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Kemal Ebcioglu

Researcher at IBM

Publications -  70
Citations -  4687

Kemal Ebcioglu is an academic researcher from IBM. The author has contributed to research in topics: Very long instruction word & Compiler. The author has an hindex of 28, co-authored 68 publications receiving 4605 citations. Previous affiliations of Kemal Ebcioglu include University at Buffalo.

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Proceedings ArticleDOI

X10: an object-oriented approach to non-uniform cluster computing

TL;DR: A modern object-oriented programming language, X10, is designed for high performance, high productivity programming of NUCC systems and an overview of the X10 programming model and language, experience with the reference implementation, and results from some initial productivity comparisons between the X 10 and Java™ languages are presented.
Proceedings ArticleDOI

DAISY: dynamic compilation for 100% architectural compatibility

TL;DR: The architectural requirements for such a VLIW, to deal with issues including self-modifying code, precise exceptions, and aggressive reordering of memory references in the presence of strong MP consistency and memory mapped I/O are discussed.
Journal ArticleDOI

Programming by sketching for bit-streaming programs

TL;DR: StreamBit is developed as a sketching methodology for the important class of bit-streaming programs (e.g., coding and cryptography), which allows a programmer to write clean and portable reference code, and then obtain a high-quality implementation by simply sketching the outlines of the desired implementation.
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Dynamic binary translation and optimization

TL;DR: Different design trade-offs in the DAISY system and their impact on final system performance are reported, and the results show high degrees of instruction parallelism with reasonable translation overhead and memory usage.
Proceedings Article

An Expert System for Harmonizing Four-Part Chorales

TL;DR: The economy and elegance of the formal representation underlying these musical styles (which are not in the least less respectable than traditional styles of music), may often have an aesthetic appeal in and of themselves as discussed by the authors.