Preface In Pursuit of the Postmodern Theories of Consumer Culture Towards a Sociology of Postmodern Culture Postmodernism, Cultural Change and Social Practice Postmodernism and the Aestheticization of Everyday Life Lifestyle and Consumer Culture City Cultures and Postmodern Lifestyles Postmodernism, Consumer Culture and Global Disorder Common Culture or Uncommon Cultures?

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Consumer Culture and Postmodernism

Scholars have vacillated for centuries between two opposing assessments of the role of poetics in social life. A long tradition of thinking about language and society argues that verbal art provides a central dynamic force in shaping linguistic structure and linguistic study. This position emerges clearly in the writings of Vico, Herder, and von Humboldt; attention from Sapir, the Russian "Formalists," and members of the Prague School to the role of poetics contributed to the development of performance studies and ethnopoe­ tics in the last two decades. Nonetheless, poetics has often been marginalized by anthropologists and linguists who believe that aesthetic uses of language are merely parasitic upon such "core" areas of linguistics as phonology, syntax, and semantics, or upon such anthropological fields as economy and social organization. The balance between these two views shifted in favor of poetics in the late 1970s and early 1980s as a new emphasis on performance directed attention away from study of the formal patterning and symbolic content of texts to the emergence of verbal art in the social interaction between performers and

Poetics and performance as critical perspectives on language and social life

@contents: Selected Contents: Acknowledgements Why Fiske Still Matters Henry Jenkins Reading Fiske and Understanding the Popular Kevin Glynn, Jonathan Gray and Pamela Wilson Notes on Contributors Preface Chapter 1 The Jeaning of America Chapter 2 Commodities and Culture Chapter 3 Productive Pleasures Chapter 4 Offensive Bodies and Carnival Pleasures Chapter 5 Popular Texts Chapter 6 Popular Discrimination Chapter 7 Politics References Index

Understanding popular culture

Domination and the Arts of Resistance

The essential introduction to the most important texts in post-colonial theory and criticism, this second edition has been thoroughly revised and updated to include 121 extracts from key works in the field. Leading, as well as lesser known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalization. The Reader's wide-ranging approach reflects the remarkable diversity of work in the discipline along with the vibrancy of anti-imperialist writing both within and without the metropolitan centres. Covering more debates, topics and critics than any comparable book in its field, The Post-Colonial Studies Reader is the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.

The Post-Colonial Studies Reader

Abuse with uncrowning, as truth about old authority, about the dying world, is an organic part of Rabelais’ system of images. It is combined with carnivalesque thrashings, with change of costume and travesty. Rabelais drew these images from the living popular-festive tradition of his time, but he was also well versed in the antique scholarly tradition of the Saturnalia, with its own rituals of travesties, uncrownings, and thrashings. Finally, the carnivalesque character appeared on private family occasions, christenings and memorial services, as well as on agricultural feasts, the harvest of grapes (vendage) and the slaughter of cattle, as described by Rabelais. In the time of Rabelais folk merriment had not as yet been concentrated in carnival season, in any of the towns of France. Shrove Tuesday (Mardi Gras) was but one of many occasions for folk merriment, although an important one.

Hélène Iswolsky

Papers

Rabelais and His World