C
Clive Brown
Researcher at University of Leeds
Publications - 23
Citations - 383
Clive Brown is an academic researcher from University of Leeds. The author has contributed to research in topics: Piano & Violin. The author has an hindex of 9, co-authored 23 publications receiving 372 citations. Previous affiliations of Clive Brown include University of Oxford & University of Erlangen-Nuremberg.
Papers
More filters
Book
Classical and Romantic Performing Practice 1750-1900
Clive Brown,Roger Norrington +1 more
TL;DR: In this paper, the authors present a formal notation for accentuation in theory and in practice: the Notation of Accents and Dynamics, Articulation and Expression, String Bowing, and Alla Breve.
Journal ArticleDOI
Forearm vascular responses during orthostatic stress in control subjects and patients with posturally related syncope.
TL;DR: The results demonstrate the importance of vasoconstriction in the resistance to posturally related syncope, and they indicate that assessments of responses of vascular resistance may improve the accuracy of the diagnosis.
Journal ArticleDOI
Assessment of capillary fluid shifts during orthostatic stress in normal subjects and subjects with orthostatic intolerance.
Clive Brown,Roger Hainsworth +1 more
TL;DR: Comparison of results of leg filTration rates between patients and volunteers indicated that some of the patients had abnormally high filtration rates and suggests that impedance plethysmography may have a role in assessing the possible reasons for orthostatic intolerance.
Journal ArticleDOI
Bowing Styles, Vibrato and Portamento in Nineteenth-Century Violin Playing
TL;DR: The connection between this form of accent and vibrato is a particularly strong one, but there can be no doubt that vibrato and accentuation of all kinds were closely linked in nineteenth-century violin playing as discussed by the authors.
Journal ArticleDOI
Historical performance, metronome marks and tempo in Beethoven's symphonies
TL;DR: A good performance of Beethoven's Sonata op.17 (18oo) played on a natural (hand-stopped) horn and a piano of the period provides a quite different aural experience from one played on modern instruments.