant is the Green Economy on actual economic activity?

62 citations

Dissertation
01 Oct 2010
TL;DR: In this paper, the authors present an ethnographic study of the role of users in user-centered design, arguing that users are assembled along with the new technologies whose design they resource, as well as with new configurations of socio-cultural life that they bring into view.
Abstract: This thesis presents an ethnographic study of the role of users in user-centered design. It is written from the perspective of science and technology studies, in particular developments in actor-network theory, and draws on the notion of the assemblage from the work of Deleuze and Guattari. The data for this thesis derives from a six-month field study of the routine discourse and practices of user-centered designers working for a multinational microprocessor manufacturer. The central argument of this thesis is that users are assembled along with the new technologies whose design they resource, as well as with new configurations of socio-cultural life that they bring into view. Informing this argument are two interrelated insights. First, user-centered and participatory design processes involve interminglings of human and non-human actors. Second, users are occasioned in such processes as sociotechnical assemblages. Accordingly, this thesis: (1) reviews how the user is variously applied as a practico-theoretical concern within human-computer interaction (HCI) and as an object of analysis within the sociology and history of technology; (2) outlines a methodology for studying users variously enacted within design practice; (3) examines how a non-user is constructed and re-constructed during the development of a diabetes related technology; (4) examines how designers accomplish user-involvement by way of a gendered persona; (5) examines how the making of a technology for people suffering from obesity included multiple users that served to format the designers’ immediate practical concerns, as well as the management of future expectations; (6) examines how users serve as a means for conducting ethnography-in-design. The thesis concludes with a theoretically informed reflection on user assemblages as devices that: do representation; resource designers’ socio-material management of futures; perform modalities of scale associated with technological and product development; and mediate different forms of accountability.

62 citations


Cites background from "The New Spirit of Capitalism"

  • ...In the context of a renewed interest in contemporary forms of capitalism (e.g. Boltanksi & Chiapello, 2005) design is understood to play a critical role in the creation, production and staging of commodities (Callon et al., 2002; Thrift, 2005; Thrift, 2008), brands (Lury, 2004), services, and…...

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Journal ArticleDOI
TL;DR: In this article, the authors explore how YouTube served both the purpose of reaching broader publics and of mobilising for confrontational direct action within activist circles during the 15th UN Climate Conference, COP15.
Abstract: In December 2009, political attention was turned towards the 15th UN Climate Conference, COP15. For the Global Justice Movement (GJM) this provided an opportunity to promote their agenda. The use of online media conjured up memories of the success of alternative media in mobilising large-scale protests around previous WTO and G8 counter-summits. However, the COP15 saw a turn to the use of what can be termed mainstream – online sites among activists. Drawing on a case study of the activist network NTAC, we explore how YouTube served both the purpose of reaching broader publics and of mobilising for confrontational direct action within activist circles.

62 citations

Journal ArticleDOI
TL;DR: There are four main approaches to the study of organizational aesthetics: (i) the archaeological approach which privileges the symbolic dimension of aesthetic understanding; (ii) the empathic-logical approach which seeks to grasp the pathos of organizational life; (iii) the artistic approach which examines flow, creativity, and playfulness as discussed by the authors.
Abstract: The aesthetic dimension of work and organizational life attracted the attention of organization scholars during the 1980s and 1990s, and its study burgeoned at the turn of the new millennium. There are today four main approaches to the study of organizational aesthetics: (i) the archaeological approach which privileges the symbolic dimension of aesthetic understanding; (ii) the empathic-logical approach which seeks to grasp the pathos of organizational life; (iii) the aesthetic approach which emphasizes the negotiation of organizational aesthetics; (iv) the artistic approach which examines flow, creativity, and playfulness. They all engage in an intellectual controversy with approaches to the study of organizations which privilege the mental, cognitive, and rational dimension of social action whilst neglecting the material, sensible, and emotional dimension of work relations in organizations. This article will illustrate and discuss these approaches by paying particular attention to the topics of the emancipation of people at work and the style of work and organizational practices.

