STS research has devoted relatively little attention to the promotion and reception of science and technology by non-scientific actors and institutions. One consequence is that the relationship of science and technology to political power has tended to remain undertheorized. This article aims to fill that gap by introducing the concept of “sociotechnical imaginaries.” Through a comparative examination of the development and regulation of nuclear power in the US and South Korea, the article demonstrates the analytic potential of the imaginaries concept. Although nuclear power and nationhood have long been imagined together in both countries, the nature of those imaginations has remained strikingly different. In the US, the state’s central move was to present itself as a responsible regulator of a potentially runaway technology that demands effective “containment.” In South Korea, the dominant imaginary was of “atoms for development” which the state not only imported but incorporated into its scientific, technological and political practices. In turn, these disparate imaginaries have underwritten very different responses to a variety of nuclear shocks and challenges, such as Three Mile Island (TMI), Chernobyl, and the spread of the anti-nuclear movement.

Containing the Atom: Sociotechnical Imaginaries and Nuclear Power in the United States and South Korea

Three frames for innovation policy: R&D, systems of innovation and transformative change

In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a recursive publica public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place.Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.

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Two Bits: The Cultural Significance of Free Software

This article argues that climate change produces discordances in established ways of understanding the human place in nature, and so offers unique challenges and opportunities for the interpretive ...

A New Climate for Society

On September , terrorists crashing jets into the World Trade Center and Pentagon struck a blow against cosmopolitanism—perhaps more successfully than against their obvious symbolic targets, the unequal structures of global capitalism and political power. They precipitated a renewal of state-centered politics and a ‘‘war on terrorism’’ seeking military rather than law enforcement solutions to crime. Moved by

The Class Consciousness of Frequent Travelers: Toward a Critique of Actually Existing Cosmopolitanism

Acknowledgments xi Introduction 1 1 The Modern Moral Order 3 2 What Is a "Social Imaginary"? 23 3 the Specter of idealism 31 4 The Great Disembedding 49 5 The Economy as Objectified Reality 69 6 The Public Sphere 83 7 Public and Private 101 8 The Sovereign People 109 9 An All-Pervasive Order 143 10 The Direct-Access Society 155 11 Agency and Objectification 163 12 Modes of Narration 175 13 The Meaning of Secularity 185 14 Provincializing Europe 195 Notes 197

Charles Taylor

Papers

Modern Social Imaginaries