Abstract: next two chapters focus on translatability. Stojilkov concentrates on the visual puns and allusions and the artistic expressivity in films, while Voellmer examines the metalinguistic references in a poly-lingual film Inglourious Basterds. The final two chapters analyse adaption practices in comics and theatre: Fragonara examines the adaptation of SaintExupéry’s Le Petit Prince into the comic by Joann Sfar, and Tomàs-Albina examines the adaptation of Sophocle’s Electra into a stage production in Catalan. In this volume, we can discern several features around which the present cycle of multimodal research rotates. One of the striking features is that the research deals with multiple languages apart from English, including Spanish, Italian and German, and that the articles are written in both English and French, which places an extra load on readers but adds evidential weight to the cross-linguistic and cross-cultural perspectives mentioned previously. Another great attribute of the book is that the museology and education sections, although having a comparatively smaller number of contributions, are of high quality and thus pave the way for improving museological and pedagogical research in multimodal contexts. What is most striking, however, is that the contributions not only reflect diverse research backgrounds and perspectives on the spoken language and its fusion with other modalities, but they also touch upon a wide diversity of genres and texts, from multimodal communication in museum and school to virtual/chat communication on the Internet, from novel and film to comic and theatre, which creates a great opportunity for a wide readership to transcend narrow disciplinary boundaries and constitutes a significant point of reference for postgraduates and researchers from similar or other fields, who attempt to benefit from this approach to make a difference in the standards of practice in their own communities or to strike out in a new direction in the fields of pragmatics, sociolinguistics, applied linguistics, communication and discourse studies.