Audio signal

About: Audio signal is a research topic. Over the lifetime, 52512 publications have been published within this topic receiving 526506 citations. The topic is also known as: sound signal.

Musical genre classification of audio signals

Abstract: Musical genres are categorical labels created by humans to characterize pieces of music. A musical genre is characterized by the common characteristics shared by its members. These characteristics typically are related to the instrumentation, rhythmic structure, and harmonic content of the music. Genre hierarchies are commonly used to structure the large collections of music available on the Web. Currently musical genre annotation is performed manually. Automatic musical genre classification can assist or replace the human user in this process and would be a valuable addition to music information retrieval systems. In addition, automatic musical genre classification provides a framework for developing and evaluating features for any type of content-based analysis of musical signals. In this paper, the automatic classification of audio signals into an hierarchy of musical genres is explored. More specifically, three feature sets for representing timbral texture, rhythmic content and pitch content are proposed. The performance and relative importance of the proposed features is investigated by training statistical pattern recognition classifiers using real-world audio collections. Both whole file and real-time frame-based classification schemes are described. Using the proposed feature sets, classification of 61% for ten musical genres is achieved. This result is comparable to results reported for human musical genre classification.

Techniques for data hiding

Abstract: Data hiding is the process of embedding data into image and audio signals. The process is constrained by the quantity of data, the need for invariance of the data under conditions where the `host' signal is subject to distortions, e.g., compression, and the degree to which the data must be immune to interception, modification, or removal. We explore both traditional and novel techniques for addressing the data hiding process and evaluate these techniques in light of three applications: copyright protecting, tamper-proofing, and augmentation data embedding.

Audio augmentation for speech recognition.

Abstract: Data augmentation is a common strategy adopted to increase the quantity of training data, avoid overfitting and improve robustness of the models. In this paper, we investigate audio-level speech augmentation methods which directly process the raw signal. The method we particularly recommend is to change the speed of the audio signal, producing 3 versions of the original signal with speed factors of 0.9, 1.0 and 1.1. The proposed technique has a low implementation cost, making it easy to adopt. We present results on 4 different LVCSR tasks with training data ranging from 100 hours to 1000 hours, to examine the effectiveness of audio augmentation in a variety of data scenarios. An average relative improvement of 4.3% was observed across the 4 tasks.

An audio-visual corpus for speech perception and automatic speech recognition

Abstract: An audio-visual corpus has been collected to support the use of common material in speech perception and automatic speech recognition studies. The corpus consists of high-quality audio and video recordings of 1000 sentences spoken by each of 34 talkers. Sentences are simple, syntactically identical phrases such as "place green at B 4 now". Intelligibility tests using the audio signals suggest that the material is easily identifiable in quiet and low levels of stationary noise. The annotated corpus is available on the web for research use.

Deep content-based music recommendation

Abstract: Automatic music recommendation has become an increasingly relevant problem in recent years, since a lot of music is now sold and consumed digitally. Most recommender systems rely on collaborative filtering. However, this approach suffers from the cold start problem: it fails when no usage data is available, so it is not effective for recommending new and unpopular songs. In this paper, we propose to use a latent factor model for recommendation, and predict the latent factors from music audio when they cannot be obtained from usage data. We compare a traditional approach using a bag-of-words representation of the audio signals with deep convolutional neural networks, and evaluate the predictions quantitatively and qualitatively on the Million Song Dataset. We show that using predicted latent factors produces sensible recommendations, despite the fact that there is a large semantic gap between the characteristics of a song that affect user preference and the corresponding audio signal. We also show that recent advances in deep learning translate very well to the music recommendation setting, with deep convolutional neural networks significantly outperforming the traditional approach.