This book engages with the politics of social and environmental justice, and seeks new ways to think about the future of urbanization in the twenty-first century. It establishes foundational concepts for understanding how space, time, place and nature the material frames of daily life are constituted and represented through social practices, not as separate elements but in relation to each other. It describes how geographical differences are produced, and shows how they then become fundamental to the exploration of political, economic and ecological alternatives to contemporary life.

Justice, Nature and the Geography of Difference

Summary) The abstract should follow the structure of the article (relevance, degree of exploration of the problem, the goal, the main results, conclusion) and characterize the theoretical and practical significance of the study results. The abstract should not contain wording echoing the title, cumbersome grammatical structures and abbreviations. The text should be written in scientific style. The volume of abstracts (summaries) depends on the content of the article, but should not be less than 250 words. All abbreviations must be disclosed in the summary (in spite of the fact that they will be disclosed in the main text of the article), references to the numbers of publications from reference list should not be made. The sentences of the abstract should constitute an integral text, which can be made by use of the words “consequently”, “for example”, “as a result”. Avoid the use of unnecessary introductory phrases (eg, “the author of the article considers...”, “The article presents...” and so on.)

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Ministry of Education and Science of the Russian Federation

Doing philosophy means reasoning about questions that are of basic importance to the human experience—questions like, What is a good life? What is reality? How are knowledge and understanding possible? What should we believe? What norms should govern our societies, our relationships, and our activities? Philosophers critically analyze ideas and practices that often are assumed without reflection. Wesleyan’s philosophy faculty draws on multiple traditions of inquiry, offering a wide variety of perspectives and methods for addressing these questions.

What is philosophy

The Four Fundamental Concepts of Psycho-Analysis

I n this fascinating but sometimes baffling book, the reader engages with a series of conditionals like the following: "If [the psychiatrist] Clerimbault manifests a delirium, it is because he discovers the tiny hallucinatory perceptions of ether addicts in the folds of clothing" (p.38). "If Leibniz's principles [of identity and sufficient reason] appear to us as cries, it is because each one signals the presence of a class of beings that are themselves crying and draw attention to themselves by these cries ..... (p. 44). Deleuze's study is concerned with Leibniz and with leibnizianism; with the Baroque considered as a historical period and with the baroque considered as a persistent impulse in architecture, decoration, and in human thinking and system construction. Baroque and baroque are explorations, in his view, of curvilinearity, and Deleuze explores Leibniz's use of mathematical analogies from topology, projective geometry and the calculus. But his attention in the book is mainly fixed on two Leibnizian images. The first image is that of the two-storied house, typically represented in baroque painting by an angelic realm in the upper half of the picture hovering above the human realm. In Leibniz' s writings, this translates into the world of matter (a seething, frothing, turbulent, unconscious mass of tiny beings) and the world of intelligent, self-conscious spirits on the upper level. The second image is that of the fold, which appears in the pleats and draperies of Baroque costume, sculpture, and interior decoration, and which reappears in Leibniz's mind-as-folded curtain, in his enveloped organisms, preformed under folds, and in the continuum, from whose recesses ever more numbers or particles can be pulled out. In clothing, waves, the brain, pleats of all sorts, surface disappears into interior. Deconstruction! But is it philosophy? Yes! Though Deleuze pulls his comparison-objects out of every comer of contemporary French culture, they are never arbitrary, and the book is focused clearly on its subject. Here are three reasons to buy it and read it in addition to its charm: (1) It contains several valuable discussions of traditional problems in new terms: e.g., Leibniz's elusive notion offreedom, which Deleuze tries to explain in terms of the notion of "amplitude"; and the problem of why there are bodies at all-why a "separate" monadology is needed together with a theory of animated matter.

The Fold: Leibniz and the Baroque

This book aims to rehabilitate a thinking of negativity within and against the usual forms of contemporary Continental Theory. It identifies and presents an analysis of the dominant tone of ‘affirmationism’ in contemporary theory: the insistence on starting from the affirmation of metaphysical ontologies, the inventive potential of the subject, the necessity for the production of novelty, and a concomitant suspicion of the negative and negativity. Despite all the conflicts and ‘wars’ of contemporary theory, this tone remains an unstated point of unification. Although it was often developed to resist the corrosive effects of contemporary capitalism, this work argues that affirmationism remains bound to its ideological coordinates in its emphasis on production, creativity, and invention. Critically reconstructing this ‘affirmationism’ through the work of Jacques Derrida, Gilles Deleuze, Bruno Latour, Antonio Negri, and Alain Badiou, the book also recovers from their work a disavowed thinking of negativity. Dependent on negativity, despite their claims to affirmation, this dependence allows a critique of the reliance on affirmation. Also, this negativity is turned against this affirmative tone to develop a more sharply-focused political analysis of theory, and to suggest the possible politics emerging from a relational thinking of negativity.

