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Showing papers on "Hamlet (place) published in 1989"


Book
01 Dec 1989
TL;DR: Caviar or the general - "Hamlet" and the popular theater the peasant's toe - popular culture and popular pressure bottom's up - festive theory back by popular demand, the two versions of "Henry V" What Matter who's speaking? 'Hamlet' and 'King Lear' "Speak, speak!" - the popular voice and the Jacobean state "Thought is Free" - "The Tempest".
Abstract: Caviar or the general - "Hamlet" and the Popular Theater the peasant's toe - popular culture and popular pressure bottom's up - festive theory back by popular demand, the two versions of "Henry V" What Matter who's speaking? "Hamlet" and "King Lear" "Speak, speak!" - the popular voice and the Jacobean state "Thought is Free" - "The Tempest".

157 citations



Book
31 Aug 1989
TL;DR: Part 1 Purchasing experience: "Hamlet" -growing "Othello" -mixing "King Lear" -loving "Macbeth" - succeeding.
Abstract: Part 1 Purchasing experience: "Hamlet" - growing "Othello" - mixing "King Lear" - loving "Macbeth" - succeeding. Part 2 Approaches to the tragedies: "Romeo and Juliet" - the nurse's story "Hamlet" - a time to die textual readings and reading the text of "Hamlet" the inaction of "Troilus and Cressida" Spanish Othello - the making of Shakespeare's Moor two damned cruces - "Othello" and "Twelfth Night".

16 citations


Journal ArticleDOI
TL;DR: The possibility that the earl was punished with a "sore distraction" is frequently viewed as a kind of colorful biographical sidelight to the rebellion of 1601: Essex, ''brilliant, melancholy and ill-fated,'' becomes the embodiment of the Elizabethan mal du siècle, his Icarian fall mirroring the fate of a generation of aspiring minds as discussed by the authors.
Abstract: ond earl of Essex, was actually mad in any clinical sense of the word is not an issue for historicism.1 But that his \"madness\" was poor Robert's and ultimately, the Tudor state's enemy may be as illuminating for discussions of madness in Shakespearean tragedy as humoral psychology and the vogue of melancholy. Essex seems to have suffered from what Timothie Bright would have called a \"melancholie madnesse,\" replete with bouts of near-stuporous despair and religious mania (2). The possibility that the earl was punished with a \"sore distraction\" is frequently viewed as a kind of colorful biographical sidelight to the rebellion of 1601: Essex, \"brilliant, melancholy and ill-fated,\" becomes the embodiment of the Elizabethan mal du siècle, his Icarian fall mirroring the fate of a generation of aspiring minds.2 \"The flowre of chivalrie\" who fell heir in his own lifetime to the heroic legacy of Sir Philip Sidney, Essex has been identified as the historical inspiration for Henry Bolingbroke, Hamlet, and Antony. But the affinities between Essex and the heroes of Shake-

12 citations



Journal ArticleDOI
TL;DR: The play begins soon after the death and burial of King Hamlet, and the consequences of both occupy our attention until Hamlet kills Polonius at the end of Act 3 as discussed by the authors.
Abstract: HEN Hamlet sees Claudius, Gertrude, Laertes, a Doctor of Divinity, and Lords enter the graveyard following a corpse in w a funeral procession, he is puzzled. “Who is this they follow? / And with such maimed rites?” (5.1.218-19).1 The corpse, he soon discovers, is “the fair Ophelia” and her interment follows. The burial of Ophelia (5.1.218-99), one of the few times that Shakespeare presents an onstage burial? brings into dramatic focus other funeral rites that occur elsewhere in the play. The play begins soon after the death and burial of King Hamlet, and the consequences of both occupy our attention until Hamlet kills Polonius at the end of Act 3. Then

8 citations


Book
11 May 1989
TL;DR: From Johnson's "Preface to Shakespeare" taking Johnson seriously just representations of general nature the mind against the world - the idealist imagination - Wordsworth, Falstaff, Hamlet, the defiant imagination - Lear, supernatural creation - Caliban and Prospero, organic unity - "Romeo and Juliet" Johnson and tragedy as discussed by the authors.
Abstract: From Johnson's "Preface to Shakespeare" taking Johnson seriously just representations of general nature the mind against the world - the idealist imagination - Wordsworth, Falstaff, Hamlet, the defiant imagination - Lear, supernatural creation - Caliban and Prospero, organic unity - "Romeo and Juliet" Johnson and tragedy.

7 citations


Book ChapterDOI
01 Jan 1989
TL;DR: Faulkner's The Hamlet (1940) is the first manifestation in novel form of a project which was to stretch over 33 years, from "Father Abraham" around 1926 to the third novel in the Snopes Trilogy, The Mansion (1959) (the middle novel was The Town [1957]).
Abstract: The Hamlet (1940) is the first manifestation in novel form of a project which was to stretch over 33 years, from ‘Father Abraham’ around 1926 to the third novel in the ‘Snopes Trilogy’, The Mansion (1959) (the middle novel was The Town [1957]). In 1945 Faulkner wrote to Malcolm Cowley that The Hamlet was ‘incepted’ as a novel, but it represents a skilful melding and reworking of several earlier short stories, including ‘The Hound’ (1930, basis for the story of Mink and Houston), ‘Spotted Horses’ (1931), ‘Lizards in Jamshyd’s Court’ (1932), ‘Fool About a Horse’ (1936), and ‘Barn Burning’ (1938). John Pikoulis describes in detail how these stories have been reworked from ‘narrative samplers’141 into a fictional history of the community of Frenchman’s Bend. He suggests a tension between the variety of tales of a static community (reminiscent, perhaps, of Anderson’s Winesburg, Ohio) and recurring themes of economy overruling passion, which suggest the inevitable demise of the pastoral world. Certainly the key protagonists reflect this demise: Ratliff, the businessman who prefers to gossip on the steps of the general store, beaten by Flem Snopes, the dedicated moneymaker who is virtually silent throughout the trilogy.

