Book•
The Politics of Postmodernism
01 Jan 1989-
TL;DR: In this article, the postmodernist representation is de-naturalized the natural, Photographic discourse, Telling Stories: fiction and history, Re-presenting the past: 'total history' de-totalized, Knowing the past in the present, The archive as text.
Abstract: General editor's preface. Acknowledgements. 1. Representing the postmodern: What is postmodernism? Representation and its politics, Whose postmodernism? Postmodernity, postmodernism, and modernism. 2. Postmodernist representation: De-naturalizing the natural, Photographic discourse, Telling Stories: fiction and history. 3. Re-presenting the past: 'Total history' de-totalized, Knowing the past in the present, The archive as text. 4. The politics of parody: Parodic postmodern representation, Double-coded politics, Postmodern film? 5. Text/image border tensions: The paradoxes of photography, The ideological arena of photo-graphy, The politics of address 6. Postmodernism and feminisms: Politicizing desire, Feminist postmodernist parody, The private and the public. Concluding note: some directed reading. Bibliography. Index.
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TL;DR: The authors argue that Nostalgia is a response to the experience of loss endemic in modernity and late modernity, and that its meaning and significance are multiple, and so should be seen as accommodating progressive, even utopian impulses as well as regressive stances and melancholic attitudes.
Abstract: Nostalgia has been viewed as the conceptual opposite of progress, against which it is negatively viewed as reactionary, sentimental or melancholic. It has been seen as a defeatist retreat from the present, and evidence of loss of faith in the future. Nostalgia is certainly a response to the experience of loss endemic in modernity and late modernity, but the authors argue that it has numerous manifestations and cannot be reduced to a singular or absolute definition. Its meaning and significance are multiple, and so should be seen as accommodating progressive, even utopian impulses as well as regressive stances and melancholic attitudes. Its contrarieties are evident in both vernacular and media forms of remembering and historical reconstruction. The authors argue that these contrarieties should be viewed as mutually constitutive, for it is in their interrelations that there arises the potential for sociological critique.
355 citations
Cites background from "The Politics of Postmodernism"
...On the other hand, in examining how media texts communicate versions of the past, we should avoid the postmodernist mistake of bracketing all history with subjectivist relations to it and intertextual representations of it (Hutcheon, 1989: 113–14)....
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23 Dec 2011
TL;DR: Berman as discussed by the authors showed that we cannot interpret the international law of the interwar period without understanding it as a site of Modernist cultural construction and contestation -rather than as a mere adjunct to, or reflection of, cultural developments external to it.
Abstract: This chapter begins by helping the reader to grasp the comprehensive nature of Nathaniel Berman's work, and the subtle perspective that he brings to the legal world when it is confronted by the passions to which nationalism and colonialism give rise. In his work, cultural Modernism interacts with the international law of Danzig; the fantasies surrounding Jerusalem with the concrete political and legal projects for that city; internationalist dreams with the institutional programs for Bosnia and Palestine; and the most industrious international bureaucracy with the most creative and audacious legal imagination. Berman makes use of all of the notions in the course of his work on "imperial ambivalences". His goal is to show that we cannot interpret the international law of the interwar period without understanding it as a site of Modernist cultural construction and contestation - rather than as a mere adjunct to, or reflection of, cultural developments external to it. Keywords:colonialism; cultural Modernism; imperial ambivalences; international law; Nathaniel Berman; nationalism
330 citations
TL;DR: Bertens' postmodernism as mentioned in this paper is the first introductory overview of post-modernism to succeed in providing a witty and accessible guide for the bemused student, in clear and straightforward but always elegant prose, Bertens sets out the interdisciplinary aspects, the critical debates and the key theorists of post modernism.
Abstract: At last! Everything you ever wanted to know about postmodernism but were afraid to ask. Hans Bertens' Postmodernism is the first introductory overview of postmodernism to succeed in providing a witty and accessible guide for the bemused student. In clear and straightforward but always elegant prose, Bertens sets out the interdisciplinary aspects, the critical debates and the key theorists of postmodernism. He also explains, in thoughtful and illuminating language, the relationship between postmodernism and poststructuralism, and that between modernism and postmodernism. An enjoyable and indispensible text for today's student.
289 citations
TL;DR: The post-Orientalist history of the Third World has become a paradigm for a new generation of historians and anthropologists as mentioned in this paper, and these directions have been most recently and sharply endorsed in Gyan Prakash's discussion, ‘Writing post-orientalist histories of the third world: Perspectives from Indian Historiography.
Abstract: Over the last decade, studies of ‘third world’ histories and cultures have come to draw to a very considerable extent upon the theoretical perspectives provided by poststructuralism and postmodernism. With the publication in 1978 of Edward Said's work, Orientalism, these perspectives—now fused and extended into a distinctive amalgam of cultural critique, Foucauldian approaches to power, engaged ‘politics of difference,’ and postmodernist emphases on the decentered and the heterogeneous—began to be appropriated in a major way for the study of non-European histories and cultures. Certainly in our own field of Indian colonial history, Said's characteristic blending of these themes has now become virtually a paradigm for a new generation of historians and anthropologists. These directions have been most recently and sharply endorsed in Gyan Prakash's discussion, ‘Writing Post-Orientalist Histories of the Third World: Perspectives from Indian Historiography.’
236 citations
01 Jan 2014
TL;DR: Investigation of the phonological length of utterance in native Kannada speaking children of 3 to 7 years age revealed increase inPMLU score as the age increased suggesting a developmental trend in PMLU acquisition.
Abstract: Phonological mean length of utterance (PMLU) is a whole word measure for measuring phonological proficiency. It measures the length of a child’s word and the number of correct consonants. The present study investigated the phonological length of utterance in native Kannada speaking children of 3 to 7 years age. A total of 400 subjects in the age range of 3-7 years participated in the study. Spontaneous speech samples were elicited from each child and analyzed for PMLU as per the rules suggested by Ingram. Mann-Whitney U test and Kruskal Wallis test were employed to compare the differences between the means of PMLU scores across the gender and the age respectively. The result revealed increase in PMLU score as the age increased suggesting a developmental trend in PMLU acquisition. No statistically significant differences were observed between the means of PMLU scores across the gender.
230 citations