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Andrew Hoskins

Researcher at University of Glasgow

Publications -  85
Citations -  2418

Andrew Hoskins is an academic researcher from University of Glasgow. The author has contributed to research in topics: Digital media & Collective memory. The author has an hindex of 24, co-authored 79 publications receiving 2123 citations. Previous affiliations of Andrew Hoskins include University of Nottingham & University of Warwick.

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The Google voter: search engines and elections in the new media ecology

TL;DR: An innovative methodology is introduced that maps the informational trajectories of key election events by combining Google Trends data linked to significant news events during the campaigns, finding spikes of search that suggested a seemingly trivial event in the US could drive voters to search out deeper information on related policy issues in the UK.
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Media and the myth of radicalization

TL;DR: In this article, the authors present an email alert for Media, War & Conflict can be found at: Email Alerts: http://mwc.sagepub.com/cgi/content/refs/2/2 /107.
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Remediating jihad for western news audiences: The renewal of gatekeeping?:

TL;DR: This article analysed how jihadist speeches by bin Laden, Al-Zawahiri and others are translated and remediated from their original websites, languages and contexts by various intermediaries and by western mainstream news, including the BBC, illuminates an apparently simple, settled gatekeeping model that produces systematic patterns of translation, selection and omission.
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Temporality, Proximity and Security: Terror in a Media-Drenched Age

TL;DR: In this article, the authors address some of these temporal and spatial transformations of the media-catastrophe nexus of the post-9/11 climate in both containing and exacerbating insecurities.
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Flashbulb memories, psychology and media studies: Fertile ground for interdisciplinarity?

TL;DR: The term "fl ashbulb memory" (FBM) as discussed by the authors describes human memory that can apparently be recalled very vividly and in great detail, as though reproduced directly from the original experience, owing to the apparent visual clarity of the reproduction of the image in the mind's eye.