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What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music

Magdalena Olszanowski
- Vol. 4, Iss: 2, pp 3-26
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TLDR
In this paper, an interactive database documentary that investigates female electronic dance music (EDM) artists is presented, highlighting the contributions of women as composers, to show how they came to be composers and reveal the tactics used to approach significant issues of gender in the EDM community.
Abstract
This article reflects upon the research methods employed for microfemininewarfare (2013), an interactive database documentary that investigates female electronic dance music (EDM) artists. The purpose of the documentary is to feature the contributions of women as composers, to show how they came to be composers and to reveal the tactics used to approach significant issues of gender in the EDM community. I highlight the theoretical and methodological processes that went into the making of this documentary, subtitled “exploring women’s space in electronic music”. By constructing “electronic music by women” as a category, two objectives are addressed: first, the visibility of women’s contribution to the musical tradition is heightened; and, second, it allows an exploration of the broadening of discourses about female subjectivity. This article showcases feminist research-creation and friendship-as-method as effective research methods to glean meaningful content when applied to EDM fieldwork.

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Book Chapter

A new day for music? digital technology in contemporary music-making

Alan Durant
TL;DR: The relation between creativity and technology is often considered problematic in discussions of music during the 1980s as mentioned in this paper, and the emergence of digital sampling, sequencing, and other techniques which collectively redefined concepts and terminologies of music-making in that decade, introducing in effect a new kind of music literacy.
Journal ArticleDOI

Being and Performing "Older" Woman in Electronic Dance Movement Culture

TL;DR: In this paper, the authors foregrounded the accounts of a cohort of clubbers who are largely ignored both by journalists and scholars alike, and investigated the lived experience of being and performing the category of "older woman" in this context.
References
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Journal ArticleDOI

Simians, Cyborgs and Women: The Reinvention of Nature

Maureen McNeil
- 01 Jul 1992 - 
TL;DR: In this paper, the Past Is the Contested Zone is defined as the "contested reading" of Narrative Natures, i.e., the past is the 'contested zone'.
Book

Club Cultures: Music, Media and Subcultural Capital

TL;DR: In this paper, the authors focus on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S. and highlight the values of authenticity and hipness and explore the complex hierarchies that emerge within the domain of popular culture.
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Doing Feminist Research.

Book

Feminine Endings: Music, Gender, and Sexuality

TL;DR: McClary's "Feminine Endings" as mentioned in this paper is a collection of essays in feminist music criticism, addressing problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art.