In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction, and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy.

Time and Narrative

accademiche [38]. Ada [45]. Adrian [45]. African [56]. Age [39, 49, 61]. Al [23]. Al-Rawi [23]. Aldous [68]. Alex [15]. Allure [46]. America [60, 66]. American [49, 69, 61, 52]. ancienne [25]. Andreas [28]. Angela [42]. Animals [16]. Ann [26]. Anna [19, 47]. Annotated [46]. Annotations [28]. Anti [37]. Anti-Copernican [37]. Antibiotic [64]. Anxiety [51]. Apocalyptic [61]. Archaeology [26]. Ark [36]. Artisan [32]. Asylum [48]. Atri [54]. Audra [65]. Australia [41]. Authorship [15]. Axelle [29].

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A Complete Bibliography of Publications in Isis, 2000{2009

Language and Power: Exploring Political Cultures in Indonesia.

Translation as Text Production Translation as Intercultural Communication Translation, Ethics and Politics Translation as a Profession Issues in Audiovisual Translation

The Routledge Companion to Translation Studies

Current research finds the label “translation” an apt characterization of diverse communicative practices. This review argues that the term points to a whole family of semiotic processes. Writings on translation share a key insight: Different social worlds—including those of scholars—emerge through forms of communication in which practices, objects, genres, and texts are citable, recontextualizable. This generative process mediates among the domains of knowledge and action that the communications themselves play a role in separating. The connections and differentiations, as framed by metadiscourses, construct relations of power and politics. I seek to highlight a widening, productive conversation about translational practices among studies of science, in medical, legal, and linguistic anthropology, in research on Christianities, and in advocacy. The translation rubric gathers together practices of transduction, (in)commensuration, circulation, enactment of reference, standardizations, and various forms of...

Politics of Translation

Preface 1 Introduction: the problem of language in cross-cultural studies Part I Between the Nation and the Individual: 2 Translating national character Lu Xun and Arthur Smith 3 The discourse of individualism Part II Translingual modes of representation: 4 Homo Economicus and the question of novelistic realism 5 Narratives of desire: negotiating the real and the fantastic 6 The deixis of writing in the first person Part III National Building and Culture Building: 7 Literary criticism as a discourse of legitimation 8 The making of the Compendium of Modern Chinese Literature 9 Rethinking culture and national essence Appendixes Notes Index

Translingual Practice: Literature, National Culture, and Translated Modernity―China, 1900-1937

The problem of translation has become increasingly central to critical reflections on modernity and its universalizing processes. Approaching translation as a symbolic and material exchange among peoples and civilizations—and not as a purely linguistic or literary matter, the essays in Tokens of Exchange focus on China and its interactions with the West to historicize an economy of translation. Rejecting the familiar regional approach to non-Western societies, contributors contend that “national histories” and “world history” must be read with absolute attention to the types of epistemological translatability that have been constructed among the various languages and cultures in modern times.

By studying the production and circulation of meaning as value in areas including history, religion, language, law, visual art, music, and pedagogy, essays consider exchanges between Jesuit and Protestant missionaries and the Chinese between the seventeenth and nineteenth centuries and focus on the interchanges occasioned by the spread of capitalism and imperialism. Concentrating on ideological reciprocity and nonreciprocity in science, medicine, and cultural pathologies, contributors also posit that such exchanges often lead to racialized and essentialized ideas about culture, sexuality, and nation. The collection turns to the role of language itself as a site of the universalization of knowledge in its contemplation of such processes as the invention of Basic English and the global teaching of the English language. By focusing on the moments wherein meaning-value is exchanged in the translation from one language to another, the essays highlight the circulation of the global in the local as they address the role played by historical translation in the universalizing processes of modernity and globalization.

The collection will engage students and scholars of global cultural processes, Chinese studies, world history, literary studies, history of science, and anthropology, as well as cultural and postcolonial studies.

Contributors . Jianhua Chen, Nancy Chen, Alexis Dudden Eastwood, Roger Hart, Larissa Heinrich, James Hevia, Andrew F. Jones, Wan Shun Eva Lam, Lydia H. Liu, Deborah T. L. Sang, Haun Saussy, Q. S. Tong, Qiong Zhang

Tokens of Exchange: The Problem of Translation in Global Circulations

Acknowledgments -- List of Chinese dynasties and note on translation introduction : toward a transnational feminist theory -- The historical context : Chinese feminist worlds at the turn of the twentieth century -- He-Yin Zhen biography -- He-Yin Zhen, "On the question of women's liberation" -- He-Yin Zhen, "On the question of women's labor" -- He-Yin Zhen, "Economic revolution and women's revolution" -- He-Yin Zhen, "On the revenge of women" -- He-Yin Zhen, "On feminist antimilitarism" -- He-Yin Zhen, "The feminist manifesto" -- Liang Qichao biography -- Liang Qichao, "On women's education" -- Jin Tianhe biography -- Jin Tianhe, "The women's bell" -- Bibliography -- Index.

The birth of Chinese feminism : essential texts in transnational theory

The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first place? Lydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious.Lius innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious.Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.

Lydia H. Liu

Papers

Translingual Practice: Literature, National Culture, and Translated Modernity―China, 1900-1937

Tokens of Exchange: The Problem of Translation in Global Circulations

The birth of Chinese feminism : essential texts in transnational theory

The Freudian Robot: Digital Media and the Future of the Unconscious

Translingual Practice: The Discourse of Individualism between China and the West