Reverberation

About: Reverberation is a research topic. Over the lifetime, 7543 publications have been published within this topic receiving 100644 citations.

Image method for efficiently simulating small‐room acoustics

Abstract: Image methods are commonly used for the analysis of the acoustic properties of enclosures. In this paper we discuss the theoretical and practical use of image techniques for simulating, on a digital computer, the impulse response between two points in a small rectangular room. The resulting impulse response, when convolved with any desired input signal, such as speech, simulates room reverberation of the input signal. This technique is useful in signal processing or psychoacoustic studies. The entire process is carried out on a digital computer so that a wide range of room parameters can be studied with accurate control over the experimental conditions. A fortran implementation of this model has been included.

Physical constraints on acoustic communication in the atmosphere: Implications for the evolution of animal vocalizations

Abstract: 1. Acoustic communication requires not only detection of the signal but also discrimination of differences among signals by the receiver. Attenuation and degradation of acoustic signals during transmission through the atmosphere will impose limits on acoustic communication. Attenuation of sound during atmospheric transmission results primarily from atmospheric absorption, ground attenuation, scattering of a sound beam, and deflection of sound by stratified media. For maximum range of detection, therefore, animals should favor optimal positions in their habitat and optimal weather conditions. Frequency-dependent attenuation seems not to differ consistently among major classes of terrestrial habitats, such as forests and fields. Increased scattering of higher frequencies from vegetation in forests is in part matched by scattering from micrometerological heterogeneities in the open. 2. In addition to frequency-dependent attenuation, two kinds of degradation during atmospheric transmission will limit a receiver's ability to resolve differences among acoustic signals: the accumulation of irregular amplitude fluctuations from nonstationary heterogeneities, often atmospheric turbulence, and reverberation. Both types of degradation affect temporal patterns of amplitude or intensity modulation more than patterns of frequency modulation. Both effects should increase with carrier frequency, as they depend on the relationship between wavelength and the dimensions of scattering heterogeneities. Irregular amplitude fluctuations are more severe in open habitats and primarily mask low frequencies of amplitude modulation; reverberations are more severe in forested habitats and primarily mask high frequencies of amplitude modulation and rapid, repetitive frequency modulation. This difference between forested and open habitats could explain previous reports that birds in the undergrowth of tropical forests avoid rapid frequency modulation in their long-range vocalizations. 3. Maximum range of detection is probably not the primary selection pressure on many animal vocalizations, even for territorial advertisement, except perhaps in tropical forests. Instead, acoustic signals might incorporate features that degrade predictably with range to permit a receiver to estimate the signaler's distance. Future investigations might explore the propagation of animal vocalizations in relation to the usual spacing of animals in their habitat. Features that encode different kinds of information, such as individual and species identity, might propagate to different distances. 4. Measurements of the transmission of sound in natural environments have often not controlled several important parameters. First, the effects of gound attenuation and scattering are not linear with range; consequently measurements of excess attenuation over different ranges in the same environment might differ. Second, the directionality of speakers and microphones will affect measurements of attenuation and reverberations in scattering environments. Third, as stationary waves shift with frequency, any single microphone placement will lie in a null for some frequencies and in a maximum for others.

Reverberation Mapping of Active Galactic Nuclei

Abstract: The broad emission lines in the spectra of active galactic nuclei respond to variations in the luminosity of the central continuum source with a delay due to light-travel time effects within the emission-line region. It is therefore possible through the process of 'reverberation mapping' to determine the geometry and kinematics of the emission-line region by careful monitoring of the continuum variations and the resulting emission-line response. In this review, I will discuss progress in application of the reverberation mapping technique. I will describe the underlying assumptions and limitations of the method, discuss how the results obtained to date are changing our understanding of active nuclei, and outline several new questions that might be addressed through further reverberation mapping programs.

Structure-Borne Sound

Abstract: Although sound waves in structures cannot be heard directly, and only be felt at low frequencies, they play an important role in noise control, because many sound signals are generated or transmitted in structures before they are radiated into the surrounding medium. In several respects sound waves in structures and sound waves in gases or liquids are similar, there are, however, also fundamental differences, which are due to the fact that solids have a certain shear stiffness, wheras gases or liquids show practically none. As a consequence acoustic energy can be transported not only by the normal compressional waves but also by shear waves and many combinations of compressional (sometimes loosely called longitudinal) and shear waves . For noise control purposes bending waves (which are a special combination of compressional and shear waves) are of primary importance; for some special cases (quasi-) longitudinal waves and torsional waves also have to be considered.

Acoustic control by wave field synthesis

Abstract: The acoustics in auditoria are determined by the properties of both the direct sound and the later arriving reflections. If electroacoustic means are used to repair disturbing deficiencies in the acoustics, one has to cope with unfavorable side effects such as localization problems and artificial impressions of the reverberant field (electronic flavor). To avoid those side effects, the concept of electroacoustic wave front synthesis is introduced. The underlying theory is based on the Kirchhoff–Helmholtz integral. In this new concept the wave fields of the sound sources on stage are measured by directive microphones; next they are electronically extrapolated away from the stage, and finally they are re‐emitted in the hall by one or more loudspeaker arrays. The proposed system aims at emitting wave fronts that are as close as possible to the real wave fields. Theoretically, there need not be any differences between the electronically generated wave fields and the real wave fields. By using the image source concept, reflections can be generated in the same way as direct sound.