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Architecture

About: Architecture is a research topic. Over the lifetime, 25849 publications have been published within this topic receiving 225266 citations.


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Book
01 Jan 1977
TL;DR: Arnheim has been known, since the publication of his groundbreaking "Art and Visual Perception" in 1974, as an authority on the psychological interpretation of the visual arts Two anniversary volumes celebrated the landmark anniversaries of his works in 2009 as mentioned in this paper.
Abstract: Rudolf Arnheim has been known, since the publication of his groundbreaking "Art and Visual Perception" in 1974, as an authority on the psychological interpretation of the visual arts Two anniversary volumes celebrate the landmark anniversaries of his works in 2009 In "The Power of the Center", Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture "The Dynamics of Architectural Form" explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision

194 citations

Book
01 Jan 1987
TL;DR: The Modern Urban Landscape as mentioned in this paper traces the developments since 1880 in architecture, technology, planning, and society that have formed the visual context of daily life, and surveys the ways in which they have operated independently to create what we see when we walk down a street, shop in a mall, or stare through a windshield on an expressway.
Abstract: Why do the cities of the late twentieth century look as they do? What values do their appearance express and enfold? Their sheer scale and the durability of their materials assure that our cities will inform future generations about our era, in the same way that gothic cathedrals and medieval squares tell us something of the Middle Ages. In the meantime, our urban landscapes can tell us much about ourselves. For E. C. Relph, the urban landscape must be envisioned as a total environment-not just streets and buildings but billboards and parking meters as well. The Modern Urban Landscape traces the developments since 1880 in architecture, technology, planning, and society that have formed the visual context of daily life. Each of these shaping influences is often viewed in isolation, but Relph surveys the ways in which they have operated independently to create what we see when we walk down a street, shop in a mall, or stare through a windshield on an expressway. Two sets of ideas and fashions, Relph argues, have had an especially important impact on urban landscapes in the twentieth century. An "internationalism" made possible by new building technologies and more rapid communications has replaced regional style and custom as the dominant feature of city appearance, while a firm belief in the merits of self-consciousness has imposed logical analysis and technical manipulation on such commonplace objects as curbstones and park benches. "As a result," writes Relph, "the modern urban landscape is both rationalized and artificial, which is another way of saying that it is intensely human."

193 citations

Proceedings ArticleDOI
18 Jul 2010
TL;DR: The main components of the architecture are implemented in a testbed on a subway scenario with the objective to demonstrate that the proposed solution can enhance the detection of anomalous events and simplify both the operators tasks and the communications to passengers in case of emergency.
Abstract: In this paper, we present the Smart City Architecture developed in the context of the ARTEMIS JU SP3 SOFIA project. It is an Event Driven Architecture that allows the management and cooperation of heterogeneous sensors for monitoring public spaces. The main components of the architecture are implemented in a testbed on a subway scenario with the objective to demonstrate that our proposed solution, can enhance the detection of anomalous events and simplify both the operators tasks and the communications to passengers in case of emergency.

193 citations

Book
01 Jan 1992
TL;DR: Lawrence J. Vale explores parliamentary complexes in capital cities on six continents, showing how the buildings housing national government institutions are products of the political and cultural balance of power within pluralist societies.
Abstract: Throughout history, architecture and urban design have been manipulated in the service of politics. Because government buildings serve as symbols of the state, we can learn much about a political regime by observing closely what it builds. In this book, Lawrence J. Vale explores parliamentary complexes in capital cities on six continents, showing how the buildings housing national government institutions are products of the political and cultural balance of power within pluralist societies. By viewing architecture and urban design in the light of political history and cultural production, Vale expands the scope and cogency of design criticism and demonstrates that the manipulation of environmental meaning is an important force in urban development. Vale begins by tracing the evolution of the modern designed capital--from Washington, D.C., Canberra, New Delhi, and Ankara, to the post-World War II capitals of Chandigarh and Brasilia, to Abuja, Nigeria, and Dodoma, Tanzania, planned in the 197Os and still largely unrealized. He then provides close readings of the architecture, urban design, and political history of four smaller parliamentary complexes completed in the 198Os, in Papua New Guinea, Sri Lanka, Kuwait, and Bangladesh. These essays situate the parliamentary designs in the wider context of postcolonial struggles to build the symbols and institutions of democratic government during periods of rapid political and economic change. In the final chapter of the book, Vale addresses the dilemmas facing designers who undertake to deliver national identity as part of their design commission.

192 citations


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Performance
Metrics
No. of papers in the topic in previous years
YearPapers
20244
20235,088
202211,536
2021845
20201,174
20191,226