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Cultural heritage

About: Cultural heritage is a research topic. Over the lifetime, 28201 publications have been published within this topic receiving 273875 citations. The topic is also known as: cultural assets & cultural goods.


Papers
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Journal ArticleDOI
TL;DR: This approach integrates several technologies based on the experience over more than a decade of trying to accurately and completely model large-scale heritage monuments and sites to model a highly detailed structure or site at various levels of detail.
Abstract: Many cultural heritage applications require 3D reconstruction of real-world objects and scenes. Over the past few years, it has become increasingly common to use 3D digitization and modeling for this purpose. This is mainly due to advances in laser-scanning techniques, 3D modeling software, image-based modeling techniques, computer power, and virtual reality. Our approach integrates several technologies based on our experience over more than a decade of trying to accurately and completely model large-scale heritage monuments and sites. Using both interactive and automatic techniques, we can model a highly detailed structure or site at various levels of detail. We use image-based modeling for basic shape and structural elements, and laser scanning for fine details and sculpted surfaces. To present the site in its proper context, we use image-based rendering for landscapes and surroundings. To apply this approach, we created hundreds of models from sites all over the world for documentation, walk-through movies, and interactive visualization. The results were compelling and encouraging.

246 citations

Posted Content
01 Jan 2010
TL;DR: The first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy can be found in this paper, where the authors argue that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making.
Abstract: Cultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making. The book is the first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy. It deals with general principles of policy-making in the cultural arena as seen from an economic point of view, and goes on to examine a range of specific cultural policy areas, including the arts, heritage, the cultural industries, urban development, tourism, education, trade, cultural diversity, economic development, intellectual property and cultural statistics.

246 citations

Journal ArticleDOI
TL;DR: The authors used the Gettysburg storyscape to illustrate the way in which a text is coconstructed by both marketers and consumers through negotiation and embodied performance, and how a landscape is being symbolically transformed and used by service providers and tourists alike to negotiate, define, and strengthen social values of patriotism and national unity.

245 citations

Journal ArticleDOI
TL;DR: The authors suggest that successful culture-led regeneration is not about a trickle-down effect at all, but rather represents a counter-balance to broader processes of cultural globalisation and suggest that only an in-depth understanding of geographical and historical specificities will help us understand the way in which cultural regeneration potentially strengthens existing sources of identity rather than weakening them.
Abstract: The rhetoric of the cultural policy dimension of culture‐led regeneration makes a variety of assumptions concerned with the democratisation of culture and the empowerment of local communities In this article, we ask whether there are alternative paradigms that might offer different connections to other drivers of regeneration in the social and economic fields The article suggests that successful culture‐led regeneration is not about a trickle‐down effect at all, but rather represents a counter‐balance to broader processes of cultural globalisation We chart the emergence of cultural policy in the North East of England paying particular attention to the impact of Year of the Visual Arts 1996 and to data emerging out of a 10‐year longitudinal research project on the Gateshead Quayside It is suggested that only an in‐depth understanding of geographical and historical specificities will help us understand the way in which cultural regeneration potentially strengthens existing sources of identity rather tha

244 citations

Journal ArticleDOI
TL;DR: Starting from the earlier systems, which presented cultural heritage information in kiosks, it summarizes the evolution of personalization techniques in museum web sites, virtual collections and mobile guides, until recent extension of cultural heritage toward the semantic and social web.
Abstract: Over the last 20 years, cultural heritage has been a favored domain for personalization research. For years, researchers have experimented with the cutting edge technology of the day; now, with the convergence of internet and wireless technology, and the increasing adoption of the Web as a platform for the publication of information, the visitor is able to exploit cultural heritage material before, during and after the visit, having different goals and requirements in each phase. However, cultural heritage sites have a huge amount of information to present, which must be filtered and personalized in order to enable the individual user to easily access it. Personalization of cultural heritage information requires a system that is able to model the user (e.g., interest, knowledge and other personal characteristics), as well as contextual aspects, select the most appropriate content, and deliver it in the most suitable way. It should be noted that achieving this result is extremely challenging in the case of first-time users, such as tourists who visit a cultural heritage site for the first time (and maybe the only time in their life). In addition, as tourism is a social activity, adapting to the individual is not enough because groups and communities have to be modeled and supported as well, taking into account their mutual interests, previous mutual experience, and requirements. How to model and represent the user(s) and the context of the visit and how to reason with regard to the information that is available are the challenges faced by researchers in personalization of cultural heritage. Notwithstanding the effort invested so far, a definite solution is far from being reached, mainly because new technology and new aspects of personalization are constantly being introduced. This article surveys the research in this area. Starting from the earlier systems, which presented cultural heritage information in kiosks, it summarizes the evolution of personalization techniques in museum web sites, virtual collections and mobile guides, until recent extension of cultural heritage toward the semantic and social web. The paper concludes with current challenges and points out areas where future research is needed.

241 citations


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Performance
Metrics
No. of papers in the topic in previous years
YearPapers
20244
20232,033
20224,256
20211,681
20202,042
20192,082