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The Practice Of Everyday Life

Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Postmodern Subjects, Postmodern BodiesThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary WestYearning: Race, Gender, and Cultural PoliticsGender Trouble: Feminism and the Subversion of Identity

Theatre of the Oppressed

Memory is often embodied in objects--memorials, texts, talismans, images. Though one could argue that such artifacts operate to prompt remembrance, they are often perceived actually to contain memory within them or indeed to be synonymous with memory. No object is more equated with memory than the camera image, in particular the photograph. Memory appears to reside within the photographic image, to tell its story in response to our gaze.

Tangled Memories: The Vietnam War, The AIDS Epidemic, and the Politics of Remembering.

: Textual Poachers: Television Fans and Participatory Culture . Henry Jenkins.

As digital technology becomes increasingly powerful and portable, means of self-expression have fundamentally changed. To speak in this media milieu is to tweet, update a status, or post photographs to social networks. These forms of self-expression provide new means of communicating the self and articulating a sense of connection to others. The selfie, a form of self-portraiture typically created using smartphones or webcams and shared on social networks, has rapidly risen into the common visual vernacular and seems to accent a culture obsessed with itself. While labels of narcissism abound, the selfie also invites a different consideration about the complex nature of networked society. At the moment of capture, a selfie connects disparate modes of existence into one simple act. It features the corporeal self, understood in relation to the surrounding physical space, filtered through the digital device, and destined for social networks. Each of these elements appears in relation to the others, attracting competing logics and languages of belonging and expression into one quick photograph. In other words, the selfie exists at the intersection of multiple assemblages (DeLanda, 2006; Deleuze & Guattari, 1987; Wise, 2005) that draw complex and often contradictory subjectivities together. In this essay, I examine the selfie as a representational form within locative media that enunciates each of these inherent dimensions as it manifests within a constellation of assemblages. This positioning allows for critical examination of selfies as entanglements of subjectivities within a massively mediated and networked society.

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The Selfie Assemblage

In this study, I examine four web memorials to explore the material construction of memory on the internet. Using Blair's arguments about the rhetorical materiality of memorials, I seek to understa...

In digital remembrance: vernacular memory and the rhetorical construction of web memorials

In September of 2006, the Office of National Drug Control Policy (ONDCP) appeared on the popular video website, YouTube, posting eight of its television commercials. YouTube members responded with a variety of video posts and comments that challenged both the content and structure of the message offered by the ONDCP. Using this controversy as a focal point, this essay is a dual analysis of the discursive content and structural features of YouTube. The response from the YouTube community is characterized in terms of vernacular and outlaw discourse, following Sloop and Ono (1997). Through strategies of re-posting and parodying the original videos and discussions on comment boards between members, select YouTubers dispute the logic of prohibition in America's war on drugs, resisting the ONDCP message. However, the structural limitations of the medium of YouTube and the overwhelming use of YouTube for entertainment diminish the response. Ultimately, YouTube's dismissive and playful atmosphere does not prove t...

Resistance Up in Smoke: Analyzing the Limitations of Deliberation on YouTube

Rhetorical scholarship has relied upon textual criticism as a method of examining discourse. However, in the critical turn, rhetorical theory and praxis have been reconsidered, especially in regard to the types and locations worthy of rhetorical examination. Looking toward vernacular rhetorical discourses, rhetorical scholars examine locally situated discourses as they articulate against oppressive macrocontexts. In this essay, I offer critical-rhetorical ethnography as a method for exploring such discourses in the field of argumentation, using the concepts of invention, kairos, and phronesis. The method offers rhetorical scholars a set of theoretical and methodological guidelines for observing and participating within vernacular advocacy. Finally, I use my time with the health advocacy group, DanceSafe, as an exemplar of the method, illustrating its ability to gauge rhetorical effects, advocacy, and learned wisdom.

Critical-Rhetorical Ethnography: Rethinking the Place and Process of Rhetoric

Launching in September 2012, Tinder has become a popular phenomenon in the world of online dating and hookup culture. Simultaneously, it carries notorious reputation for being home to hypersexual a...

Aaron Hess

Papers

The Selfie Assemblage

In digital remembrance: vernacular memory and the rhetorical construction of web memorials

Resistance Up in Smoke: Analyzing the Limitations of Deliberation on YouTube

Critical-Rhetorical Ethnography: Rethinking the Place and Process of Rhetoric

Simply more than swiping left: A critical analysis of toxic masculine performances on Tinder Nightmares: