Emotion and Adaptation

《小说文体分析》(Style in Fiction)是运用现代语言学的最新成果,对文学作品进行系统的文体分析的一部精采的教科书。随着语言学的日益发展,人们越来越多地把现代语言学的研究成果运用到文体学分析中来。1969年,利奇(Geoffrey N.Leech)发表了《英语诗歌语言分析入门》(A Linguistic Guideto English Poetry),用现代语言学的观点对

Style in Fiction:A Linguistic Introduction to English Fictional Prose

Now widely regarded as one of the most important thinkers of the 20th century, the Russian writer Mikhail Bakhtin was silenced by political censorship and persecution for most of his life. In \"After Bakhtin\", David Lodge sketches Bakhtin's extraordinary career, and explores the relevance of his ideas - on the dialogic nature of language, on the typology of fictional discourse, and on the carnivalesque - to the writings of authors as diverse as George Eliot, James Joyce, D.H. Lawrence, Fay Weldon and Martin Amis. Further essays study particular texts - by Elizabeth Gaskell, Jane Austen, Henry James, Rudyard Kipling and Milan Kundera - illustrative of the development of the novel in its classic, modernist and postmodernist phases. Two final essays reflect on the current state of academic criticism.

After Bakhtin: Essays on Fiction and Criticism

Language and literature

The stylistic categories available for presenting consciousness have important semantic implications for the interpretation of fictional minds in narratives. Free indirect style, the broadest and m...

How is Mrs Ramsay thinking? The semantic effects of consciousness presentation categories within free indirect style:

Jane Austen’s Emma (1816) is generally considered an ambiguous and unreliable narrative in terms of point of view (Morini, 2009: 53–57; Wallace, 1995: 77–97). These qualities are often attributed t...

Elena Pallarés-García

Papers

Narrated perception revisited: The case of Jane Austen’s Emma