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Competing paradigms in qualitative research.

n our chapter for the first edition of the Handbook of Qualitative Research, we focused on the contention among various research paradigms for legitimacy and intellectual and p;uadigmatic hegemony (Guba & Lincoln, 1994). The postmodern paradigms that we discussed (postmodernist critical theory and constructivism) 1 were in contention with the received positivist and postpositivist paradigms for legitimacy, and with one another for intellectual legitimacy. In the half dozen years that have elapsed since that chapter was published, substantial change has occurred in the landscape of social scientific inquiry. On the matter of legitimacy, we observe that readers familiar with the literature on methods and paradigms reflect a high interest in ontologies and epistemologies that differ sharply from those undergirding conventional social science. Second, even those est::~blished professionals trained in quantitative social science (including the two of us) want to learn more about qualitative approaches, because new young professionals being mentored in graduate schools are asking serious questions about and looking for guidance in qualitatively oriented studies and dissertations. Third, the number of qualitative texts, research papers, workshops, and training materials has exploded. Indeed, it would be difficult to miss the distinct turn of the social sciences tow::~rd more interpretive, postmodern, and criticalist practices and theorizing (Bloland, 1989, 1995). This nonpositivist orientation has created a context (surround) in which virtually no study can go unchallenged by proponents of contending paradigms. Further, it

Paradigmatic Controversies, Contradictions, and Emerging Confluences.

From the Publisher: 
A Question of Identity 
Life on the Screen is a fascinating and wide-ranging investigation of the impact of computers and networking on society, peoples' perceptions of themselves, and the individual's relationship to machines. Sherry Turkle, a Professor of the Sociology of Science at MIT and a licensed psychologist, uses Internet MUDs (multi-user domains, or in older gaming parlance multi-user dungeons) as a launching pad for explorations of software design, user interfaces, simulation, artificial intelligence, artificial life, agents, "bots," virtual reality, and "the on-line way of life." 
Turkle's discussion of postmodernism is particularly enlightening. She shows how postmodern concepts in art, architecture, and ethics are related to concrete topics much closer to home, for example AI research (Minsky's "Society of Mind") and even MUDs (exemplified by students with X-window terminals who are doing homework in one window and simultaneously playing out several different roles in the same MUD in other windows). Those of you who have (like me) been turned off by the shallow, pretentious, meaningless paintings and sculptures that litter our museums of modern art may have a different perspective after hearing what Turkle has to say. 
This is a psychoanalytical book, not a technical one. However, software developers and engineers will find it highly accessible because of the depth of the author's technical understanding and credibility. Unlike most other authors in this genre, Turkle does not constantly jar the technically-literate reader with blatant errors or bogus assertions about how things work. Although I personally don't have time or patience for MUDs,view most of AI as snake-oil, and abhor postmodern architecture, I thought the time spent reading this book was an extremely good investment.

스크린 위의 삶 = Life on the screen : identity in the age of the internet

This review surveys an emergent methodological trend in anthropological research that concerns the adaptation of long-standing modes of ethnographic practices to more complex objects of study. Ethnography moves from its conventional single-site location, contextualized by macro-constructions of a larger social order, such as the capitalist world system, to multiple sites of observation and participation that cross-cut dichotomies such as the “local” and the “global,” the “lifeworld” and the “system.” Resulting ethnographies are therefore both in and out of the world system. The anxieties to which this methodological shift gives rise are considered in terms of testing the limits of ethnography, attenuating the power of fieldwork, and losing the perspective of the subaltern. The emergence of multi-sited ethnography is located within new spheres of interdisciplinary work, including media studies, science and technology studies, and cultural studies broadly. Several “tracking” strategies that shape multi-site...

http://anthro.vancouver.wsu.edu/media/Course_files/anth-490-edward-h-hagen/marcus-1995-ethnography-in-of-the-world-system_the-emergence-of-multi-sited-ethnography.pdf

Ethnography in/of the World System: The Emergence of Multi-Sited Ethnography

Discourse Analysis as Theory and Method is a systematic introduction to discourse analysis as a body of theories and methods for social research. It brings together three central approaches, Laclau and Mouffe's discourse theory, critical discourse analysis and discursive psychology, in order to establish a dialogue between different forms of discourse analysis often kept apart by disciplinary boundaries. The book introduces the three approaches in a clear and easily comprehensible manner, explaining the distinctive philosophical premises and theoretical perspectives of each approach as well as the methodological guidelines and tools they provide for empirical discourse analysis. The authors also demonstrate the possibilities for combining different discourse analytical and non-discourse analytical approaches in empirical study. Finally, they contextualize discourse analysis within the social constructionist debate about critical social research, rejecting the view that a critical stance is incompatible with social constructionist premises and arguing that critique must be an inherent part of social research.

/pdf/discourse-analysis-as-theory-and-method-4envkcrccs.pdf

Discourse Analysis as Theory and Method

Using cultural anthropology to analyze debates that reverberate throughout the human sciences, George E. Marcus and Michael M. J. Fischer look closely at cultural anthropology's past accomplishments, its current predicaments, its future direction, and the insights it has to offer other fields of study. The result is a provocative work that is important for scholars interested in a critical approach to social science, art, literature, and history, as well as anthropology. This second edition considers new challenges to the field which have arisen since the book's original publication.

Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences

[Book review] anthropology as cultural critique, an experimental moment in the human sciences

作为文化批评的人类学 : 一个人文学科的实验时代 = Anthropology as cultural critique

Iran : from religious dispute to revolution , Iran : from religious dispute to revolution , کتابخانه دانشگاه امام صادق(ع)

Iran: From Religious Dispute to Revolution

Anthropology as Cultural Critique helped redefine cultural anthropology in the 1980s. Now, with Emergent Forms of Life and the Anthropological Voice, pathbreaking scholar Michael M. J. Fischer moves the discussion to a consideration of the groundwork laid in the 1990s for engagements with the fast-changing worlds of technoscience, telemedia saturation, and the reconstruction of societies after massive trauma. Fischer argues that new methodologies and conceptual tools are necessitated by the fact that cultures of every kind are becoming more complex and differentiated at the same time that globalization and modernization are bringing them into exponentially increased interaction. Anthropology, Fischer explains, now operates in a series of third spaces well beyond the nineteenth- and twentieth-century dualisms of us/them, primitive/civilized, East/West, or North/South. He contends that more useful paradigms—such as informatics, multidimensional scaling, autoimmunity, and visual literacy beyond the frame—derive from the contemporary sciences and media technologies.

A vigorous advocate of the anthropological voice and method, Fischer emphasizes the ethical dimension of cultural anthropology. Ethnography, he suggests, is uniquely situated to gather and convey observations fundamental to the creation of new social institutions for an evolving civil society. In Emergent Forms of Life and the Anthropological Voice Fischer considers a dazzling array of subjects—among them Iranian and Polish cinema, cyberspace, autobiographical and fictional narrative, and genomic biotechnologies—and, in the process, demonstrates a cultural anthropology for a highly networked world. He lays the groundwork for a renewed and powerful twenty-first-century anthropology characterized by a continued insistence on empirical fieldwork, engagements with other disciplines, and dialogue with interlocutors around the globe.

Michael M. J. Fischer

Papers

Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences

[Book review] anthropology as cultural critique, an experimental moment in the human sciences

作为文化批评的人类学 : 一个人文学科的实验时代 = Anthropology as cultural critique

Iran: From Religious Dispute to Revolution

Emergent Forms of Life and the Anthropological Voice