We present a method that achieves state-of-the-art results for synthesizing novel views of complex scenes by optimizing an underlying continuous volumetric scene function using a sparse set of input views. Our algorithm represents a scene using a fully-connected (non-convolutional) deep network, whose input is a single continuous 5D coordinate (spatial location $(x,y,z)$ and viewing direction $(\theta, \phi)$) and whose output is the volume density and view-dependent emitted radiance at that spatial location. We synthesize views by querying 5D coordinates along camera rays and use classic volume rendering techniques to project the output colors and densities into an image. Because volume rendering is naturally differentiable, the only input required to optimize our representation is a set of images with known camera poses. We describe how to effectively optimize neural radiance fields to render photorealistic novel views of scenes with complicated geometry and appearance, and demonstrate results that outperform prior work on neural rendering and view synthesis. View synthesis results are best viewed as videos, so we urge readers to view our supplementary video for convincing comparisons.

NeRF: Representing Scenes as Neural Radiance Fields for View Synthesis

This work presents a Multi-View Stereo system for robust and efficient dense modeling from unstructured image collections. Our core contributions are the joint estimation of depth and normal information, pixelwise view selection using photometric and geometric priors, and a multi-view geometric consistency term for the simultaneous refinement and image-based depth and normal fusion. Experiments on benchmarks and large-scale Internet photo collections demonstrate state-of-the-art performance in terms of accuracy, completeness, and efficiency.

/pdf/pixelwise-view-selection-for-unstructured-multi-view-stereo-ue2no30piv.pdf

Pixelwise View Selection for Unstructured Multi-View Stereo

We present a method that achieves state-of-the-art results for synthesizing novel views of complex scenes by optimizing an underlying continuous volumetric scene function using a sparse set of input views. Our algorithm represents a scene using a fully-connected (non-convolutional) deep network, whose input is a single continuous 5D coordinate (spatial location (x, y, z) and viewing direction $(\theta ,\phi )$) and whose output is the volume density and view-dependent emitted radiance at that spatial location. We synthesize views by querying 5D coordinates along camera rays and use classic volume rendering techniques to project the output colors and densities into an image. Because volume rendering is naturally differentiable, the only input required to optimize our representation is a set of images with known camera poses. We describe how to effectively optimize neural radiance fields to render photorealistic novel views of scenes with complicated geometry and appearance, and demonstrate results that outperform prior work on neural rendering and view synthesis. View synthesis results are best viewed as videos, so we urge readers to view our supplementary video for convincing comparisons.

We present an end-to-end deep learning architecture for depth map inference from multi-view images. In the network, we first extract deep visual image features, and then build the 3D cost volume upon the reference camera frustum via the differentiable homography warping. Next, we apply 3D convolutions to regularize and regress the initial depth map, which is then refined with the reference image to generate the final output. Our framework flexibly adapts arbitrary N-view inputs using a variance-based cost metric that maps multiple features into one cost feature. The proposed MVSNet is demonstrated on the large-scale indoor DTU dataset. With simple post-processing, our method not only significantly outperforms previous state-of-the-arts, but also is several times faster in runtime. We also evaluate MVSNet on the complex outdoor Tanks and Temples dataset, where our method ranks first before April 18, 2018 without any fine-tuning, showing the strong generalization ability of MVSNet.

/pdf/mvsnet-depth-inference-for-unstructured-multi-view-stereo-4ukad0fqmp.pdf

MVSNet: Depth inference for unstructured multi-view stereo

Developing visual perception models for active agents and sensorimotor control in the physical world are cumbersome as existing algorithms are too slow to efficiently learn in real-time and robots are fragile and costly. This has given rise to learning-in-simulation which consequently casts a question on whether the results transfer to real-world. In this paper, we investigate developing real-world perception for active agents, propose Gibson Environment for this purpose, and showcase a set of perceptual tasks learned therein. Gibson is based upon virtualizing real spaces, rather than artificially designed ones, and currently includes over 1400 floor spaces from 572 full buildings. The main characteristics of Gibson are: I. being from the real-world and reflecting its semantic complexity, II. having an internal synthesis mechanism "Goggles" enabling deploying the trained models in real-world without needing domain adaptation, III. embodiment of agents and making them subject to constraints of physics and space.

