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James Hankins

Researcher at Harvard University

Publications -  86
Citations -  1250

James Hankins is an academic researcher from Harvard University. The author has contributed to research in topics: Humanism & Renaissance philosophy. The author has an hindex of 16, co-authored 84 publications receiving 1201 citations.

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The Myth of the Platonic Academy of Florence

TL;DR: The role played by Marsilio Ficino and Neoplatonic philosophy in the cultural life of the High Renaissance can be traced back to the time of his first biographer, Giovanni Corsi as mentioned in this paper.
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Plato in the Italian Renaissance

James Hankins
TL;DR: This article provided a study of the dramatic revival of interest in the Platonic dialogues in Italy in the 15th century, through a contextual study of translations and commentaries on Plato, seeking to show how the interpretation of Plato was moulded by the expectations of 15th-century readers, by the need to protect Plato against his critics, and by broader hermeneutical assumptions and practices of the period.
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Cosimo de Medici and the Platonic Academy

TL;DR: The story of the Florentine Platonic Academy of Florence is the story of its founding as discussed by the authors, and it was founded by Cosimo de' Medici, during the Council of Florence in 1439, repeatedly hearing the neopagan philosopher Gemistus Pletho delivering lectures on Plato and was inspired by his contact with the Byzantine to refound the Platonic academy in his own city of Florence, the new Athens of Italy.
BookDOI

The Cambridge companion to Renaissance philosophy

James Hankins
TL;DR: Hankins as mentioned in this paper presents a chronology of Renaissance philosophy, including short biographies of Renaissance philosophers, and a discussion of the significance of renaissance philosophy in modern philosophy, as well as an overview of the history of modern philosophy.
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The Baron Thesis after Forty Years: Some Recent Studies on Leonardo Bruni

TL;DR: Baron was surely one of the three or four most influential interpreters of the Renaissance in the second half of the nineteenth century, according to a review-essay by John Najemy as mentioned in this paper.