About: Dystopia is a(n) research topic. Over the lifetime, 2146 publication(s) have been published within this topic receiving 15163 citation(s). The topic is also known as: cacotopia.
Papers published on a yearly basis
31 May 1998
Abstract: No metropolis has been more loved or more hated. To its official boosters, "Los Angeles brings it all together." To detractors, LA is a sunlit mortuary where "you can rot without feeling it." To Mike Davis, the author of this fiercely elegant and wide-ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of Quartz", Davis reconstructs LA's shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel West-a city in which we may glimpse our own future, mirrored with terrifying clarity. In this special 15-year anniversary edition, Davis provides a dazzling update on the city's current status.
27 Jun 2002
Abstract: From the Publisher: "Hanging Out at the Virtual Pub provides a richly detailed and theoretically mediated understanding of gender's significance in online-game playing. This examination of the behavior of educated techno-elites helps us understand communities and larger social trends. Kendall's vision is neither utopian nor dystopian. People will buy this timely book."-Anita Allen, professor of Law and Philosophy, University of Pennsylvania "This wonderful book is readable, enjoyable, and lively, providing a fascinating look into a world not known by many. It will appeal to those who have interests in computers and the friendship communities that evolve in cyberspace, as well as to those working on gender and race issues."-Peter Nardi, author of Gay Men's Friendships:Invincible Communities Author Biography:Lori Kendall is Assistant Professor of Sociology at Purchase CollegeState University of New York.
01 Jan 2000
Abstract: Dystopian narrative is a product of the social ferment of the twentieth century. A hundred years of war, famine, disease, state terror, genocide, ecocide, and the depletion of humanity through the buying and selling of everyday life provided fertile ground for this fictive underside of the utopian imagination. From the classical works by E. M. Forster, Yevgeny Zamyatin, Aldous Huxley, George Orwell, and Margaret Atwood, through the new maps of hell in postwar science fiction, and most recently in the dystopian turn of the 1980s and 1990s, this narrative machine has produced challenging cognitive maps of the given historical situation by way of imaginary societies which are even worse than those that lie outside their authors' and readers' doors.In Scraps of the Untainted Sky , Tom Moylan offers a thorough investigation of the history and aesthetics of dystopia. To situate his study, Moylan sets out the methodological paradigm that developed within the interdisciplinary fields of science fiction studies and utopian studies as they grow out of the oppositional political culture of the 1960 and 1970s (the context that produced the project of cultural studies itself). He then presents a thorough account of the textual structure and formal operations of the dystopian text. From there, he focuses on the new science-fictional dystopias that emerged in the context of the economic, political, and cultural convulsions of the 1980s and 1990s, and he examines in detail three of these new "critical dystopias:" Kim Stanley Robinson's The Gold Coast, Octavia Butler's The Parable of the Sower , and Marge Piercy's He, She, and It .With its detailed, documented, and yet accessible presentation, Scraps of the Untainted Sky will be of interest to established scholars as well as students and general readers who are seeking an in-depth introduction to this important area of cultural production.
TL;DR: Unlike Offred, feminists have long recognized as imperative the task of seeking out, defining, and criticizing the complex reality that governs the ways the authors think, the values they hold, and the relationships they share, especially with regard to gender.
Abstract: In Margaret Atwood's powerful novel The Handmaid's Tale,1 the heroine Offred, a member of a new class of "two legged wombs" in a dystopian society, often thinks to herself, "Context is all." Offred reminds us of an important truth: at each moment of our lives our every thought, value, and act?from the most mundane to the most lofty?takes its meaning and purpose from the wider political and social reality that constitutes and conditions us. In her newly reduced circumstances, Offred comes to see that matters beyond one's immediate purview make a great deal of difference with respect to living a more or less free and fully human life. But her realization comes too late. Unlike Offred, feminists have long recognized as imperative the task of seeking out, defining, and criticizing the complex reality that governs the ways we think, the values we hold, and the relationships we share, especially with regard to gender. If context is all, then feminism in its various guises is committed to uncovering what is all around us and to revealing the power relations that constitute the creatures we become. "The personal is the political" is the credo of this critical practice.