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Lori A. Polette

Researcher at University of Texas at El Paso

Publications -  6
Citations -  222

Lori A. Polette is an academic researcher from University of Texas at El Paso. The author has contributed to research in topics: Indigo & Palygorskite. The author has an hindex of 5, co-authored 6 publications receiving 220 citations.

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XAS and microscopy studies of the uptake and bio-transformation of copper in Larrea tridentata (creosote bush)

TL;DR: The mechanism employed by Larrea tridentata (Creosote bush) to uptake and simultaneously defend against the presence of excess copper has been investigated in this article, showing that creosote takes up or adsorbs copper from the soil in the Cu(II) oxidation state and transports it to the leaves.
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Maya blue: Application of XAS and HRTEM to materials science in art and archaeology

TL;DR: In this paper, the role of iron in authentic and synthetic samples of Maya blue using X-ray absorption spectroscopy (XAS) and high-resolution transmission electron microscopy (HRTEM) was investigated.
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Raman and infrared studies of synthetic Maya pigments as a function of heating time and dye concentration

TL;DR: In this paper, the authors used FT-Raman and FT-IR spectroscopy to demonstrate chemical stability similar to that of the ancient Maya Blue samples, and showed that stable complexes can be synthesized at much higher dye concentrations than used by the Mayas.
Journal Article

Raman and infrared study of synthetic Maya pigments as a function of heating time and dye concentration

TL;DR: In this article, the authors used FT-Raman and FT-IR spectroscopy to demonstrate chemical stability similar to that of the ancient Maya Blue samples, and showed that stable complexes can be synthesized at much higher dye concentrations than used by the Mayas.
Journal ArticleDOI

Synchrotron and simulations techniques applied to problems in materials science: catalysts and Azul Maya pigments

TL;DR: The application of multiple synchrotron characterization techniques to two classes of materials defined as 'surface compounds' is reviewed and the 'Maya blue' pigments are identified, based on technology created by the ancient Maya.