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Digital media

About: Digital media is a research topic. Over the lifetime, 17508 publications have been published within this topic receiving 266693 citations. The topic is also known as: machine-readable data.


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Book
01 Jan 2002
TL;DR: In this paper, the authors discuss the economic characteristics of the Media Economies of Scale economies of scope changing technology and the changing role of networks in media economics, including the role of social networks and microblogs.
Abstract: Chapter 1: Introduction What Is Media Economics about? Macroeconomics and Microeconomics The Firm in Economic Theory Competitive Market Structures Market Structure and Behaviour What Is So Special About Economics of the Media? Key Economic Characteristics of the Media Economies of Scale Economies of Scope Changing Technology Chapter 2: Convergence and Multi-Platform The Vertical Supply Chain Changing Market Structures and Boundaries Digital Convergence Technological Change, Innovation and Creative Destruction Multi-Platform A New Cornucopia? Chapter 3: Corporate Growth and Concentration Strategies Strategic Responses to Digitization Managerial Theories Horizontal Expansion Diagonal and Conglomerate Growth Vertical Expansion Transnational Growth Chapter 4: Networks Economics of Networks Broadcasting Networks Global Networks in Transnational Publishing Online Content Distribution Social Networks and Microblogging The Changing Role of Networks in Media Economics Chapter 5: Demand: Push to Pull Mass to Niche User Empowerment Segmentation and Branding Audience Flow Management Market Failure in Broadcasting Public Service Content Provision Chapter 6: Economics of Content Supply Novelty and Risk Spreading Portfolios Repetition and Formats Hollywood and Risk Funding Models: Cost Plus Versus Deficit Financing Windowing Chapter 7: Copyright The Economic Origins of Copyright Copyright and Welfare Losses Digitisation and Enforcement Globalisation Territoriality and Free Trade Areas Commercial Models Other Than Copyright Non-Market Alternative Means of Incentivising Creativity Adjusting Copyright to the 'Open' Internet Chapter 8: Media and Advertising The Advertising Industry Why Does Advertising Take place? Are Firms in Control of Their Own Markets? Informative Versus Persuasive Advertising Advertising as a Barrier to Market Entry Advertising and the Performance of the Economy The Rise of Internet Advertising The Firm's Advertising Decision Chapter 9: Digital Media Economics and Public Policy Free Market Versus Intervention Support Measures for Media Content Protectionism Concentrated Media Ownership Promoting Competition Monopolies and Technological Change Maximising Efficiency PSBs and State Aid Rules

353 citations

Journal Article
TL;DR: The Tahrir Data Project as discussed by the authors collected empirical data on media use during the Egyptian revolution of January and February 2011, and collected three data sets documenting media use by protesters, by coordinators, and by transnational audiences.
Abstract: The Tahrir Data Project gathers empirical data on media use during the Egyptian revolution of January and February 2011. The Project consists of three data sets documenting media use by protesters, by coordinators, and by transnational audiences. Preliminary descriptive analysis of the data suggests that social media use was not dominant in demonstrations, but may have played an important role in connecting and motivating protesters. Metrics for media use by protesters indicate a strong presence of activities and characteristics commonly associated with communication in protests to social media and social media users. These metrics, along with preliminary data on coordinator strategies and preliminary analysis of the #jan25 tweet set, suggest an important but complex role played by social media in the Egyptian revolution of 2011. The data and preliminary analysis are presented here, together with a number of research questions for further study.

352 citations

Book
01 Aug 2002
TL;DR: How to Build a Digital Library is the only book that offers all the knowledge and tools needed to construct and maintain a digital library-no matter how large or small, and two internationally recognized experts provide a fully developed, step-by-step method.
Abstract: From the Publisher: Given modern society's need to control its ever-increasing body of information, digital libraries will be among the most important and influential institutions of this century. With their versatility, accessibility, and economy, these focused collections of everything digital are fast becoming the "banks" in which the world's wealth of information is stored. How to Build a Digital Library is the only book that offers all the knowledge and tools needed to construct and maintain a digital library-no matter how large or small. Two internationally recognized experts provide a fully developed, step-by-step method, as well as the software that makes it all possible. How to Build a Digital Library is the perfectly self-contained resource for individuals, agencies, and institutions wishing to put this powerful tool to work in their burgeoning information treasuries. Features Sketches the history of libraries-both traditional and digital-and their impact on present practices and future directions Offers in-depth coverage of today's practical standards used to represent and store information digitally Uses Greenstone, freely accessible open-source software-available with interfaces in the world's major languages (including Spanish, Chinese, and Arabic) Written for both technical and non-technical audiences Web-enhanced with software documentation, color illustrations, full-text index, source code, and more Author Biography: Ian H. Witten is a professor of computer science at the University of Waikato in New Zealand. He directs the New Zealand Digital Library research project. His research interests include information retrieval, machine learning, text compression, and programming by demonstration. He received an MA in Mathematics from Cambridge University, England; an MSc in Computer Science from the University of Calgary, Canada; and a PhD in Electrical Engineering from Essex University, England. He is a fellow of the ACM and of the Royal Society of New Zealand. He has published widely on digital libraries, machine learning, text compression, hypertext, speech synthesis and signal processing, and computer typography. He has written several books, the latest being Managing Gigabytes (1999) and Data Mining (2000), both from Morgan Kaufmann. David Bainbridge is a senior lecturer in Computer Science at the University of Waikato, New Zealand. He holds a PhD in Optical Music Recognition from the University of Canterbury, New Zealand where he studied as a Commonwealth Scholar. Since moving to Waikato in 1996 he has continued to broadened his interest in digital media, while retaining a particular emphasis on music. An active member of the New Zealand Digital Library project, he manages the group's digital music library, Meldex, and has collaborated with several United Nations Agencies, the BBC and various public libraries. David has also worked as a research engineer for Thorn EMI in the area of photo-realistic imaging and graduated from the University of Edinburgh in 1991 as the class medalist in Computer Science.

349 citations

01 Jan 2018
TL;DR: In this article, a new theory of polymedia in order to understand the consequences of digital media in the context of interpersonal communication is presented. But the authors focus on the social, emotional and moral consequences of choosing between different media.
Abstract: This article develops a new theory of polymedia in order to understand the consequences of digital media in the context of interpersonal communication. Drawing on illustrative examples from a comparative ethnography of Filipino and Caribbean transnational families, the article develops the contours of a theory of polymedia. We demonstrate how users avail themselves of new media as a communicative environment of affordances rather than as a catalogue of ever proliferating but discrete technologies. As a consequence, with polymedia the primary concern shifts from the constraints imposed by each individual medium to an emphasis upon the social, emotional and moral consequences of choosing between those different media. As the choice of medium acquires communicative intent, navigating the environment of polymedia becomes inextricably linked to the ways in which interpersonal relationships are experienced and managed. Polymedia is ultimately about a new relationship between the social and the technological, rather than merely a shift in the technology itself.

347 citations

Journal ArticleDOI
TL;DR: In this paper, the effects of brand publicity in social and traditional digital media were investigated and compared, in an analysis of consumer responses to identical brand advertising in seven popular online video games.
Abstract: This article investigates-and compares-the effects of brand publicity in social and 'traditional' digital media. In an analysis of consumer responses to identical brand publicity in seven popular b ...

346 citations


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Performance
Metrics
No. of papers in the topic in previous years
YearPapers
20241
2023400
2022944
20211,133
20201,363
20191,221