Topic
Dystopia
About: Dystopia is a research topic. Over the lifetime, 2146 publications have been published within this topic receiving 15163 citations. The topic is also known as: cacotopia.
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01 Jan 2016
TL;DR: In this article, the case of Shushtar-e-No, a satellite city located 2 km from the old city of Shiraz and designed by Kamran Diba, is discussed.
Abstract: In the 1970s, and to meet the needs of the growing urban population, the Iranian government was able to plan for large-scale investments in the housing sector, thanks to suddenly increasing oil revenues. For a while, the western approach to housing and dwelling, crystallised in the proliferating and internationally appreciated style of modern architecture, dominated Iran’s new architecture and urban planning. However, a number of architects and urban planners resisted this dominance and tried to create a paradigmatic shift in the approach to housing and dwelling, focusing on the place-specific aspects of the context. The Shushtar-e-No project was an endeavour of this kind. This chapter addresses this paradigmatic shift, focusing on the case of Shushtar-e-No, a satellite city located 2 km from the old city of Shushtar and designed by Kamran Diba. After a short introduction to the political, social, and architectural context of the scheme, the chapter highlights how the architect’s unique approach to the built environment promised a paradigmatic shift in the question of housing and dwelling, the aim of which was to ‘synthesise’ the two modes of tradition and modernity in quest of a ‘local style’, and to promote a ‘social agenda’. Next, an investigation of the current environmental, social, and physical situation of the community will show its degeneration from the initial utopian image into a state of dystopia, which can be linked with both the initial architectural pre-suppositions and with later unexpected political incidents. Ultimately, using Foucauldian terminology, it will be concluded that Shushtar-e-No has transformed to a ‘crisis community’, a ‘forgotten land’, which represents a heterotopia par excellence.
4 citations
TL;DR: In this paper , the role played by imagination when national and international organisations convey the idea of a dystopian crisis involved in the real transition to a postantibiotic era is examined.
Abstract: The study presented in this article is about the role played by imagination when national and international organisations convey the idea of a dystopian crisis involved in the real transition to a postantibiotic era. The present is an era that can be defined as a time when no new antibiotics are discovered or developed, and existing antibiotics simultaneously become less effective since bacteria develop resistance against the active substances. Today, antibiotic resistance is an international fact; thousands of people die every year in Europe and the USA as a result of bacteria that have become resistant. Then, imagination can conjure up a different and a much more dystopian future. This article stems from a public debate concerning the global increase of antibiotic resistance; and will examine how the concept of fantasy and imagination is central in picturing such a future crisis in society. The article’s empirical basis mainly consists of reports from global and Swedish organisations, dating from the 1990s and onwards. These fantasies show that our society has a strong urge to always try to understand and explain present time and to identify how ‘our’ era relates to the past as well as the future. The concept of crisis plays an important role in these fantasies, it is key to use it when thinking about change. The analysis builds on texts and illustrations from global organisations like the WHO and also national authorities in Sweden that aim to convey the science behind the challenge. The aim is to develop a theoretical and empirical understanding, from the perspective of cultural analysis, of how fantasy and crisis are linked when the future is conceived.
4 citations
01 Jan 2014
TL;DR: In this article, the authors discussed Dystopia and Orwell's Pitfall in George Orwell's '1984' and identified how George Orwell adjusted himself due to his political position, which can be concluded that Orwell is undogmatic socialist.
Abstract: George Orwell was ranked as one of the most influential English writers of the 20 th century and as one of the most important chroniclers of English culture of his generation. George Orwell as a socialist criticized over a state or a government that claimed that, they are ideologically socialism. In this study, I discussed Dystopia and Orwell’s Pitfall in George Orwell’s 1984. Dystopia is an antithesis of utopia. If utopia is life of a society where a world in safe, happy, and others which are representing all of human dreams, it reflects the desire for seeking the age of the Queen of Justice, then dystopia is the world that became the symbol of human rights destruction of every man with their powerlessness and a hopeless life. This final project is aimed at how totalitarian dystopia reflected in 1984, what are the factors of George Orwell’s idea in 1984, and to identify how George Orwell’s adjusts himself due to his political position. I employ George Orwell’s 1984 as the object of this study. This study is a descriptive qualitative study with sociology in literature approaches. It is descriptive qualitative since the data of the study are in the form of phrases, sentences, narrations and dialogues and I do not employ computation. The data are gained by reading the novel thoroughly, identifying, and selecting. This investigation results in several findings. First, dystopia is really portrays in 1984 as the world deprivation. Second, Orwell wanted to show that basically people have a strong will to look for justice, love, truth, and solidarity. Third, Orwell wants socialism life is not a pure socialism, but socialism which represents the society that has freedom of speech. It can be concluded that Orwell is undogmatic socialist.
4 citations