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Architecture
About: Architecture is a research topic. Over the lifetime, 25849 publications have been published within this topic receiving 225266 citations.
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Book•
01 Feb 2002
TL;DR: For almost ten years, the Rural Studio has been an educational experiment and a prod to the architectural profession to act on its best instincts as mentioned in this paper, providing students hands-on experience in designing and building something real, it extends their education beyond paper architecture.
Abstract: For almost ten years, Samuel Mockbee, a recent MacArthur Grant recipient, and his architecture students at Auburn University have been designing and building striking houses and community buildings for impoverished residents of Alabama's Hale County. Using salvaged lumber and bricks, discarded tires, hay and waste cardboard bales, concrete rubble, colored bottles, and old license plates, they create inexpensive buildings that bear the trademark of Mockbee's work, which he describes as "contemporary modernism grounded in Southern culture."In a time of unexampled prosperity, when architectural attention focuses on big, glossy urban projects, the Rural Studio provides an alternative of substance. In addition to being a social welfare venture, the Rural Studio--"Taliesin South" as Mockbee calls it--is also an educational experiment and a prod to the architectural profession to act on its best instincts. In giving students hands-on experience in designing and building something real, it extends their education beyond paper architecture. And in scavenging and reusing a variety of unusual materials, it is a model of sustainable architecture. The work of Rural Studio has struck such a chord-both architecturally and socially--that it has been featured on Oprah, Nightline, and CBS News, as well as in Time and People magazines.The Studio has completed more than a dozen projects, including the Bryant "Hay Bale" House, Harris "Butterfly" House, Yancey Chapel, Akron Chapel, Children's Center, H.E.R.O. Playground, Lewis House, Super Sheds and Pods, Spencer House addition, Farmer's Market, Mason's Bend Community Center, Goat House, and Shannon-Dutley House. These buildings, along with the incredible story of the Rural Studio, the people who live there, and Mockbee and his student architects, are detailed in this colorful book, the first on the subject."I tell my students, it's got to be warm, dry, and noble"--Samuel Mockbee
85 citations
TL;DR: A solid understanding of different security and privacy issues is depicted, including some crucial future research directions, to understand the quality of living standards of smart cities.
85 citations
Book•
16 May 2011
TL;DR: In this article, the authors discuss the meaning of image and imagination in contemporary culture, and the nature of imagination and its role in image production and the feasibility of architectural image production.
Abstract: Acknowledgements. Introduction. 1 Image in contemporary culture. Hegemony of the image. The demise of imagination. Image production and the feasibility of architecture. Architecture and the spectacle. Images of control and emancipation. The sense of the real. 2 Language, thought and image. Image and language. The philosophical image. The meanings of image and imagination. The nature of imagination. 3 The many faces of the image. The lived and embodied image. Images of matter. The multi-sensory image. The image as a condensation. The archetypal image in architecture. Architecture as mandala. The reality and unreality of the artistic image. The unconscious image. The metaphor. Image, affect and empathy. The collaged image. Images of incompleteness and destruction. Images of time. Illusionary image. The iconic image. The epic image. Poetic images as worlds. 4 The anatomy of the poetic image. The dual existence of the poetic image. Ontological difference. Significance of origins. The lived metaphor. Thinking through art. Historicity of the mind and poetic time. Unity of the arts: art and life. Aestheticisation and beauty. 5 The architectural image. Architecture and the world. Architecture as metaphor. Architecture as an organising image. Architecture as a verb. The house and the body. Historicity of architectural images. Primal architectural images and archetypes. The imagery of the window and the door. Dilution of images. The fragile image. Newness and tradition. Selected bibliography. Alphabetical index. Image credits.
85 citations