Volatile amines used as corrosion inhibitors in museum humidification systems
01 Dec 1985-International Journal of Museum Management and Curatorship (No longer published by Elsevier)-Vol. 4, Iss: 4, pp 359-364
TL;DR: The most important factor in climate control is thought to be the maintenance of an optimum and stable level of humidity since fluctuations in humidity levels can cause deterioration and damage to artifacts as discussed by the authors.
About: This article is published in International Journal of Museum Management and Curatorship.The article was published on 1985-12-01. It has received 10 citations till now.
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TL;DR: Amines are emitted by a wide range of sources and are ubiquitous atmospheric organic bases and approximately 150 amines and about 30 amino acids have been identified in the atmosphere as discussed by the authors.
682 citations
TL;DR: In this article, the atmospheric substances of concern and their sources are reviewed and a review draws attention to the lack of information about the key factors that control the composition of museum interiors, chemical transformations of pollutants in indoor air, the nature of emissions from materials used in creating displays and deposition velocities onto indoor surfaces.
165 citations
TL;DR: An extensive review of the state of knowledge establishes a foundation for future inquiry to better understand the roles of acids and bases influencing human health, preservation of cultural artifacts, and protection of sensitive equipment.
Abstract: Numerous acids and bases influence indoor air quality. The most abundant of these species are CO2 (acidic) and NH3 (basic), both emitted by building occupants. Other prominent inorganic acids are HNO3 , HONO, SO2 , H2 SO4 , HCl, and HOCl. Prominent organic acids include formic, acetic, and lactic; nicotine is a noteworthy organic base. Sources of N-, S-, and Cl-containing acids can include ventilation from outdoors, indoor combustion, consumer product use, and chemical reactions. Organic acids are commonly more abundant indoors than outdoors, with indoor sources including occupants, wood, and cooking. Beyond NH3 and nicotine, other noteworthy bases include inorganic and organic amines. Acids and bases partition indoors among the gas-phase, airborne particles, bulk water, and surfaces; relevant thermodynamic parameters governing the partitioning are the acid-dissociation constant (Ka ), Henry's law constant (KH ), and the octanol-air partition coefficient (Koa ). Condensed-phase water strongly influences the fate of indoor acids and bases and is also a medium for chemical interactions. Indoor surfaces can be large reservoirs of acids and bases. This extensive review of the state of knowledge establishes a foundation for future inquiry to better understand how acids and bases influence the suitability of indoor environments for occupants, cultural artifacts, and sensitive equipment.
49 citations
TL;DR: In this article, the authors performed extensive sampling over a one-year period at every location using diffusive samplers in order to reveal sources of pollutants, to determine the relationship between indoor and outdoor environments, and to evaluate the potential influence of the indoor air quality on archival collections.
21 citations
References
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Book•
01 Jan 1957
TL;DR: In this paper, hazard analysis information for nearly 13,000 common industrial and laboratory materials is provided in a single source and hazard analysis is performed for each of these materials using hazard analysis tools.
Abstract: The book provides, in a single source, hazard-analysis information for nearly 13,000 common industrial and laboratory materials. New sections have been added to this edition to refiect the increased interest in pollution and health hazards. For public, academic and special libraries. -- AATA
1,441 citations
Book•
01 Jan 1978
TL;DR: The Museum Environment is the first title in the Butterworth Series on Conservation in the Arts, Archaeology and Architecture as discussed by the authors, which is intended for conservators and museum curators, describes the principles and techniques of controlling the environment so that the potentially damaging effects of light, humidity and air pollution on museum exhibits may be minimized.
Abstract: The Museum Environment is the first title in the Butterworth Series on Conservation in the Arts, Archaeology and Architecture. Part I of the book, intended for conservators and museum curators, describes the principles and techniques of controlling the environment so that the potentially damaging effects of light, humidity and air pollution on museum exhibits may be minimized. In Part II, the author, who is Scientific Advisor to the Trustees of the National Gallery in London and Head of its Scientific Department, brings together and summarizes information and data, hitherto widely scattered in the literature of diverse fields, which is essential to workers in conservation research. This series is published under the auspices of the International Institute for Conservation of Historic and Artistic Works (IIC) and with the support of the International Centre for the Study of the Preservation and Restoration of Cultural Property, Rome (ICCROM).
377 citations
Journal Article•
183 citations
TL;DR: The authors provide data on air quality criteria for museums, archives, and libraries, as well as indoor air pollution damages to specific materials, such as building materials, those emitted by artifacts, etc.
100 citations
TL;DR: The Museum Environment is the first title in the Butterworth Series on Conservation in the Arts, Archaeology and Architecture as discussed by the authors, which is intended for conservators and museum curators, describes the principles and techniques of controlling the environment so that the potentially damaging effects of light, humidity and air pollution on museum exhibits may be minimized.
Abstract: The Museum Environment is the first title in the Butterworth Series on Conservation in the Arts, Archaeology and Architecture. Part I of the book, intended for conservators and museum curators, describes the principles and techniques of controlling the environment so that the potentially damaging effects of light, humidity and air pollution on museum exhibits may be minimized. In Part II, the author, who is Scientific Advisor to the Trustees of the National Gallery in London and Head of its Scientific Department, brings together and summarizes information and data, hitherto widely scattered in the literature of diverse fields, which is essential to workers in conservation research. This series is published under the auspices of the International Institute for Conservation of Historic and Artistic Works (IIC) and with the support of the International Centre for the Study of the Preservation and Restoration of Cultural Property, Rome (ICCROM).
19 citations