6 citations


Journal ArticleDOI
TL;DR: In the Melanesian island of New Ireland, located in the Bismarck Archipelago some four hundred miles northeast of New Guinea (Fig. 1), the most important moments of social and ceremonial life are the mortuary feasts most commonly known as Malagans.
Abstract: n the Melanesian island of New Ireland, located in the Bismarck Archipelago some four hundred miles northeast of New Guinea (Fig. 1), the most important moments of social and ceremonial life are the mortuary feasts most commonly known as Malagans. These are held for all individuals in the months or years after their demise, and one such celebration, staged in 1978-1979 in the Kisiu hamlet of Panatgin village (central Mandak region), was recorded in considerable detail in the ethnographic reporting of Elizabeth Brouwer and also on film by Chris Owen.' In the discussion which follows, I would like to

5 citations


Book
01 Feb 1989
TL;DR: Fielding's "Tom Jones" encountering the king Dickens - "Great Expectations" and the ghost of the father Edmund Gosse's "Father and Son" remembering the mother Iris Murdoch's "The Black Prince" - overthrowing the tyrant and inscribing the feminine.
Abstract: Fielding's "Tom Jones" - encountering the king Dickens - "Great Expectations" and the ghost of the father Edmund Gosse's "Father and Son" - remembering the mother Iris Murdoch's "The Black Prince" - overthrowing the tyrant and inscribing the feminine.

5 citations


Journal ArticleDOI
01 Oct 1989-Poetics
TL;DR: The authors explored the connections between Hamlet and Wittgenstein's Tractatus and, on the other hand, The Golden Bowl and The Philosophical Investigations, arguing that the relationship between subjects and objects is one of sharply separated and allegedly wholly independent subject and objects.


Book
01 Jan 1989
TL;DR: In this article, a detailed analysis of Hamlet from the perspective of an actor and a director is presented, with a focus on the role of the actor and the playwright.
Abstract: This volume offers a detailed analysis of Hamlet from the perspective of an actor and director.


Journal ArticleDOI
TL;DR: Hamlet, Shelley, and the Air-Eating Chameleon as discussed by the authors are discussed in ANQ: A Quarterly Journal of Short Articles, Notes and Reviews: Vol 2, No. 2, pp. 48-50.
Abstract: (1989). Hamlet, Shelley, and the Air-Eating Chameleon. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews: Vol. 2, No. 2, pp. 48-50.

Journal ArticleDOI
TL;DR: For example, this paper pointed out that les maisons sont bien des antres de secret, mais elles sont ouvertes en d'assez nombreuses occasions aux amis, notamment le dimanche aprèsmidi et pour les anniversaires and les fêtes du saint de chacun des membres ; les jeunes, eux, circulent d'une maison à l'autre, le copinage d'école ou déquipe sportive le
Abstract: données aux femmes (ce qui n'est pas le cas en ville) il y a pour les hommes les mutuelles, les syndicats, et surtout les cercles de sociabilité (tertulias, penas) institutionnels ou informels, plus denses ici il me semble que dans toute autre région d'Espagne. Le lignage n'a sans doute pas une vie bien intense mais les communautés entre frères ne sont pas rares, spécialement pendant la survie d'une mère veuve. Autre point contestable : les maisons sont bien des antres de secret, mais elles sont ouvertes en d'assez nombreuses occasions aux amis, notamment le dimanche aprèsmidi et pour les anniversaires et les fêtes du saint de chacun des membres ; les jeunes, eux, circulent d'une maison à l'autre, le copinage d'école ou d'équipe sportive leur ouvre les portes. Un problème a été éludé, qui tracasse les observateurs politologues : il suffit de lire le livre classique de J. Dias del Moral (1922) pour comprendre que l'anarchisme andalou fut bien plus qu'une option politique, une solidarité prégnante dans le vécu : n'en est-il vraiment rien resté aujourd'hui ? Si c'est le cas, comment expliquer son incapacité à renaître après la chute du franquisme alors qu'il a marqué de sa forte présence toute la période entre 1870 et 1936 !

Journal ArticleDOI
TL;DR: In this article, Gordon Craig settled in Florence before the First World War and found himself amidst a flourishing avant-garde artistic community, which he regarded with some caution, and developed the idea of adjustable screens, first employed during his Moscow collaboration with Stanislavski on Hamlet.
Abstract: When Gordon Craig settled in Florence before the First World War, he found himself amidst a flourishing avant-garde artistic community. which he regarded with some caution. Between the staging of Rosmersholm with Duse in 1906 and the closing of his short-lived theatre school at the Goldoni Arena in 1914, he also conducted a correspondence with the eclectic cosmopolitan Carlo Placci – a previously unpublished source on which Alessandro Sardelli has drawn to illuminate Craig's Florentine years, during which his influential journal The Mask made its earliest appearance, and Craig also developed the idea of his adjustable screens, first employed during his Moscow collaboration with Stanislavski on Hamlet.


Journal ArticleDOI
TL;DR: La genese du fantome d' " Hamlet" and l'aboutissement de la tradition melancolique chez Shakespeare as discussed by the authors were discussed in detail in this paper.
Abstract: La genese du fantome d' " Hamlet " et l'aboutissement de la tradition melancolique chez Shakespeare