The present historical moment may seem a particularly inopportune time to review Bowling Alone, Robert Putnam's latest exploration of civic decline in America. After all, the outpouring of volunteerism, solidarity, patriotism, and self-sacrifice displayed by Americans in the wake of the September 11 terrorist attacks appears to fly in the face of Putnam's central argument: that \"social capital\" -defined as \"social networks and the norms of reciprocity and trustworthiness that arise from them\" (p. 19)'has declined to dangerously low levels in America over the last three decades. However, Putnam is not fazed in the least by the recent effusion of solidarity. Quite the contrary, he sees in it the potential to \"reverse what has been a 30to 40-year steady decline in most measures of connectedness or community.\"' As an example of how the current \"war on terrorism\" could generate a durable civic renewal, Putnam points to the burst in civic practices that occurred during and after World War II, which he says \"permanently marked\" the generation that lived through it and had a \"terrific effect on American public life over the last half-century.\" 3 If Americans can follow this example and channel their current civic

Bowling alone: The collapse and revival of American community

Keywords: a Vocabulary of Culture and Society

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The New Meaning Of Educational Change

Susan Goethel Campbell’s exhibition Field Guide explores the nature of art and the conceptual process through a multimedia installation that also reflects upon temporality, art history, ecology and science. Introduced with a time-lapse video of weather patterns captured by web cam over the course of an entire year, atmospheric effects assume the quality of translucent washes that blur distinctions between opacity and transparency, painting and technology. Aerial views of built environments set against expansive cityscapes present essential imagery for large-format digital woodblock prints realized in monochromatic tonals and saturated grids of yellow and blazing orange. Some combine undulating wood grain patterns with pinhole perforations to admit light; others consist of diaphanous walnut stains applied to hand-crafted paper, a self-referential allusion to art’s planarity and permeable membrane. The evanescence of these views is echoed in pristine impressions of filtered dust and shimmering milkweed assemblages contained in Plexiglas light boxes. Known as Asclepias, milkweed is an herbaceous flower named by Carl Linnaeus after Asclepius, the Greek god of healing, due to its efficacious medicinal powers. Like the weather, the milkweed’s reflective silver filaments respond to shifting currents of air paired with gently wafted treetops projected in the viewing room. Here pearls of light corresponding to the spheres and pinpricks of the prints on the walls float randomly over the fictitious frame of a cubical vitrine. Orbs appear and disappear amid nocturnal shadows as figments of the imagination, their languid dispersion eliciting not-ofthis-world sensations of suspension, ascent and transcendence. This joined to the mesmerizing stillness of a gallery pierced occasionally by the sound of supersonic aircraft, a reminder of the machine in the garden. Beyond, the history of landscape photography and the Romantic sublime are encoded in works titled “Old Stand” that render minuscule figures of stationary box photographers against the grandeur of ice-capped Rockies. In some of the works the human figure is effaced as a historical memory through exquisitely modulated rubbings whose unbounded spatiality contrasts with the reflexive interiority of the viewing room. Campbell’s incandescent vision of nature asserts the phenomenal power of art to elevate the human spirit in the presence of heart-stirring beauty. It dares to reaffirm the timeless union between the material and immaterial substance of the universe, between human life and the ephemera of the natural world. f i l m

This Changes Everything: Capitalism vs. the Climate

Since the term 'cyborg' first emerged in the early 1960s it has gradually evolved to encompass an ever wider array of fields ranging from in vitro fertilization to science fiction cinema. In this article the idea of the cyborg will be explored in relation to the physical infrastructure of the city. It is suggested that the cyborg metaphor usefully challenges dualistic conceptions of urban space that revolve around antinomies such as nature/culture, body/technology, real/unreal and concrete/abstract. A cyborg perspective highlights complexity, hybridity and indeterminacy and emphasizes facets of the urban experience that remain extensively hidden in conventional accounts. Yet the cyborg concept also extends to functionalist, neo-orgamcist and technologically determinist approaches in which the role of flows, networks or biomorphic patterns takes precedence over the political dynamics of urban space. This article develops an alternative reading of the cyborg based around the need to rethink relations between the corporeality of the urban experience and the continuing political salience of the public realm.

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Cyborg Urbanization: Complexity and Monstrosity in the Contemporary City

The Cambridge Companion to Foucault

Researchers have long aimed to quantify environmental attitudes, subsequently incorporating them into more comprehensive models of values, attitudes, and behaviors. However, many metrics, notably the New Environmental Paradigm scale, conflate a situated, incomplete set of environmental attitudes with pro-environmental worldviews generally. Further, the measurement of environmental worldviews is often used instrumentally to engender pro-environmental behaviors, proving problematic both theoretically and pragmatically. Three dimensions are suggested to better explain the diversity of contemporary environmentalism—view of technology, view of societal response, and view of nature. This article argues that any multi-item scale will be limited in its ability to capture a dynamic concept like environmentalism, but when used appropriately quantitative scales can engender individual and community empowerment; therefore, reassessment rather than rejection is the appropriate way forward.

The new environmental paradigm scale: Reassessing the operationalization of contemporary environmentalism

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Renewing the New Environmental Paradigm Scale: The Underlying Diversity of Contemporary Environmental Worldviews.

After the Demise of the Tradition: Rorty, Critical Theory, and the Fate of Philosophy

Environmental organizations have become increasingly interested in identifying groups in the general population that understand scientific issues in an internally cohesive way However segmenting t

Jennifer Bernstein

Papers

The Cambridge Companion to Foucault

The new environmental paradigm scale: Reassessing the operationalization of contemporary environmentalism

Renewing the New Environmental Paradigm Scale: The Underlying Diversity of Contemporary Environmental Worldviews.

After the Demise of the Tradition: Rorty, Critical Theory, and the Fate of Philosophy

Beyond Unidimensionality: Segmenting Contemporary Pro-Environmental Worldviews Through Surveys and Repertory Grid Analysis