/pdf/gibson-env-real-world-perception-for-embodied-agents-3hvwk4uu4r.pdf

Gibson Env: Real-World Perception for Embodied Agents

3D reconstruction pipelines using structure-from-motion and multi-view stereo techniques are today able to reconstruct impressive, large-scale geometry models from images but do not yield textured results. Current texture creation methods are unable to handle the complexity and scale of these models. We therefore present the first comprehensive texturing framework for large-scale, real-world 3D reconstructions. Our method addresses most challenges occurring in such reconstructions: the large number of input images, their drastically varying properties such as image scale, (out-of-focus) blur, exposure variation, and occluders (e.g., moving plants or pedestrians). Using the proposed technique, we are able to texture datasets that are several orders of magnitude larger and far more challenging than shown in related work.

https://link.springer.com/content/pdf/10.1007%2F978-3-319-10602-1_54.pdf

Let There Be Color! Large-Scale Texturing of 3D Reconstructions

MVE-An image-based reconstruction environment

Image downscaling is arguably the most frequently used image processing tool. We present an algorithm based on convolutional filters where input pixels contribute more to the output image the more their color deviates from their local neighborhood, which preserves visually important details. In a user study we verify that users prefer our results over related work. Our efficient GPU implementation works in real-time when downscaling images from 24 M to 70 k pixels. Further, we demonstrate empirically that our method can be successfully applied to videos.

Rapid, detail-preserving image downscaling

The ultimate goal of many image-based modeling systems is to render photo-realistic novel views of a scene without visible artifacts. Existing evaluation metrics and benchmarks focus mainly on the geometric accuracy of the reconstructed model, which is, however, a poor predictor of visual accuracy. Furthermore, using only geometric accuracy by itself does not allow evaluating systems that either lack a geometric scene representation or utilize coarse proxy geometry. Examples include a light field and most image-based rendering systems. We propose a unified evaluation approach based on novel view prediction error that is able to analyze the visual quality of any method that can render novel views from input images. One key advantage of this approach is that it does not require ground truth geometry. This dramatically simplifies the creation of test datasets and benchmarks. It also allows us to evaluate the quality of an unknown scene during the acquisition and reconstruction process, which is useful for acquisition planning. We evaluate our approach on a range of methods, including standard geometry-plus-texture pipelines as well as image-based rendering techniques, compare it to existing geometry-based benchmarks, demonstrate its utility for a range of use cases, and present a new virtual rephotography-based benchmark for image-based modeling and rendering systems.

Virtual Rephotography: Novel View Prediction Error for 3D Reconstruction

This paper targets at discovering what a deep uncalibrated photometric stereo network learns to resolve the problem’s inherent ambiguity, and designing an effective network architecture based on the new insight to improve the performance. The recently proposed deep uncalibrated photometric stereo method achieved promising results in estimating directional lightings. However, what specifically inside the network contributes to its success remains a mystery. In this paper, we analyze the features learned by this method and find that they strikingly resemble attached shadows, shadings, and specular highlights, which are known to provide useful clues in resolving the generalized bas-relief (GBR) ambiguity. Based on this insight, we propose a guided calibration network, named GCNet, that explicitly leverages object shape and shading information for improved lighting estimation. Experiments on synthetic and real datasets show that GCNet achieves improved results in lighting estimation for photometric stereo, which echoes the findings of our analysis. We further demonstrate that GCNet can be directly integrated with existing calibrated methods to achieve improved results on surface normal estimation. Our code and model can be found at https://guanyingc.github.io/UPS-GCNet.

Michael Waechter

Papers

Let There Be Color! Large-Scale Texturing of 3D Reconstructions

MVE-An image-based reconstruction environment

Rapid, detail-preserving image downscaling

Virtual Rephotography: Novel View Prediction Error for 3D Reconstruction

What Is Learned in Deep Uncalibrated Photometric Stereo