62 citations

References
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Journal ArticleDOI
TL;DR: In this paper, a translation of the poem "The Pleasures of Philosophy" is presented, with a discussion of concrete rules and abstract machines in the context of art and philosophy.
Abstract: Translator's Foreword: Pleasures of Philosophy Notes on the Translation and Acknowledgements Author's Note 1. Introduction: Rhizome 2. 1914: One or Several Wolves? 3. 10,000 BC: The Geology of Morals (Who Does the Earth Think It Is?) 4. November 20th, 1923: Postulates of Linguistics 5. 587BC-AD70: On Several Regimes of Signs 6. November 28th, 1947: How Do You Make Yourself a Body Without Organs? 7. Year Zero: Faciality 8. 1874: Three Novellas, or "What Happened?" 9. 1933: Micropolitics and Segmentarity 10. 1730: Becoming Intense, Becoming-Animal, Becoming Imperceptible... 11. 1837: Of the Refrain 12. 1227: Treatise on Nomadology - The War Machine 13. 7000BC: Apparatus of Capture 14. 1440: The Smooth and the Striated 15. Conclusion: Concrete Rules and Abstract Machines Notes Bibliography List of Illustrations Index

14,735 citations

Posted Content
01 Jan 2012
TL;DR: The 2008 crash has left all the established economic doctrines - equilibrium models, real business cycles, disequilibria models - in disarray as discussed by the authors, and a good viewpoint to take bearings anew lies in comparing the post-Great Depression institutions with those emerging from Thatcher and Reagan's economic policies: deregulation, exogenous vs. endoge- nous money, shadow banking vs. Volcker's Rule.
Abstract: The 2008 crash has left all the established economic doctrines - equilibrium models, real business cycles, disequilibria models - in disarray. Part of the problem is due to Smith’s "veil of ignorance": individuals unknowingly pursue society’s interest and, as a result, have no clue as to the macroeconomic effects of their actions: witness the Keynes and Leontief multipliers, the concept of value added, fiat money, Engel’s law and technical progress, to name but a few of the macrofoundations of microeconomics. A good viewpoint to take bearings anew lies in comparing the post-Great Depression institutions with those emerging from Thatcher and Reagan’s economic policies: deregulation, exogenous vs. endoge- nous money, shadow banking vs. Volcker’s Rule. Very simply, the banks, whose lending determined deposits after Roosevelt, and were a public service became private enterprises whose deposits determine lending. These underlay the great moderation preceding 2006, and the subsequent crash.

3,447 citations

Book
01 Jan 1967
TL;DR: The Society of the Spectacle as mentioned in this paper is one of the most influential theoretical works for a wide range of political and revolutionary practice in the 1960s, and it has been widely used in the literature since.
Abstract: For the first time, Guy Debord's pivotal work Society of the Spectacle appears in a definitive and authoritative English translation. Originally published in France in 1967, Society of the Spectacle offered a set of radically new propositions about the nature of contemporary capitalism and modern culture. At the same time it was one of the most influential theoretical works for a wide range of political and revolutionary practice in the 1960s. Today, Debord's work continues to be in the forefront of debates about the fate of consumer society and the operation of modern social power. In a sweeping revision of Marxist categories, the notion of the spectacle takes the problem of the commodity from the sphere of economics to a point at which the commodity as an image dominates not only economic exchange but the primary communicative and symbolic activity of all modern societies.Guy Debord was one of the most important participants in the activities associated with the Situationist International in the 1960s. Also an artist and filmmaker, he is the author of Memoires and Commentaires sur la societe du spectacle. A Swerve Edition, distributed for Zone Books.

3,391 citations

Book
01 Mar 1987
TL;DR: Relevance Lost as mentioned in this paper is an overview of the evolution of management accounting in American business, from textile mills in the 1880s and the giant railroad, steel, and retail corporations, to today's environment of global competition and computer-automated manufacturers.
Abstract: "Relevance Lost" is an overview of the evolution of management accounting in American business, from textile mills in the 1880s and the giant railroad, steel, and retail corporations, to today's environment of global competition and computer-automated manufacturers. The book shows that modern corporations must work toward designing new management accounting systems that will assist managers more fully in their long-term planning. It is the winner of the American Accounting Association's Deloitte Haskins & Sells/Wildman Award Medal. It is also available in paperback: ISBN 0875842542.

3,308 citations