The Imaginary

About: The Imaginary is a research topic. Over the lifetime, 4807 publications have been published within this topic receiving 87663 citations.

The Imaginary Institution of Society

Abstract: "[T]he most original, ambitious, and reflective attempt to think through the liberating mediation of history, society, external and internal nature once again as praxis". -- Ju rgen Habermas, "The Philosophical Discourse of Modernity" "Castoriadis's "The Imaginary Institution of Society" is a work of great power and originality. As a work of social theory, I would argue that it belongs in a class with the writings of Habermas and Arendt". -- Jay Bernstein, University of Essex This is one of the most original and important works of contemporary European thought. First published in France in 1975, it is the major theoretical work of one of the foremost thinkers in Europe today. Castoriadis offers a brilliant and far-reaching analysis of the unique character of the social-historical world and its relations to the individual, to language, and to nature. He argues that most traditional conceptions of society and history overlook the essential feature of the social-historical world, namely that this world is not articulated once and for all but is in each case the creation of the society concerned. In emphasizing the element of creativity, Castoriadis opens the way for rethinking political theory and practice in terms of the autonomous and explicit self-institution of society.

Conversational realities : constructing life through language

Abstract: Introduction A Rhetorical-Responsive Version of Social Constructionism PART ONE: A RHETORICAL-RESPONSIVE VERSION OF SOCIAL CONSTRUCTIONISM The Conversational Background of Social Life Beyond Representation Situating Social Constructionism Knowing `From Within' Dialogue and Rhetoric in the Construction of Social Relations PART TWO: REALISM, THE IMAGINARY AND A WORLD OF EVENTS The Limits of Realism Social Life and the Imaginary Linguistic Relativity in a World of Events PART THREE: CONVERSATIONAL REALITIES In Search of a Past Therapeutic Re-Authoring Real and Counterfeit Constructions in Interpersonal Relations The Manager as a Practical Author Conversations for Action Rhetoric and the Recovery of Civil Society Epilogue Rhetorical-Responsive Social Constructionism in Summary Form Afterword - Roy Bhaskar

Imaginary Homelands: Essays and Criticism 1981-1991

Abstract: Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-twentieth century race, religion and politics. Elsewhere he trains his eye on literature and fellow writers, from Julian Barnes on love to the politics of George Orwell's 'Inside the Whale', providing fresh insight on Kipling, V.S. Naipaul, Graham Greene, John le Carre, Raymond Carver, Philip Roth and Thomas Pynchon among others. Profound, passionate and insightful, Imaginary Homelands is a masterful collection from one of the greatest writers working today.

Rationality and power: democracy in practice

Abstract: "It's like the story of Little Town," an influential actor says in Rationality and Power when choosing a metaphor to describe how he manipulated rationality to gain power, "The bell ringer . . . has to set the church clock. So he calls the telephone exchange and asks what time it is, and the telephone operator looks out the window towards the church clock and says, 'It's five o'clock.' 'Good,' says the bell ringer, 'then my clock is correct.'" In the Enlightenment tradition, rationality is considered well-defined, independent of context; we know what rationality is, and its meaning is constant across time and space. Bent Flyvbjerg shows that rationality is context-dependent and that the crucial context is determined by decision-makers' power. Power blurs the dividing line between rationality and rationalization. The result is a rationality that is often as imaginary as the time in Little Town, yet with very real social and environmental consequences. Flyvbjerg takes us behind the scenes to uncover the real politics—and real rationality—of policy-making, administration, and planning in an internationally acclaimed project for environmental improvement, auto traffic reduction, land use, and urban renewal. The action takes place in the Danish city of Aalborg, but it could be anywhere. Aalborg is to Flyvbjerg what Florence was to Machiavelli: a laboratory for understanding power and what it means for our more general concerns of social and political organization. Policy-making, administration, and planning are examined in ways that allow a rare, in-depth understanding. The reader is a firsthand witness to the classic, endless drama that defines what democracy and modernity are, and what they can be. The result is a fascinating narrative that is both concrete and general, current and timeless. Drawing on the ideas of Machiavelli, Nietzsche, Foucault, and Habermas, Flyvbjerg reads the Aalborg case as a metaphor of modernity and of modern politics, administration, and planning. Flyvbjerg uncovers the interplay of power and rationality that distorts policy deliberation. He demonstrates that modern "rationality" is but an ideal when confronted with the real rationalities involved in decision making by central actors in government, economy, and civil society. Flyvbjerg then elaborates on how this problem can be dealt with so that more fruitful deliberation and action can occur.

Looking awry : an introduction to Jacques Lacan through popular culture

Abstract: Slavoj ?i?ek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. ?i?ek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's "Vertigo "to Stephen King's "Pet Sematary, "from McCullough's "An Indecent Obsession "to Romero's "Return of the Living Dead--a "strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan.?i?ek discovers fundamental Lacanian categories--the triad Imaginary/Symbolic/Real, the object small "a, "the opposition of drive and desire, the split subject--at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of ?i?ek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is "not "saying, ?i?ek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.