Aswin Punathambekar

TL;DR: A growing body of scholarship in media studies and other cognate disciplines has focused their attention on the social, material, cultural, and political dimensions of the infra-graphs as discussed by the authors.

TL;DR: This paper argued that K3G's emotional resonance with viewers in the diaspora is attributable in part to the departure that its narrative marks from Hindi cinema's earlier efforts to recognize and represent expatriate Indians.

TL;DR: In this article, Bollywood is useful: Media Industries and the state in an era of reform, Staging Bollywood: Industrial identity in an Era of Reform, "It's All about Knowing Your Audience": Marketing and Promotions in Bollywood, "Multiplex with Unlimited Seats": Dot-Coms and the Making of an Overseas Territory.

TL;DR: The authors analyzes the significance of linguistic and cultural regions for the global expansion and localization of digital platforms and brings issues of globalization and cultural difference to bringing issues of cultural differences to the international community.

TL;DR: This paper explored the changing relationship between television, everyday life, and public political discourse in contemporary India and argued that participatory cultures surrounding television create possibilities for renewal of everyday forms of interaction in public settings that may have been forgotten, subdued, or made impossible under certain conditions.