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Digital media

About: Digital media is a research topic. Over the lifetime, 17508 publications have been published within this topic receiving 266693 citations. The topic is also known as: machine-readable data.


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Book
06 May 2017
TL;DR: The authors suggest that the term "dynamic literacies" could extend concepts in the new literacy studies to generate an inclusive, umbrella term which is inclusive enough to encompass the changing nature of meaning-making in the context of digital media and culture.
Abstract: Because this book is concerned with the issues around digital media and education, as seen through both a sociocultural and a political lens, we have chosen to begin by looking at the ways in which these issues are represented in recent definitions of ‘literacy’ which have been mobilised by a range of different theorists and interest groups. We will suggest that the term ‘dynamic literacies’ could extend concepts in the ‘new literacy studies’ to generate an inclusive, umbrella term which is inclusive enough to encompass the changing nature of meaning-making in the context of digital media and culture. As media educators, we understand that the ways in which an education system engages positively, negatively, or not at all with media texts and practices is framed by what is admissible in its formal structures and educational settings as ‘literacy’; any definition of literacy frames and defines pedagogy.

65 citations

Book
29 Mar 2002
TL;DR: In this article, the authors present an overview of the history and the history of the reinvention of narrative in the 21st century and discuss the role of technology in this process.
Abstract: List of figures List of contributors Acknowledgements Preface By Timothy Druckrey Foreword An Age of Narrative Chaos? Structural Overview: Cinema, Art and the Reinvention of Narrative PART 1 ORIENTATIONS: HISTORY AND THEORY Definitions Sean Cubitt Spreadsheets, Sitemaps and Search Engines: Why Narrative is Marginal to Multimedia and Networked Communication, and Why Marginality is More Vital than Universality Paul Willemen Reflections on Digital Imagery: Of Mice and Men Origins Soke Dinkla The Art of Narrative--Towards the Floating Work of Art Peter Weibel Narrated Theory: Multiple Projection and Multiple Narration (Past and Future) Annika Blunck Towards Meaningful Spaces Lev Manovich Computerisation and Film LanguageConvergence Andrea Zapp net.drama:// myth/mimesis/mind_mapping/ Alex Butterworth and John Wyver Interactive or Inhabited TV:Broadcasting for the 21st Century Chris Hales New ParadigmsNew Movies Interactive Film and New Narrative Interfaces Beyond Narrative? Ken Feingold The Interactive Art Gambit Jon Dovey Notes Toward a Hypertextual Narrative Theory Martin Rieser The Poetics of Interactivity: The Uncertainty Principle Eku Wand Interactive Storytelling: The Renaissance of Narration Grahame Weinbren Mastery (Sonic C'est Moi) PART 2 EXPLORATIONS: A NEW PRACTICE Restructuring Time Jill Scott Crossing and Collapsing Time: Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage Toni Dove The Space Between: Telepresence, Re-animation and the Re-casting of the Invisible Redefining Space George Legrady Intersecting the Virtual and the Real: Space in Interactive Media Installations Malcolm Le Grice Dream Time and Digital Media: Computers, Cinema and the Transformation of Authorship Bill Seaman Recombinant Poetics: Emergent Explorations of Digital Video in VirtualSpace Beyond the Screen Luc Courchesne The Construction of Experience: Turning Spectators into Visitors Jeffrey Shaw Movies after Film: The Digitally Expanded Cinema Merel Mirage Emotions Encoded The Personalised Interface Zoe Beloff An Erzatz of Life: The Dream Life of Technology Michael Buckley The Good Cook: A Vertical Axis versus a Horizontal Axis in Interactive Narrative Construction Graham Harwood Mongrel's National Heritage: Reporting the Experience

65 citations

01 Sep 2013
TL;DR: In this article, the authors discuss the new issues arising for the politics of self-representation and personal photography in the era of social media, focusing particularly on the consequences of online image-sharing.
Abstract: Over the past couple of decades, the cultural field formerly known as ‘domestic’, and later ‘personal’ photography has been remediated and transformed as part of the social web, with its convergence of personal expression, interpersonal communication, and online social networks (most recently via platforms like Flickr, Facebook and Twitter). Meanwhile, the Digital Storytelling movement (involving the workshop-based production of short autobiographical videos) from its beginnings in the mid 1990s relied heavily on the narrative power of the personal photograph, often sourced from family albums, and later from online archives. This paper addresses the new issues arising for the politics of self-representation and personal photography in the era of social media, focusing particularly on the consequences of online image-sharing. It discusses in detail the practices of selection, curation, manipulation and editing of personal photographic images among a group of activist-oriented queer digital storytellers who have in common a stated desire to share their personal stories in pursuit of social change, and whose stories often aim to address both intimate and antagonistic publics.

65 citations

Journal ArticleDOI
TL;DR: A closer examination of the digitality of linguistic units offers no support for the digital-code idea, for language use, it is argued, is in its essence fundamentally analogical.

65 citations

Patent
Ryan Graeme Dixon1
21 Aug 2008
TL;DR: In this article, the authors proposed a method for generating personalized streaming content, the method including the steps of analyzing a digital library of a user associated with a user account, generating recommended digital media based on analysis of the digital library, and generating personalized content that includes digital media from the digital libraries and recommended digital content.
Abstract: A method for generating personalized streaming content, the method including the steps of analyzing a digital library of a user associated with a user account, generating recommended digital media based on analysis of the digital library, generating personalized streaming content that includes digital media from the digital library and recommended digital media.

65 citations


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Performance
Metrics
No. of papers in the topic in previous years
YearPapers
20241
2023400
2022944
20211,133
20201,363
20191,221