1. Preface 2. Acknowledgements 3. Chapter 1. Linguistic metaphor identification in usage 4. Chapter 2. MIPVU: A manual for identifying metaphor-related words 5. Chapter 3. Metaphor identification in news texts 6. Chapter 4. Metaphor identification in conversation 7. Chapter 5. Metaphor identification in fiction 8. Chapter 6. Metaphor identification in academic discourse 9. Chapter 7. Metaphor identification in Dutch news and conversations 10. Chapter 8. Reliability tests 11. Chapter 9. From method to research: Cleaning up our act 12. Chapter 10. Metaphor in English discourse: A corpus-linguistic approach 13. Chapter 11. The quality of evidence: From MIP to MIPVU 14. Appendix. Overview of annotated files from BNC-Baby 15. References 16. Index

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A method for linguistic metaphor identification : from MIP to MIPVU

Fiction literature has largely been ignored by psychology researchers because its only function seems to be entertainment, with no connection to empirical validity. We argue that literary narratives have a more important purpose. They offer models or simulations of the social world via abstraction, simplification, and compression. Narrative fiction also creates a deep and immersive sim- ulative experience of social interactions for readers. This simulation facilitates the communication and under- standing of social information and makes it more com-

The Function of Fiction is the Abstraction and Simulation of

A poetics of postmodernism

List of Illustrations. The Elements. Preface . The Scope and Aims of This Book. Storytelling Media and Modes of Narration. Acknowledgments . 1. Getting Started: A Thumbnail Sketch of the Approach Developed in This Book. Toward a Working Definition of Narrative. Profiles of Narrative. Narrative: Basic Elements. 2. Background and Context: Framing the Approach. Interdisciplinary Perspectives on Narrative and Narrative Theory. Major Trends in Recent Scholarship on Narrative. 3. Back to the Elements: Narrative Occasions . Situating Stories. Sociolinguistic Approaches. Positioning Theory. The Narrative Communication Model. Conclusion. 4. Temporality, Particularity, and Narrative: An Excursion into the Theory of Text Types. From Contexts of Narration to Narrative as a Type of Text. Text Types and Categorization Processes. Narrative as a Text-Type Category: Descriptions vs. Stories vs. Explanations. Summing up: Text Types, Communicative Competence, and the Role of Stories in Science. 5. The Third Element: Or, How to Build a Storyworld . Narratives as Blueprints for Worldmaking. Narrative Ways of Worldmaking. Narrative Worlds: A Survey of Approaches. Configuring Narrative Worlds: The WHAT, WHERE, and WHEN Dimensions of Storyworlds. Worlds Disrupted: Narrativity and Noncanonical Events. 6. The Nexus of Narrative and Mind . The Consciousness Factor. Consciousness Across Narrative Genres. Experiencing Minds: What It's Like, Qualia, Raw Feels. Storied Minds: Narrative Foundations of Consciousness?. Appendix . Reproduction of Ernest Hemingway's "Hills Like White Elephants" (1927). Transcript of a Story Told during Face-to-Face Interaction: UFO or the Devil. Pages from Daniel's Clowes's Graphic Novel Ghost World (1997). Screenshots from Terry Zwigoff's Film Version of Ghost World (2001). Glossary . References. Index

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Basic elements of narrative

A taxonomy of the emotions of literary response and a theory of identification in fictional narrative

In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.

The Art of Fiction

(Contents arranged thematically) Foreword Acknowledgements 1. Formalist, structuralist and post-structuralist poetics, linguistics and narratology 2. Deconstruction 3. Psychoanalysis 4. Poetics, ideology, cultural history 5. Feminism 6. Hermeneutics, reception theory, reader-reponse 7. Cognitive literary scholarship Contents are arranged: a. historically b. thematically

Modern Criticism and Theory: A Reader

Preface Prefatory note to the Second Impression Acknowledgements PART ONE: PROBLEMS AND EXECUTIONS 1. What is Literature 2. George Orwell's 'A Hanging', and 'Michael Lake Describes' 3. Oscar Wilde: 'The Ballad of Reading Gaol' 4. What is Realism? 5. Arnold Bennett: The Old Wives' Tale 6. William Burroughs: The Naked Lunch 7. The Realistic Tradition 8. Two Kinds of Modern Fiction 9. Crticism and Realism 10. The Novel and the Nouvelle Crtique 11. Conclusion to Part One PART TWO: Metaphor and Metonymy 1. Jackobson's Theory 2. Two Types of Aphasia 3. The Metaphoric and Metonymic Poles 4. Drama and Film 5. Poetry, Prose and the Poetic 6. Types of Description 7. The Executions Revisited 8. The Metonymic Text as Metaphor 9. Metaphor and Context PART THREE: MODERNISTS, ANTIMODERNISTS AND POSTMODERNIST 1. James Joyce 2. Gertrude Stein 3. Ernest Hemingway 4. D.H. Lawrence 5. Virginia Woolf 6. In the Thirties 7. Philip Larkin 8. Postmodernist Fiction Appendix A: 'A Hanging' by George Orwell Appendix B: 'Michael Lake Describes What the Executioner Actually Faces' Appendix C: Extract from The Naked Lunch by William Burroughs Notes and References Index

The Modes of Modern Writing: Metaphor, Metonymy, and the Typology of Modern Literature

Now widely regarded as one of the most important thinkers of the 20th century, the Russian writer Mikhail Bakhtin was silenced by political censorship and persecution for most of his life. In \"After Bakhtin\", David Lodge sketches Bakhtin's extraordinary career, and explores the relevance of his ideas - on the dialogic nature of language, on the typology of fictional discourse, and on the carnivalesque - to the writings of authors as diverse as George Eliot, James Joyce, D.H. Lawrence, Fay Weldon and Martin Amis. Further essays study particular texts - by Elizabeth Gaskell, Jane Austen, Henry James, Rudyard Kipling and Milan Kundera - illustrative of the development of the novel in its classic, modernist and postmodernist phases. Two final essays reflect on the current state of academic criticism.

After Bakhtin: Essays on Fiction and Criticism

Now widely regarded as one of the most important thinkers of the 20th century, the Russian writer Mikhail Bakhtin was silenced by political censorship and persecution for most of his life. In "After Bakhtin", David Lodge sketches Bakhtin's extraordinary career, and explores the relevance of his ideas - on the dialogic nature of language, on the typology of fictional discourse, and on the carnivalesque - to the writings of authors as diverse as George Eliot, James Joyce, D.H. Lawrence, Fay Weldon and Martin Amis. Further essays study particular texts - by Elizabeth Gaskell, Jane Austen, Henry James, Rudyard Kipling and Milan Kundera - illustrative of the development of the novel in its classic, modernist and postmodernist phases. Two final essays reflect on the current state of academic criticism.

David Lodge

Papers

The Art of Fiction

Modern Criticism and Theory: A Reader

The Modes of Modern Writing: Metaphor, Metonymy, and the Typology of Modern Literature

After Bakhtin: Essays on Fiction and Criticism

After Bakhtin: Essays on Fiction and Criticism