On Grief and Grieving: Finding the Meaning of Grief through the Five Stages of Loss

論語 = Confucius : the analects

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The Columbia History Of Chinese Literature

Education in Traditional China: A History (review)

Reconfiguring the poetess: Gender and canonicity in early twentieth-century Chinese poetry

The Chinese poet Li Qingzhao (李清照, 1084-1155 lived during the Song Dynasty (宋朝, 960-1279), a period of fierce wars against attacking Jurchen (女真) hordes from the North. This article describes her curriculum and reception by means of authentic and recent material. She came from a leading family of writers and politicians, and married a husband of her class. Initially, she had a happy marriage, although her partner was often for work from home. When they had to flee for the enemy, their large collection of antiquities was lost. Li had made poems since a young age. Approximately 50 so-called ci-poems (词) have been handed down from her. They show us a free woman who easily speaks about her body, sexuality, environment and work. Partly, her thoughts about her world and personal suffering come with great physical and mental pains, however, are also linked to dreams and flowers. In that she knows how to fully utilize common sense of symbolism in an original and feminine idiom. This is probably the reason that she has become an icon in traditional China, with dominating male preferences. She is placed in the socio-cultural framework of the Song Dynasty, and turns out to be child of her time. Chinese poetry, especially Li Qingzhao’s lyric, is still an important field of research.

Freerk Heule

Papers

War and Inner Peace: Li Qingzhao, Female Poet in Song China: A Biography, Poem, and Gender Analysis