Note on Translation Introduction by Michael Holquist Response to a Question from the Novy Mir Editorial Staff The Bildungsroman and Its Significance in the History of Realism (Toward a Historical Typology of the Novel) The Problem of Speech Genres The Problem of the Text in Linguistics, Philology, and the Human Sciences: An Experiment in Philosophical Analysis From Notes Made in 1970-71 Toward a Methodology for the Human Sciences Index

Speech Genres and Other Late Essays

This article attempts to expand and elaborate theories of social "context" and formal schooling, to understand the stakes involved in writing. It first sketches ways Russian activity theory in the tradition of A. N. Leont'ev may expand Bakhtinian dialogism, then elaborates the theory in terms of North American genre research, with examples drawn from research on writing in the disciplines in higher education. By tracing the relations of disciplinary genre systems to educational genre systems, through the boundary of the classroom genre system, the analyst/reformer can construct a model of the interactions of classroom practices with wider social practices. Activity theory analysis of genre systems may offer a theoretical bridge between the sociology of education and Vygotskian social psychology of classroom interaction, and contribute toward resolving the knotty problem of the relation of macro- and microstructure in literacy research based on various social theories of "context." ***** What makes one conversation more meaningful than another? For either an individual, a dyad, a collective, or even a culture? When three African American students who hope to be doctors some day sit down on one particular day to write a laboratory report in a college cell biology course, what are the stakes involved in those marks on a screen? For the students and their families and their neighborhoods and churches? For the instructor and his university and his profession of biology? For the profession of medicine and its patients and its government regulators? How can a student or teacher or researcher understand the meaningfulnessthe stakesof some (act of) writing. Vygotsky and his immediate successors did not use genre as a category of analysis. But in the last decade, a number of Vygotskian theorists have incorporated into their work various theories of genre. I will propose a synthesis of a number of elements from these theories, drawing most heavily on Charles Bazerman's (1994) analysis of genre as systems of speech acts within an overarching framework of Vygotskian activity theory (Leont'ev, 1981; Engestrom, 1987, 1993). The goal is to move toward a theory of writing useful in analyzing how students and teachers within individual classrooms use the discursive tools of classroom genres to interact (and not interact) with social practices beyond individual classroomsthose of schools, families, peers, disciplines, professions, political movements, unions, corporations, and so on. In other words, I am attempting to expand and elaborate theories of social "context" and formal schooling, to understand the stakes involved in writing. Literacy, Brandt (1990) persuasively argues, is "not the narrow ability to deal with texts but the broader ability to deal with other

Rethinking Genre in School and Society: An Activity Theory Analysis.

Researching first and second language genre learning: A comparative review and a look ahead

Drawing primarily on theories of situated learning, this study compares novices learning written genres in two different institutional settings within similar disciplines: university students in public administration courses and graduate student interns placed in government agencies. Observational and textual analyses of novices learning to write the genres necessary for these settings point to differences in writing goals, guide-learner roles, text evaluations, and learning sites. The results show that when students move from the university to the workplace, they not only have to learn new genres but they need to learn new ways to learn these new genres.

Learning to Write Professionally: “Situated Learning” and the Transition from University to Professional Discourse

The traditional distinction between writing across the curriculum and writing in the disciplines (WID) as writing to learn versus learning to write understates WID's focus on learning in the disciplines. Advocates of WID have described learning as socialization, but little research addresses how writing disciplinary discourses in disciplinary settings encourages socialization into the disciplines. Data from interviews with students who wrote lab reports in a biology lab suggest five ways in which writing promotes learning in scientific disciplines. Drawing on theories of situated learning, the authors argue that apprenticeship genres can encourage socialization into disciplinary communities.

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Writing to Learn by Learning to Write in the Disciplines

Using the theoretical perspective offered by recent genre studies, this study compares student and professional discourse within the same field through a set of case studies written for a third-yea...

Christine Adam

Papers

Wearing Suits to Class: Simulating Genres and Simulations as Genre.

Learning to Write Professionally: “Situated Learning” and the Transition from University to Professional Discourse