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Hamlet (place)

About: Hamlet (place) is a research topic. Over the lifetime, 2771 publications have been published within this topic receiving 16301 citations.


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TL;DR: This paper used Sonnet 24 to demonstrate that manipulated surfaces cannot delve into the interior but only discover, or create, more surfaces by understanding and to some degree exploiting the techniques of perspectival artists, gradually able to create a play space at once deeply physical and insistently metaphysical.
Abstract: Indebted to Shakespeare’s understanding of perspective in the visual arts as much as to the tradition of ut pictura poesis , Sonnet 24 uses poetry’s capacity for ambiguity and references drama’s ability to create slippage between character and actor to demonstrate that manipulated surfaces—to wit, the perspectival paintings in vogue since the early fifteenth century—cannot delve into the interior but only discover, or create, more surfaces By understanding and to some degree exploiting the techniques of perspectival artists, Shakespeare is gradually able to create a play space at once deeply physical and insistently metaphysical The chamber scene in Hamlet , with its mirror and thrust-through arras, and the final scene in King Lear , with its stage-versioned vanishing point at the silent mouth of the dead Cordelia, suggest that Shakespeare uses his knowledge of perspective and its limitations in part to explore the dramatic possibilities for character interiority

4 citations

Journal ArticleDOI

4 citations

Book
01 Jan 1978

4 citations


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Performance
Metrics
No. of papers in the topic in previous years
YearPapers
202137
202060
201986
201894
2017100
2016117