Showing papers by "Gertrude Stein published in 2008"
29 Dec 2008
TL;DR: Opera in un prologue et quatre actes cree a Wadsworth Atheneum, Hartford, Connecticut le 8 fevrier 1934 as mentioned in this paper, performed in the first act.
Abstract: Opera en un prologue et quatre actes cree a Wadsworth Atheneum, Hartford, Connecticut le 8 fevrier 1934
20 citations
Book•
01 Jan 2008
TL;DR: Wilder and Wilder as mentioned in this paper discuss the importance of masterpieces and why there are so few of them (see, e.g., the article "With Apologies to Gertrude Stein," published in The New York Times, February 9, 1934).
Abstract: List of Abbreviations Introduction TEXTS Melanctha (excerpt, from Three Lives, 1905) The Making of Americans (excerpt, 1911) Picasso (1911) Flirting at the Bon Marche (1911) Bon Marche Weather (1911) Orta or One Dancing (excerpt, 1912) Susie Asado (1912) Tender Buttons: Objects, Food (1913) Scenes from the Door (from Useful Knowledge, 1918) Photograph (1920) A Movie (1920) An Elucidation (1923) If I Told Him, A Completed Portrait of Picasso (1923) Fourteen Anonymous Portraits (1923) Are There Arithmetics (1923) Business in Baltimore (1925) Composition as Explanation (1926) Patriarchal Poetry (excerpt, 1927) Sentences and Paragraphs (from How to Write, 1930) History or Messages from History (1930) We Came A History (1930) Stanzas in Meditation (excerpt, 1932) Lecture I (from Narration, 1934) Identity a Poem (1935) What Are Master-pieces and Why Are There So Few of Them (1936) DOCUMENTS "With Apologies to Gertrude Stein," newspaper advertisement Two love notes from Stein to Toklas (nd): "Dear dainty delicious darling" and "Ir/Re/Sis/Ti /Belle" Virgil Thomson, Letter to Gertrude Stein (May 30, 1933) "Stein Opera Sung by All-Negro Cast," New York Times (February 9, 1934) Thornton Wilder, Introduction to Narration (1935) Selected Bibliography Acknowledgments of Permissions
10 citations