Contents:
Introduction
1. On the Edge of Affirmation: Derrida
2. Adieu to Negativity: Deleuze
3. The Density and Fragility of the World: Latour
4. Immeasurable Life: Negri
5. On the Edge of the Negative: Badiou
Conclusion

The Persistence of the Negative: A Critique of Contemporary Continental Theory

We are told our lives are too fast, subject to the accelerating demand that we innovate more, work more, enjoy more, produce more, and consume more. That’s one familiar story. Another, stranger, story is told here: of those who think we haven’t gone fast enough. Instead of rejecting the increasing tempo of capitalist production they argue that we should embrace and accelerate it. Rejecting this conclusion, "Malign Velocities" tracks this 'accelerationism' as the symptom of the misery and pain of labour under capitalism. Retracing a series of historical moments of accelerationism - the Italian Futurism; communist accelerationism after the Russian Revolution; the 'cyberpunk phuturism' of the ’90s and ’00s; the unconscious fantasies of our integration with machines; the apocalyptic accelerationism of the post-2008 moment of crisis; and the terminal moment of negative accelerationism - suggests the pleasures and pains of speed signal the need to disengage, negate, and develop a new politics that truly challenges the supposed pleasures of speed.

Malign Velocities: Accelerationism and Capitalism

This is a clear and concise guide to the life and work of the French intellectual Georges Bataille, best known as the author of the celebrated erotic novel, The Story of the Eye. Benjamin Noys introduces Bataille as a writer out of step with the dominant intellectual trends of his day - surrealism and existentialism - and shows that it was his very marginality that accounted in large part for his subsequent importance for the post-structuralists and the counterculture, in Europe and in the United States. Treating Bataille’s work as a whole rather than focusing, as other studies have done, on aspects of his work (i.e. as social theory or philosophy), Noys’ study is intended to be sensitive to the needs of students new to Bataille’s work while at the same time drawing on the latest research on Bataille to offer new interpretations of Bataille’s oeuvre for more experienced readers. This is the first clear, introductory reading of Bataille in English - challenging current reductive readings, and stressing the range of disciplines affected by Bataille’s work, at a time when interest in Bataille is growing.

Georges Bataille: A Critical Introduction

The hegemonic form of contemporary queer theory is dependent on a model of desire as autonomous and deregulated, derived from post-'68 French theory and particularly the work of Michel Foucault. Such a model is at risk of finding itself in congruence with a deregulated post-Fordist capitalism that recuperates supposedly dissident sexual identities. This article returns to the work of Foucault to identify a largely unacknowledged tendency in his work that contests the valorization of sexuality and calls for an 'end of the monarchy of sex'. This possibility is linked to Foucault's controversial exploration of the concept of 'spiritual politics'through his engagement with the Iranian revolution. Rather than regarding this as a regression into a reactionary religiosity, I argue that it forms an inquiry into new political possibilities of revolt. These possibilities contest what Alain Badiou has identified as the nihilism of contemporary capitalism, in which desire and sexuality are deployed to constrain the political imagination to a limited bodily 'materialism'. Drawing on the work of the later Foucault, it becomes possible to develop this new politics around asceticism, which is not so much withdrawal from the world but the refusal of the mediations of identity through sexuality and the body.

‘The end of the monarchy of sex’: Sexuality and contemporary nihilism

Western culture has always been obsessed with death, but now death has taken on a new, anonymous form. The 20th Century saw the mass production of corpses through war and the triumph of technology over the human body. The new millennium has opened with global terrorism and the suspension of all human rights in far-flung prison camps. We live in an age of panic, when the fear of death at any time and in any place is present. And we live in an age of apathy towards both science and institutional politics, an age which has sanctioned the rise of techno-medical and political powers which can deny our control over our own bodies and lives and the lives of others. The Culture of Death explores this moment to analyse our exposure to death in modern culture.

Table of Contents
Introduction: Exposed to Death * A New Time of Death? * The Space of Death * Politicising Death * Bioethics Death * Transgressive Death * Resisting Death * Conclusion: The Meaning of Death

Benjamin Noys

Papers

The Persistence of the Negative: A Critique of Contemporary Continental Theory

Malign Velocities: Accelerationism and Capitalism

Georges Bataille: A Critical Introduction

‘The end of the monarchy of sex’: Sexuality and contemporary nihilism

The Culture of Death