In a work with far-reaching implications, Chela Sandoval does no less than revise the genealogy of theory over the past thirty years, inserting what she terms "U.S. Third World feminism" into the narrative in a way that thoroughly alters our perspective on contemporary culture and subjectivity.What Sandoval has identified is a language, a rhetoric of resistance to postmodern cultural conditions. U.S liberation movements of the post-World War II era generated specific modes of oppositional consciousness. Out of these emerged a new activity of consciousness and language Sandoval calls the "methodology of the oppressed". This methodology -- born of the strains of the cultural and identity struggles that currently mark global exchange -- holds out the possibility of a new historical moment, a new citizen-subject, and a new form of alliance consciousness and politics. Utilizing semiotics and U.S. Third World feminist criticism, Sandoval demonstrates how this methodology mobilizes love as a category of critical analysis. Rendering this approach in all its specifics, Methodology of the Oppressed gives rise to an alternative mode of criticism opening new perspectives on a theoretical, literary, aesthetic, social movement, or psychic expression.

Methodology of the oppressed

Natural languages are full of collocations, recurrent combinations of words that co-occur more often than expected by chance and that correspond to arbitrary word usages. Recent work in lexicography indicates that collocations are pervasive in English; apparently, they are common in all types of writing, including both technical and nontechnical genres. Several approaches have been proposed to retrieve various types of collocations from the analysis of large samples of textual data. These techniques automatically produce large numbers of collocations along with statistical figures intended to reflect the relevance of the associations. However, none of these techniques provides functional information along with the collocation. Also, the results produced often contained improper word associations reflecting some spurious aspect of the training corpus that did not stand for true collocations.In this paper, we describe a set of techniques based on statistical methods for retrieving and identifying collocations from large textual corpora. These techniques produce a wide range of collocations and are based on some original filtering methods that allow the production of richer and higher-precision output. These techniques have been implemented and resulted in a lexicographic tool, Xtract. The techniques are described and some results are presented on a 10 million-word corpus of stock market news reports. A lexicographic evaluation of Xtract as a collocation retrieval tool has been made, and the estimated precision of Xtract is 80%.

Retrieving collocations from text: Xtract

The prime claim of the theory of securitization is that the articulation of security produces a specific threatening state of affairs. Within this theory, power is derived from the use of ‘appropri...

/pdf/the-three-faces-of-securitization-political-agency-audience-x645r8qe94.pdf

The Three Faces of Securitization: Political Agency, Audience and Context

A rhetorical figure can be defined as an artful deviation in the form taken by a statement. Since antiquity dozens of figures have been cataloged, ranging from the familiar (rhyme, pun) to the obscure (antimetabole). Despite the frequent appearance of rhetorical figures in print advertisements, their incorporation into advertising theory and research has been minimal. This article develops a framework for classifying rhetorical figures that distinguishes between figurative and nonfigurative text, between two types of figures (schemes and tropes), and among four rhetorical operations that underlie individual figures (repetition, reversal, substitution, and destabilization). These differentiations in the framework are supported by preliminary validation data and are linked to suggested consumer responses. The article also considers the theoretical import of the proposed framework for future research on rhetorical structure in advertising.

Figures of Rhetoric in Advertising Language

From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:

multiple definitions and practices of adaptation and appropriation
the cultural and aesthetic politics behind the impulse to adapt
the global and local dimensions of adaptation
the impact of new digital technologies on ideas of making, originality and customization
diverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of art
the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies
the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale. 


Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.

Adaptation and appropriation

Prefatory note Part I: 1. The notions of literature 2. The origin of genres Part II: 3. The two principles of narrative 4. Reading as construction 5. A poetic novel 6. Poetry without verse Part III: 7. Notes from the Underground 8. The limits of Edgar Poe 9. Heart of Darkness 10. The Awkward Age Index.

Genres in Discourse

Theories of the Symbol.

Encyclopedic Dictionary of the Sciences of Language

In Symbolism and Interpretation, Tzvetan Todorov examines two aspects of discourse: its production, which has traditionally been the domain of rhetoric, and its reception, which has always been the object of hermeneutics. He analyzes the diverse theories of symbolism and interpretation that have been elaborated over the centuries and considers their contribution to a general theory of verbal symbolism, discussing a wide range of thinkers, from the Sanskrit philosophers and Aristotle to the German Romantics and contemporary semioticians. Todorov begins by examining general ideas of linguistic symbolism and the interpretive process. He then turns to a detailed consideration of two of the most influential and pervasive interpretative strategies in Western thought: the patristic exegesis of Augustine and Aquinas, and the philological exegesis foreshadowed in the work of Spinoza, developed by Wolf, Ast, Boeckh, and Lanson, and criticized by Schleiermacher. Todorov clarifies in masterly fashion the intricacies of the many schools of thought and refines the concepts crucial to critical theory today, including the distinctions between language and discourse, direct and indirect meaning, sign and symbol. Ably translated by Catherine Porter, Symbolism and Interpretation provides a coherent and innovative framework that is indispensable to the study of semiotics, its history, and its future.

Catherine Porter

Papers

Genres in Discourse

Theories of the Symbol.

Encyclopedic Dictionary of the Sciences of Language

Symbolism and Interpretation

Theories of the Symbol