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The Substance of Psalm 24: An Attempt to Read Scripture after Brevard S. Childs

23 Apr 2015-
TL;DR: A Canonical Approach to Psalm 24: Entering the Dialectic is presented in this article, where the authors present a Canonical approach to the translation of the Psalm.
Abstract: Table of Contents ABBREVIATIONS 1. Introduction Part I: Verbum and Res: Establishing the Context 2. Childs and Scripture in the Divine Economy 3. Verbum: The Shape of Israel's Witness 4. Res: The Shape of Israel's God 5. Res and Form Criticism in the Work of Childs and Gerstenberger 6. Hermeneutical Implications Part II: Psalm 24: Entering the Dialectic 7. A Canonical Approach to Psalm 24 8. Verbum 1: Form, Content, Context, Function 9. Res 1: Force (God in se) 10. Verbum 2: The Broader Literary Context 11. Res 2: The Divine Economy (God pro nobis) Bibliography Index
Citations
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Journal ArticleDOI
01 Jun 1945-Theology
TL;DR: MILFORD as mentioned in this paper argues that the Christian who in himself or in his friends has suffered, has a special privilege of forgiveness towards those through whose fault he has suffered; and if we would help the atonement on behalf of Jews, or any others who have suffered more than ourselves, we shall begin by winning the right, through friendship, of sharing in their suffering and bearing it with them.
Abstract: requirements of justice. There is no need, and we have no right, to arrogate to ourselves the power to punish. Governments have the right and duty to prevent or check the progress of sin by the punishment of criminals. This is only effective if it can be done in such a way as to be manifestly just. Whether this can be done in the case of the \"war criminals\" is a matter for the lawyers. But if it can, according to the New Testament, it ought to be done; and a penitent criminal would wish it to be done to himself. The Christian as such must never fail in love towards anyone, not even towards the unrepentant criminal. He must always be longing for, and actively seeking, his good. The Christian, who in himself, or in his friends, has suffered, has a special privilege of forgiveness towards those through whose fault he has suffered. At least he will stop the spread of hatred; at the best, he will be instrumental in the conversion of the individual or his fellows in the sin. This is the redemptive love of God in action. If we want to be used in this way, God will show us, and show the Church, how and where it can be done. And if we would help the atonement on behalf of Jews, or any others who have suffered more than ourselves, we shall begin by winning the right, through friendship, of sharing in their suffering and bearing it with them. T. R. MILFORD.

57 citations

Journal Article

26 citations

Journal Article
01 Jan 1986-Shofar

19 citations

References
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Book
01 Jan 1990
TL;DR: This paper found no positive difference in meaning between the pairs, apart from the few cases of collectives/nomina unitatis (# 6 and perhaps # 3) and found that one of the forms occurs in a poetic or elevated style, and the other mainly in an ordinary prosaic style.
Abstract: nouns (## 1–2), parts of body (## 3–4), agricultural terms (## 5–6), words connected with clothing (## 7–8); and pairs of words with initial ma-/mi(## 9– 12; see 5.6), seven of which are from medial-waw roots (## 11–12). He finds no positive difference in meaning between the pairs, apart from the few cases of collectives/nomina unitatis (# 6 and perhaps # 3). 1. המשא / םשא guilt 2. המקנ / םקנ dominion, vengeance 3. הרבא / א רב pinion 4. הרג / רג back 5. הקלח / ח קל territory 6. הציצ / ץיצ blossom 7. הדפא / דופא ephod 8. הרוגח / רוגח loin-covering 9. הנתמ / ןתמ gift 10. תרכממ / מ רכמ ware 11. הרוגמ / רוגמ terror 12. הלוחמ / לוחמ dance In five cases he found that one of the forms occurs in a poetic or elevated style, and the other mainly in an ordinary prosaic style (## 13–17).

573 citations

Book
01 Jan 1977
TL;DR: In this paper, the authors discuss the relationship between metaphor and metaphor in literature and post-modernist fiction, and present a survey of the major aspects of the two types of aphasia.
Abstract: Preface Prefatory note to the Second Impression Acknowledgements PART ONE: PROBLEMS AND EXECUTIONS 1. What is Literature 2. George Orwell's 'A Hanging', and 'Michael Lake Describes' 3. Oscar Wilde: 'The Ballad of Reading Gaol' 4. What is Realism? 5. Arnold Bennett: The Old Wives' Tale 6. William Burroughs: The Naked Lunch 7. The Realistic Tradition 8. Two Kinds of Modern Fiction 9. Crticism and Realism 10. The Novel and the Nouvelle Crtique 11. Conclusion to Part One PART TWO: Metaphor and Metonymy 1. Jackobson's Theory 2. Two Types of Aphasia 3. The Metaphoric and Metonymic Poles 4. Drama and Film 5. Poetry, Prose and the Poetic 6. Types of Description 7. The Executions Revisited 8. The Metonymic Text as Metaphor 9. Metaphor and Context PART THREE: MODERNISTS, ANTIMODERNISTS AND POSTMODERNIST 1. James Joyce 2. Gertrude Stein 3. Ernest Hemingway 4. D.H. Lawrence 5. Virginia Woolf 6. In the Thirties 7. Philip Larkin 8. Postmodernist Fiction Appendix A: 'A Hanging' by George Orwell Appendix B: 'Michael Lake Describes What the Executioner Actually Faces' Appendix C: Extract from The Naked Lunch by William Burroughs Notes and References Index

243 citations

Book
01 Jan 1985
TL;DR: The Art of Biblical Poetry as discussed by the authors is an indispensable tool for understanding the Bible and its poetry, as well as the use of Hebrew poetry in the Bible, and it is a companion to the seminal The Art of Bible Narrative.
Abstract: Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter's own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry.

231 citations

Book
01 Jan 1967
TL;DR: The last of the commentaries to be rendered into English is as discussed by the authors, where the author succeeds in injecting a sense of dramatic excitement into his interpretations, without neglecting the scientific data provided by archaeological and philological research.
Abstract: This is the last of the commentaries to be rendered into English. Cassutos comments have a vivid quality seldom found in the exegetical writings of other Biblical expositors, who all too often prefer a jejune and lifeless approach to their subject. The author succeeds in injecting a sense of dramatic excitement into his interpretations. Without neglecting the scientific data provided by archaeological and philological research, he makes us conscious of the literary attributes of the Bible. Unlike the volumes dealing with the first two pericopes of Genesis, the present work does not separate the annotations from the Biblical text, but forms a continuous, unified commentary in which the Scriptural citations are interlinked with the exposition.

147 citations

Trending Questions (1)
What is the context of Psalm 146?

This historical perspective not only clarifies the poetic shape of the psalm, it provides a bridge to discussing the question of the nature of the reality experienced within Israel's cult.